The Devil That Danced on the Water: A Daughter’s Memoir. Aminatta Forna
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All my life I have harboured memories, tried to piece together scraps of truth and make sense of fragmented images. For as long as I can remember my world was one of parallel realities. There were the official truths versus my private memories, the propaganda of history books against untold stories; there were judgements and then there were facts, adult stances and the clarity of the child’s vision; their version, my version.
There were times, a summer holiday or a few months, when I lived my childhood as a seamless dream where time ebbed like the tide and there was nothing to break the rhythm. But for the most part that was not so. Over and over the delicate membrane of my sphere would be broken and I tumbled out of my cocoon into the outside world.
Afterwards no one explained. People imagined these were things children shouldn’t know, or they did not think we had a right to know. We were encouraged to forget, dissuaded from asking. Gradually I learned to spy: I eavesdropped on adult conversations, rifled hidden papers, devised lines of questioning and I began to build onto my fragments layers of truth. And as I did so I discovered how deep the lies went.
I grew older, became a journalist and made a living using the skills I spent my childhood honing. All the time I hoarded my recollections, guarding them carefully against the lies: lies that hardened, spread and became ever more entrenched.
Yet what use against the deceit of a state are the memories of a child?
In the African oral tradition great events and insignificant moments, the ordinary and the extraordinary, are notches on the same wheel. They exist in relation to each other. The little occurrences are as important as the grand designs: the threads are the texture of truth that separate man-made myth from fact. They are the testimonies; the words of history’s eyewitnesses.
I remember cockroaches.
The tiniest of tickles across my toes made me look down. Early morning and I stood alone, chin high to the bathroom sink, both taps running. The cockroach was standing next to me and his sweeping, chestnut antennae brushed my foot in a way that seemed remarkably intimate, as though he imagined we were friends. Glossy wings tucked flat across his back; legs angled outward below the armoured undercarriage; the jaws which dominated his minuscule head worked steadily like a toothless old man. I kept my foot still, one eye on my flat-backed companion, while I reached for the tooth mug. As fast as I could manage I up-ended the beaker, pulled my foot away and trapped the cockroach under the glass. It sat unperturbed, as at home as a fish in an aquarium.
By the end of the day there were half a dozen inverted objects on the floor around the house: two china cups in the sitting room; a plastic toy cooking pot and a second glass in the hallway; and in the bathroom a toilet roll with a wad of paper wedged into the top. They were put there by the three of us: my sister, my brother and me, and we waited for our father to come in. This was our daily routine. When he arrived he went round the house picking up each object and dispatching the creature beneath, while we followed behind gazing at him with a mixture of disgust and admiration.
You could hear the crack and crunch of the cockroach as its skeleton gave way underfoot, pale innards spurted out. We were in awe at the way this grotesque feature didn’t seem to bother our father, who would squash a cockroach with his bare feet. If you caught him at a particular time, when he was still in his pyjamas in the morning, say, and asked him to kill a cockroach for you, he would go right ahead and stamp on it with his naked feet.
My mother had a story about cockroaches that took place in the same house. We’d just moved up-country, where my parents planned to set up a clinic, the only one for hundreds of miles. For several months my father had scouted the regions looking for a suitable spot and finally settled on Koidu, three hundred miles to the east, right on the border with Guinea, in the heart of the diamond-mining region. He rented a rambling bungalow with several wings, set within its own compound, with the idea of turning one wing into a ward for in-patients and living in the others. My mother and we three children left our noisy, downtown flat in Freetown and flew to Koidu in a plane that bounced from town to town across the interior of the country, while my father drove up in our Austin with the dogs and the luggage.
When we arrived it was late into the night. My parents stacked our belongings in the main room and my mother set up cots for us in one of the bedrooms, camp beds for my father and herself in another. In the early hours of the morning, when it was still black, she awoke to the sound of my cries. She rose and came to me, turning on the lights as she passed through the house. She soothed me and returned me to my cot. Just as she was back in her bed and falling asleep again she heard me crying. This happened three times.
The fourth time she didn’t bother to turn on the lights. She paused at the door to my room and as she looked around she saw that the walls seemed to be moving. My mother decided that she must be exhausted or else still dreaming and lingered a while in the dark at the bedroom door. Yet beneath her gaze the entire room seemed to have lost density: ceiling, floor, walls, even my cot heaved. Her baby was still shrieking. She flicked the light switch. Nothing. Turned it off and waited. Slowly the walls turned fluid again. She ran to fetch her husband, who was still sleeping deeply on his camp bed. As they stood at the door of my room, she showed him what she had seen, flipping the lights on and off.
He saw it, too. He rubbed his face, yawning widely. ‘Cockroaches,’ he said, and he turned to go back to bed.
My father’s feet had strong, yellowish soles. He told us that he didn’t own a pair of shoes until he went away to secondary school, and up until that time he had to walk five miles to classes and back again. This deeply impressed us, at the first telling. I disliked wearing shoes and at first I assumed the story’s purpose was to let us know that shoes didn’t matter. After all, my father managed without. Both of us had the same broad, long, flat feet: African feet. While I was growing my feet shot out first, ahead of the rest of my body. By the time I was eleven they were size seven and I barely cleared five foot. I was an L-shaped child.
In fact, our father’s story was a multipurpose parable with ever-extending dimensions of meaning. At its very simplest it was a warning against the dangers of catching hookworm by wandering outside without shoes on. I learned that one the hard way. They burrowed through the skin on the soles of my feet and made a home in my bowels.
Then the story was an inducement to be grateful for what you had. My father grew up in the villages, where life was very harsh indeed. There were no hospitals and very few schools. When Ndora, my grandmother, was sick the family had to take her all the way to Rotifunk, on the other side of the country, where there was a mission hospital. In Freetown there were several hospitals to serve the British administrators and their Creole civil servants, but these were not open to people from the country. They walked most of the way, carrying pots of food and sleeping mats on their heads. When they got to the hospital, amenities there were so basic that the doctors could not come up with a diagnosis. So they shrugged and sent her away, telling the relatives to bring her back if she got any worse. As if that were possible.
Five months later she died, leaving a six-month-old baby girl and her two beloved boys. Our father was five years old then. That evening as he was sitting among the men at the back of one of the houses he heard a high-pitched,