The Bride Stripped Bare Set: The Bride Stripped Bare / With My Body. Nikki Gemmell

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for you’re thinking of the man in the lobby and your very first fuck, with the TV show The Young Ones flicking mute in the background and how tight and dry and uncomfortable it had been. You’re thinking of the boy’s distasteful triumph afterwards, with his mates, and the TV turned up too loud. You’re thinking of Theo—but it all sounds so…squalid – as she dragged on her cigarette with uncommon ferocity. How strange you can’t recall her own account of her loss of virginity. It’s something you can’t remember talking about, in fact, with any of your girlfriends. Were a lot of the experiences as disappointing as yours, is that why they’re never discussed; do you all want to move on? You’re remembering that Theo had put copper lipstick in her hair back then to highlight the colour because she’d read it in a magazine but you’re not remembering, for the life of you, the boy’s name.

      You’re thinking of Sean, the student Theo and you shared a flat with. He was still hopelessly, consumingly in love with an older woman who’d broken his heart and he never made an effort to become a part of the household; his days were spent moping, alone. One day he disappeared. The police came to your front door a week later and told you that he’d taken a train to Scotland and hitched to a remote beach where his lover had her holiday cottage and he’d swum out to sea and had never swum back. You were haunted by that for years afterwards, the wild, jagged love that Sean had, and of the outside leaking into him, the water swelling his flesh and lapping at his bones. He was brave in a way, to do that, you’d thought that for so long. Now, you just wish he’d grown up and known other women, that he’d journeyed to a point in his life where he could look back and laugh.

       Lesson 21

       exercise is quite as requisite for girls as it is for lions and tigers

      Muli takes you to Yves St Laurent’s public garden, sheltered and cool within high walls. The noise of Marrakech falls away as you enter. This would be Theo’s kind of place. It’s spiky and seductive with cacti and palms and splashes of blue paint and bougainvillaea-pink cascading over walls. You take a photo for her. You’ll tuck it in an envelope, with some rose petals from the room.

      You escape the press of the heat in the winding coolness of the market alleyways. You love the souks, the instrument shop that could have existed several hundred years ago next to a shop selling live iguanas next to one crammed with Sylvester Stallone T-shirts. Love the donkeys in the alleys and skinny cats and red Coca-Cola signs in Arabic, the attacking light, the dust heavy on your skin and clotting your hair, the mountains rimming the city, the talking dark, the crickets and dogs and frogs. There’s the call to prayers and Muli excuses himself for ten minutes. You love the pervasiveness of religion in this place, how the chant wakes you in darkness and plots your day. Cole admires the colours of the city, the vaulting blue of the sky and rich ochres and pinks but he can’t bear the dust and the cram and the heat, he’s very loud about all that, he’s not enjoying being dragged around.

      Your confidence is softly leaking as a wife. You’d never tell him. That you sometimes feel as if all the men through your life, the lovers, colleagues, bosses, with their clamour and demand, have been rubbing you out.

      

      Cole’s in another meeting. He’s resorted to watching Pokemon cartoons in French, a language he doesn’t understand, for the English stations carry just rolling news and the stories aren’t changing enough. There are also local news broadcasts with items that run for twenty minutes and seem to be made up entirely of long shots of the King on parade or men in suits on low chairs. The news anchor’s young, with the most beautiful eyes, it’s as if they have kohl round them. You wonder what he’d be like as a lover, if he’d be different. You’ve heard that Muslim women are shaved and all at once you feel a soft tugging between your legs, thinking of that; and of being robed, for your husband’s eyes only. Muli told you both that no one’s ever laid eyes on the Queen, she’s not seen in public, is hidden.

      I like that, Cole had laughed.

      And was playfully hit.

      Later, over gin and tonics in the piano bar Cole holds his cheek to yours and whispers that he wants to lock you up and never allow you out and he wants another wife as well as you, whom you’ll have to sleep with, while he’s watching, and your hands cup his face: You are so predictable, McCain, you chuckle and kiss him gently on each cheek and it stirs something in you, memories of Edinburgh and rolling off a bed and making love with a hand clamped across your mouth.

       Lesson 22

       making a noise is of itself healthy, when no one is inconvenienced or annoyed by it

      Sometimes you wonder if your husband really likes women. He speaks dismissively of your girlfriends and female colleagues, doesn’t want a wife who’s pushy or loud, gets annoyed if you talk to your girlfriends too boomingly on the phone and winces if you shriek. He doesn’t like excesses in women of any kind. He niggles when you don’t dry yourself thoroughly after the bath, says it’s so moist down there you must be growing a jungle. His genitals smell unoffensive, milder than your own.

      Cole’s parents are very together, very solidly, defensively middle class. They don’t think you’ll look after their son well enough. His mother communicates all her vigour through her cooking and is horrified you’ve only recently learnt how to do a roast. She sends correspondence, persistently, to Mr and Mrs C. McCain despite you telling her you haven’t changed your name.

      Cole thinks your family is eccentric. It used to be delightfully, exotically so, until he got to know them. Your great-great-grandfather made his fortune importing tea from India and your father’s cousin frittered away the remains of the family wealth on drinking and drugs. Your father was from the poor side of the family and was meant to work but never got around to it. He was charming and roguish, all blond hair and cheekbones in his youth, until drink sapped his looks. You adored him because you never saw him enough. He survived by periodically cashing in shares of the family business until he died, when you were nineteen, of drunkenness and poverty and a spineless life.

      It broke your heart. Seeing him during your teenage years seemed to consist, almost entirely, of a series of journeys to and from school. He’d pick you up in his old black Mercedes that looked like a relic from some totalitarian regime, and drive and drive, picking the smallest, most winding country lanes to get you to London. It was only in the car that you ever seemed to talk, because his girlfriend, Karen, always made it difficult when you were in their flat; butting into your time and crying over God knows what. Your father’s affection was reserved for the road or the odd moments when Karen was out of the room, when he’d lean across and whisper I love you as if it was a secret between you. His voice, now, is what you remember most.

      Your parents’ marriage lasted four months. Your mother left its volatility two weeks after you were conceived, left it to hunt for fossils. She’d studied palaeontology at university but had halted the career to be the wife. Your father refused to live anywhere but London even though your mother was an asthmatic who dreamt of a light that would sing in her lungs. Work provided that, and so as a child you lived in a succession of places that were singed by the sky until the courts intervened, at your father’s orders (the only thing he ever managed to do in his life, snapped your mother, more than once) and you were sent back to England, the land of soft days, and, when you grew up, orgasmless fucks.

      People who know nothing of your family find it fascinating and charming and extreme but Cole now knows the truth, that little of that extremity has rubbed off on you; it’s only reinforced your own caution. You’ve had to be sensible, had

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