Idiopathy. Sam Byers

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Idiopathy - Sam  Byers

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of course, had been a while ago, and there had been other, non-office-based men floating around during the same time period. Nothing had gone well. Katherine had started waking up sad a lot more often. The thing with her skin had started. She’d gained weight, then lost it, then lost a little more. Sleep was becoming increasingly difficult. Once, during a stretch of annual leave she’d taken purely to use up her quota and which she’d spent wearing a cereal-caked dressing gown and staring slack-faced at Nazis on the History Channel, she’d swallowed a fistful of pills and curled up in bed waiting to die, only to wake up five hours later in a puddle of vomit, many of the pills still whole in the mess. She had words with herself. She got dressed the next day and did her makeup and went into the city and collided with Keith, who suggested coffee, then food, then violent, bruising sex in his garage, her stomach pressed against the hot, ticking metal of his car bonnet.

      ‘I remember once …’ said Keith, lying back against the car afterwards, Katherine beside him, both of them smoking and waiting for the pain to subside. ‘What was I … Fuck it, it’s gone.’

      There were days when it all seemed sordid and doomed; days which, oddly, Katherine romanticised more than the days of hope. There was something doomed about Keith generally, she thought, and she liked it. He was forty-one (because, she thought, once you’d broken a rule, it was no longer really a rule, and so couldn’t be said to have been broken a second time); thin on top and thick round the middle. At work he wore crumpled linen and skinny ties. In the evenings he favoured faded black denims and battered Converse. He liked songs about blood and blackness: guitar-driven thrash-outs that made him screw up his face and clench his teeth like a man battling a bowel obstruction. He had pale, slightly waxy skin and grey eyes with a white ring around the iris. Katherine had read somewhere that this had medical implications but she couldn’t remember what they were and so chose not to mention it. She liked the idea that Keith was defective; that he might be dying. She liked the fact that he was open about what he called his heroin years. She even liked the way he hurt her in bed: the sprained shoulder, the deep gouge on her left thigh. Keith was different in what Katherine saw as complementary ways. He would never love her, would probably never love anyone or anything, and Katherine admired this about him. He seemed beyond the concerns that threatened daily (yes, daily by now) to swallow her whole. By definition, of course, this also placed him beyond her, but she liked that too.

      She didn’t live in London. There were mornings when she had to stare forcefully into the mirror and repeat this to herself like a mantra. On a good morning she could just about say the name of her actual location, but it was hard. She and Daniel had moved here together, ostensibly for his job. There were unspoken implications regarding the pitter-patter of little feet. But announcements were not forthcoming, and then they broke up, and then London looked like it would be lonely, and now she was stuck.

      Her mother rang with reliable frequency. Always a practical woman, Katherine’s mother felt the best way to voice her concerns about Katherine’s well-being was to be direct at all times. This seemed to involve repeatedly asking Katherine if she was OK, which of course had the effect of making Katherine feel a long way from OK.

      ‘Are you eating enough?’ her mother would say bluntly. ‘Are you eating healthy foods?’

      ‘Yes,’ Katherine would say, midway through a doughnut. ‘This morning I had porridge for breakfast, and for lunch I had a baked potato with tuna fish. For dinner I’m going to have grilled chicken breast.’

      ‘Are you being facetious? Because it’s unattractive you know. And not entirely mature.’

      ‘I’m being honest. Is that mature?’

      ‘That depends entirely,’ said her mother, ‘on what you’re being honest about.’

      She met with Keith only on selected evenings. They fucked and drank and rarely spoke, which suited Katherine. He bought her a vibrator as a present: gift-wrapped, with a heart-shaped tag that read ‘Think of me’. She donated it, tag and all, to her local charity shop on her way to work, buried at the bottom of a carrier bag filled with musty paperbacks and a selection of Daniel’s shirts she’d found amidst her archived clothes. She never saw it for sale, and wondered often what had become of it. She liked to think one of the elderly volunteers had taken it home and subjected herself to an experience so revelatory as to border on the mystical.

      ‘Keith,’ she said one evening, deliberately loudly, in a crowded restaurant she’d selected precisely because she knew it would be crowded when she asked the question. ‘How many people are you fucking right now?’

      ‘Including you?’

      ‘Excluding me.’

      ‘Three,’ he said calmly. ‘You?’

      ‘Four,’ she lied.

      ‘Is it Daniel?’ her mother asked during one of her interminable phone calls. ‘Because I understand, you know, I really do.’

      ‘It’s not Daniel, Mother.’

      ‘He sent me a birthday card last week. He always sends me Christmas and birthday cards. Isn’t that nice?’

      ‘It’s not nice,’ said Katherine. ‘It’s anally retentive. He sends you cards because you’re on his list. It’s basically an automated response. It never occurs to him to change anything.’

      ‘Does he send you cards?’

      ‘No.’

      She hated the idea that she might be the sort of person who had mummy issues. She was, or so she liked to think, much too alternative and free a person to find herself constrained by an unimaginative inability to slough off all those childhood hurts. That said, she wasn’t entirely above the occasional girlish fantasy of dying and yet somehow still being able to watch her own funeral, where her mother would, she hoped, hurl herself, weeping like a Mafia wife, onto her coffin. As a child, Katherine had almost always imagined her death to be the result of suicide. Now, older as she was, and so much more aware of the utter lack of romanticism in killing herself, she imagined instead that some tragic external event would be responsible for her passing; something sudden and only just within the realm of possibility, such as being struck by lightning or pancaked by tumbling furniture.

      One could, Katherine was aware, come to all sorts of dim GCSE-level psychological conclusions about her mother, her father etc. etc. Needless to say, Katherine drew none of these conclusions for herself and was so resistant to their application that few people tried to draw them for her. Daniel, of course, being Daniel, had been one of those few, and it had caused such an almighty argument, which snowballed from an exchange of words into an exchange of crockery, that he had never dared go near the subject again unless, as was sometimes the case, he quite consciously wished to start an argument. He had once, in a display so petulant and pathetic that Katherine had merely stood aside and laughed, flounced around the lounge in what he clearly thought was an excellent impression of Katherine – all pouty lips and flappy hands – saying in a put-on baby voice that forever afterwards severely limited his sexual appeal in Katherine’s eyes, My mummy doesn’t love me. This was, of course, towards the end of their relationship, and while not exactly a contributing factor in the split, certainly didn’t work in his favour.

      The truth, if there was such a thing, was that Katherine rather admired her mother. Daniel, clearly proud of himself at coming up with the metaphor, had likened this to Stockholm Syndrome. There was, Katherine would be the first to admit, an atomic element of truth in this, but it was also, or so she maintained, a rather gross misunderstanding of the sort of relationship she and her mother had enjoyed (yes, enjoyed) over three decades of mud-slinging, belittling, mocking and general one-upmanship. Katherine’s

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