exhaustion at the wilting end of one night and pick it all up again the next. When the more sex you had the more you wanted as all the rusty cogs within you were oiled up. Before familiarity and exhaustion and stress wound you down and the less you had, the less you wanted. And you stopped.
You’d never want that to happen with Gabriel.
He’s making you feel so alive, just being around him. You’ve always loved people like that: heart lifters, not heart sinkers. He’s making you laugh again, with your eyes. You talk as if this is the last time you’ll ever talk and there’s so little time and you need to know everything, now, before it’s too late.
How did it go, in LA?
I don’t know. I never know. I’m always being told I was second-best. The list of failures is very long.
There’s no anger, frustration, angst; maybe the affability is an extremely smooth defence but you suspect your Gabriel is not very good at pushing his way through life. Is it such a bad thing? Everyone’s so good at seizing now, especially Theo; her life is all about hunting down the best deals, perks, sales, nothing rare and desirable escapes the vigour of her grasp. Gabriel is content to let all the grabbing slip by him. He has a sunniness in his character that makes you want to protect him and preserve what he’s got.
When he listens, his head leans on one side. He says interesting after your sentences a lot; savouring what you say. He’s hungry to know you. You used to be like that once, with strangers, at dinner parties and weddings and blind dates, you had the zeal of a collector then, firing off questions and hiding yourself. Before it was all buried in the cotton wool of complacency, and Cole, and you weren’t near as interested in anyone else. Gabriel wants to know what you think, he’s giving you space in the conversation: it’s refreshing in a man. You’re responding like a neglected child at the back of the class who has a new teacher and flowers under the attention. And turns into someone else.
He’s making you feel beautiful. Wanted. Confident. Unique. Cole never sees you as any of that, he loves to tell you how you are, what you’re like; to box you up tight.
At the end of the night you say goodbye to Gabriel – no kiss, just a brush of warm cheek – and you walk down the street propelled by a zinging high, it’s as if you could leap and brush the sky. You have his number and he has yours and on the tube, once again, you anoint his slip of paper with your lips.
This one you will not lose.
putting damp sheets on a bed is little short of murder
A light under the front door. You’re usually home first – you sober your face down. Cole asks where you’ve been and you say the Library, it opens late on Wednesdays, remember? Good, he says, I’m glad you’re getting something out of it. He looks up from his Evening Standard: he loves the urban, gossipy side of it just as much as yourself. Hey, you’ve got two red patches on your cheeks, he says, like a clown.
It’s the cold, it’s getting colder, can’t you feel it?
How easily the lie slips out, it’s stunning, so smooth, so quick. It’s because your husband’s trust in you is tethered like a buoy to a concrete block; you’re the good wife, everyone knows that. Your palms fly to your cheeks to hide the heat and you look at Cole and think in that moment how easy it’d be to do anything you want, and, suddenly, how heartbreaking is his generosity and trust. You think, in that moment, that perhaps he never had an affair with Theo. It’s so hard to imagine, as he sits in his shirtsleeves with his paper and olives and beer. You toy with the thought, for the very first time, that perhaps all along he was telling the truth. He never adequately defended himself from suspicion but maybe he couldn’t: your mind was made up. Time is fading everything and you’re beginning, suddenly, to doubt yourself: what you heard, what you decided upon so quickly. Perhaps, perhaps you were wrong.
That night you place your palm on Cole’s chest as he sleeps beside you and you cup his heartbeat in your hand like a glass over a leech. You can’t sleep, can’t sleep. If you commit adultery in your head, are you beginning the rejection of your husband and your marriage and your life up to that point? Or welding yourself to them? And if that’s the case, how does the marriage become, again, warm and rich?
Do you need an excuse?
You don’t ever lie. Except to tell lovers that you’ve just had an orgasm or your friends that you love their new haircut and all of that doesn’t count, it’s done to soothe and protect. You don’t steal. You don’t sleep around. But you think about it. It’s always been enough, just thinking about it, imagining sleeping with almost every man you meet.
What furious need is within you, you wonder.
Why must we crave the things we’re not meant to, you wonder.
an Inspector of Nuisances may always be found in a letter
Another Theo column. You’re intrigued and repelled. You shouldn’t read them, you know they’ll just hurt; you can’t stop.
As expected, there’s something else about adultery. It’s tucked into a query about a boyfriend who’s unfaithful but gives great oral sex, and the reader wants him monogamous and every night, because it’s all too delicious to pass up. And how can she have him all to herself?
Dear Drowning in Deliciousness, the good news is that any man can be taught how to give great oral sex. Just curl his hand in yours and tell him to imagine the ridges are the folds of your flesh, and then demonstrate with your tongue and breath and fingers exactly what you want. I guarantee it will work. But, dear Drowning, I‘m afraid it’s just not worth sticking with your boyfriend. How could you expect a committed relationship from someone who’s been unfaithful in the past?
A committed relationship. Uh huh. What would she know about a committed relationship?
You crumple the magazine. Dare to tell Cole that Theo’s column is rubbish, as is the whole paper that she writes for: perhaps this sentiment will be passed on. You wouldn’t mind one bit if she knew she wasn’t being read by you, that her wily messages weren’t getting across.
Darling, I know the paper’s rubbish, Cole says. I was only ever buying it for you.
Well, don’t, you snap, I don’t like it any more.
OK. Whatever, Cole responds lightly and walks over, and opens his dressing gown and invites you in. It’s an old gesture you’ve always loved. All your tension is released by it, your whole body relaxes into him.
cheerfulness is a great charm in a nurse
November flinches into winter and two red patches stain your cheeks, often now. Your heart catches in your throat every time Gabriel’s voice is on the phone, your stomach churns and after the phone clicks in its cradle you run around the room and leap to the ceiling and bat the hand-made paper globes covering your lights and squeal to
