The Sister Swap: the laugh-out-loud romantic comedy of the year!. Fiona Collins

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The Sister Swap: the laugh-out-loud romantic comedy of the year! - Fiona  Collins

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href="#litres_trial_promo">Chapter Nineteen

       Chapter Twenty

       Chapter Twenty-One

       Chapter Twenty-Two

       Chapter Twenty-Three

       Chapter Twenty-Four

       Chapter Twenty-Five

       Chapter Twenty-Six

       Acknowledgements

       Excerpt

       Endpages

       About the Publisher

       Meg

      ‘Oi, oi! Had a good night, darlin’?’

      Meg tried unsuccessfully to yank her dress in the vicinity of her knees. It didn’t want to cooperate and sprang back up. This showstopper of a dress – claret red, tight, sleeveless – wouldn’t be dragged down, unlike its owner, clearly. It was a dress for midnight. A dress for a bar or club or fancy restaurant. A dress for peeling off and throwing with abandon on the bedroom floor of a man you probably (no, definitely) wouldn’t be seeing again. Not a dress for skulking up a London street at 5 a.m. on a Friday in early June, your shoes in your hand.

      ‘Walk of shame, is it?’

      Meg tried to ignore the muscle-bound builder with the large expanse of over-tanned man cleavage and the orange hard hat – an unfortunate throwback to the Village People if ever she’d seen one – who was shouting at her from across the street.

      ‘Sod off,’ she muttered under her breath. Meg tugged at her dress again and put her head down. She was hungover; it hurt. She pulled her phone from the gold clutch bag under her arm and pretended to examine it intently whilst Village Person and the rest of his crew – the only bloody builders in London who started at five in the morning, it seemed – laughed. Why, oh why did she get a night bus that dropped her at the end of the road, rather than a cab? Why, oh why had she gone back to Mikey (Matty?)’s flat in the first place? She navigated a broken beer bottle and a fag butt, her bare feet protesting at every step.

      ‘Looking fiiine, lady,’ catcalled another builder, sporting a leer and a Bart Simpson T-shirt. Meg had got the night bus because it stopped directly outside Matty’s? Mikey’s? flat. Mikey, that was it. She’d put his number in her phone last night, after six gin and tonics and some extensive work, on his part, to chat her up – not long before she’d gone home with him. As if on cue, his name flashed up on her phone now. She ignored it. She’d text him later. Tell him it was fun but it wouldn’t be going anywhere. It never did. Meg was a firm believer in never getting emotionally involved.

      ‘Mighty fine!’ echoed a fat Daniel Craig lookalike in a high-vis waistcoat and he gave a long, loud wolf whistle, which she wouldn’t have minded, during the day – she was thirty-eight; she took what she could get. As it was silly o’clock and she was highly inappropriately dressed, it really wasn’t that welcome. She really must stop having one-night stands with men she didn’t particularly like.

      Meg allowed a woman in a suit on a Boris bike to overtake her. A car beeped and Meg resisted the temptation to give it the finger. She was home. She ran up the three steps to her dark-blue front door, turned her key in the lock and stepped inside with relief, before throwing her keys on the table and her sandals on the floor and padding on sore feet over to the kitchen – which she barely used apart from uncorking Prosecco over the sink and storing perfume in the fridge – and pouring herself a large glass of water.

      She was supposed to be at work in precisely ninety minutes.

      *

      ‘Morning, Julianna, can you call Mimi and check she’s OK for the 22.55 flight to Milan, and tell her she’s got to be sober this time? Thank you. Frank – nice jacket – can you ring Nigel at Balmuccia regarding the New York Fashion Week shoot and tell them, as politely as you can, they strictly only have Rose-Leigh for Tuesday until Thursday, then she’s got to be back in London for another job –I’ve just had an email from them about it, trying to extend again. They’re driving me mad! Julia, glad to see you back – do you have that fee negotiation document, please – the latest one? On my desk in five, please.’

      Meg was marching through the office, heels clacking, cherry-red lippy on, hair in a messy blonde and caramel chignon, her phone in one hand and an emergency caramelized pecan latte in the other. Her walk of shame forgotten, she was now on her usual power walk into the office, the walk on which lots of things got done. ‘Good morning, Frances, did you hear back from Cassie re. the Miami job – is she available? How about that girl we scouted – Poppy – when are she and her mother coming in? Can you please let me know as soon as?’

      Meg was speed-reading emails as she clicked across the black, polished floor. She was ignoring her banging head, her slight nausea and the fluttering heart palpitations she blamed on the third latte of the morning. She was glad of her crisp, white cotton wrap dress, keeping her cool, as it was unusually hot in here. And her sunglasses, which she would keep on until at least ten o’clock, were successfully hiding all traces of bloodshot eyes.

      She wouldn’t admit it to many, but her eyes had actually been red and wild-looking long before her caning it on gin last night; she’d spent most of the last crazy two weeks surviving on Starbucks and energy drinks, the odd canapé (literally) thrown in. Not out on the lash, she would hasten to tell you – yesterday’s drunken excursion was a now-regretted, temporary release, as was the man whose name she’d now completely forgotten – but working late, in the office. Tempest Models was her company; she had to. If she didn’t then she feared things Wouldn’t Get Done. They had a lot of big contracts on for their models at the moment: Meg had averaged five and a half hours’ sleep a night for the last fortnight.

      She’d burnt the candle at both ends and halfway down the middle, before chucking it churlishly in the bin. She’d run, walked, negotiated, everything, on empty.

      Waiting for her at the end of the huge open-plan office, under Tempest’s huge wall of models’ photo, or ‘comp’, cards, was her desk, a super-neat, gleaming specimen of white and chrome, and three days’ work, once again, to be done in one day.

      ‘Morning, Meg.’

      ‘Morning, Lilith.’

      Lilith, Meg’s assistant – pinafore, ankle boots, gamine Mia Farrow haircut – was standing in the doorway of the small corner office behind. It was supposed to be Meg’s, but she preferred to be out on the floor, where she could see everyone, so they had swapped.

      ‘Another

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