Last Dance with Valentino. Daisy Waugh

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of some type. At his arrival the crowds became so carried away that extra police had to be called. They had mauled him as he fought his way through from theatre to automobile, torn the buttons from his coat, and a great chunk from the lining of his jacket – one woman had clung to his tie and swung: ‘And I wanted to say to them all . . . ’ he told me, that soft, deep voice, smiling, talking only to me, ‘ . . . I wanted to say but, girls – ladies! Are you all quite mad? Can’t you see I am only a man? Just another man. Go home to your husbands!’ That was when he turned, came across the room to me, lying here, and he leaned over the bed and kissed me once more, one last time; a perfectly tender, perfect kiss – ‘ . . . what you see is nothing but an illusion. Nothing but a dream . . . ’

      ‘Not a dream to me,’ I told him. ‘I hope. You’re not a dream to me – are you?’

      He shook his head. ‘No, Jennifer,’ he replied, his hand on my cheek, finger tracing my lips. ‘I think you are the dream, cara mia . . . All this time I have been waiting, and wondering, and hoping . . . hoping against hope . . . and finally . . . ’ He sighed. ‘But I wish you would stay tonight. Or at least let me get you a room of your own. You’d be far more comfortable. And safer. And closer. And then maybe you could accompany me tonight – if you wanted to. Or maybe you would let me come to you later and then – Jenny, if you were here, in the hotel, we could be quite discreet. Quite unobserved . . . ’

      Cara mia.

      He has been waiting for me all this time.

      But I can’t let him get me a room. I can’t go with him tonight. I think we both understand that.

      ‘Will you be here for me when I return?’ he asked.

      I replied that I would be in my own hotel room on 41st when he returned, preparing for my meeting with Miss Marion. He nodded at that. So, I said to him, I would return to my hotel and sleep, and wait for him to telephone me there.

      ‘Tomorrow, then,’ he said. ‘ After you have seen Frances. I shan’t distract you, I promise. And then, when you’re finished, I shall send all sorts of messages. I shall inundate you with messages . . . I shall telephone you every half an hour. That is,’ he stopped suddenly, ‘if I may?’

      If I may! I laughed aloud. And after a polite hesitation, he laughed too.

      For I am his completely. We both know it.

      Now, it is my turn to wait. Again. It is Lola Nightingale’s turn to wait. Or Jennifer Doyle’s turn, I should say. Jennifer No-one from Nowhere must join the long line . . .

      – – –

      Last month he was voted the Most Desirable Movie Star in America by the quarter-million astute readers of Photoplay. Hardly a surprise, after all . . . He has lit a fire in us all. Every woman in America! But I have loved him since long before the others, I have loved him from the moment I first laid eyes on him – that airless night ten years ago ... 11 August 1916 . . . Ten years, one day, nineteen hours and twenty minutes . . . It was my first night in America, and he was as lonely as I. Fighting, just as I was, only with better grace and a bigger, warmer, bolder heart, for a little space in this brash new American world...

      And now I am alone in his bed, with our salt on my skin, the taste of him, the feel of him glowing, still, in every corner of my being – and he is returning to me because he loves me. He loves me. And I have always loved him.

      – – –

      I need to leave. I begin to think it’s a little mawkish to be lolling here in this crazy, beautiful bed – now that he is gone. I should get the hell out of this beautiful, warm place before the maids come in and gawk at me, and imagine I am simply another of his little fans.

      Only I feel too feeble. I feel so dizzy – I don’t have any strength left, not to sit up, let alone to stand . . . So I shall lie here, mawkish or not, and I shall do what I always do in times of confusion, disorder, disarray, complete and utter madness . . . I shall scribble it down on paper. On his own embossed writing paper, nothing less, since I have found it lying here . . . And then the mental effort of ordering my thoughts will force me to some sort of stillness, just as it usually does.

      – – –

      I heard a couple of ladies paid Mr John Barrymore’s valet $2,000 in fresh new dollar bills a short while back so as to be let into his bungalow over at Warner while he was out; and they hid in his private bathroom until he wandered in from the set and then, in a great burst, the ladies jumped right out in front of him! Heaven knows how Rudy might have responded. In any case, the great John Barrymore was too well fizzed (quel surprise) to give it even the slightest notice. He simply looked at them, from one to the other, and smiled, and then as the poor girls almost died right there before him, he gave them a low bow, and said, ‘Care for a little moonshine, ladies?’ And, yes, as it happened, they did! Cared for a great deal more than a little moonshine, I understand. Cared for all sorts of things. So much so, indeed, that I believe the valet was even permitted to keep his job! But never mind that. Never mind them.

      He loves me. Rudy loves me. And I am not just a fan. I am not just a lady in search of moonshine. I am a professional person, for God’s sake! A paid-for professional writer of Hollywood photoplays. At least, I am about to be. Frances Marion has telegraphed to say they will surely buy the first one and with her recommendation they surely will, since all Hollywood listens to Miss Marion . . . And really, quite suddenly, everything in my crazy life is too unimaginably wonderful, and I have not the faintest idea what I may have done to deserve it.

      But I should leave! I must leave! There is the new Marion Davies picture showing at the Strand, and Frances Marion says I must see it before our lunch together. But of all the movie theatres in New York, could it not have been showing at any other? It’s where we saw the Mary Pickford picture, he and I, on that awful, terrible night.

      And then afterwards we took a taxicab with all our winnings, and he came with me to surprise Papa for supper . . . And I suppose that was where it started. Not with the secret dance on the lawn that first warm night, and my mind spinning, and the sound of the Victrola seeping out through the moonlight . . .

      You made me love you . . .

      I didn’t want to do it

      Ha! How I remember that song!

      . . . You made me want you . . .

      And all the time you knew it

      . . . Not with the secret dance that first night. Not quite. A little later, I think. Of course, it was at Papa’s that it started.

      Chapter 2

      Summer 1916

      I must begin with leaving England, I suppose, and with my father, even if normally I try my best to avoid thinking of him. Only today, and yesterday – in the midst of so much happiness – suddenly I discover I can hardly keep him from my mind.

      Papa must have drawn the sketch of me from memory, alone in that awful boarding-house. He must have drawn it at the very end, when I half believed he was capable of nothing. In any case, even if there had never been the sketch, and Rudy never had kept it all this time, and never had shown it to me as he did, only yesterday – and taken the wind from my lungs, so that I thought I might drown – I must still remember him. Because in spite of everything he was a

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