a counsellor, or something.’
He can offer me next to nothing here, and I will stay. That’s how pathetic my resolve is.
Rhys frowns.
‘I’m not sitting there while you tell some speccy wonk at Relate about what a bastard I am to you. I’m not putting the wedding off. Either we do it, or forget it.’
‘I’m talking about our future, whether we have one, and all you care about is what people will think if we cancel the wedding?’
‘You’re not the only one who can give ultimatums.’
‘Is this a game?’
‘If you’re not sure after this long, you never will be. There’s nothing to talk about.’
‘Your choice,’ I say, shakily.
‘No, your choice,’ he spits. ‘As always. After all I’ve sacrificed for you …’
This sends me up into the air, the kind of anger where you levitate two feet off the ground as if you have rocket launchers on your heels.
‘You have not given anything up for me! You chose to move to Manchester! You act like I have this debt to you I can never repay and it’s bullshit! That band was going to split up anyway! Don’t blame me because you DIDN’T MAKE IT.’
‘You are such a selfish, spoilt brat,’ he bellows back, getting to his feet as well, because shouting from a seated position is never as effective. ‘You want what you want, and you never think about what other people have to give up to make it happen. You’re doing the same with this wedding. You’re the worst kind of selfish because you think you’re not. And as for the band, how fucking dare you say you know how things would’ve turned out. If I could go back and do things differently—’
‘Tell me about it!’ I scream.
We both stand there, breathing heavily, a two-person Mexican standoff with words as weapons.
‘Fine. Right,’ Rhys says, eventually. ‘I’m going back home for the weekend – I don’t want to stay here and take this shit. Start looking for somewhere else to live.’
I drop back down on the sofa and sit with my hands in my lap. I listen to the sounds of him stomping around upstairs, filling an overnight bag. Tears run down my cheeks and into the neckline of my shirt, which had only just started to dry out. I hear Rhys in the kitchen and I realise he’s turning the light off underneath the pan of chilli. Somehow, this tiny moment of consideration is worse than anything he could say. I put my face in my hands.
After a few more minutes, I’m startled by his voice, right next to me.
‘Is there anyone else?’
I look up, bleary. ‘What?’
‘You heard. Is there anyone else?’
‘Of course not.’
Rhys hesitates, then adds: ‘I don’t know why you’re crying. This is what you want.’
He slams the front door so hard behind him, it sounds like a gunshot.
2
In the shock of my sudden singlehood, my best friend Caroline and our mutual friends Mindy and Ivor rally round and ask the question of the truly sympathetic: ‘Do you want us all to go out and get really really drunk?’
Rhys wasn’t missing in action as far as they were concerned: he’d always seen my friends as my friends. And he used to observe that Mindy and Ivor ‘sound like a pair of Play School presenters’. Mindy is Indian, it’s an abbreviation of Parminder. She calls ‘Mindy’ her white world alias. ‘I can move among you entirely undetected. Apart from the being brown thing.’
As for Ivor, his dad’s got a thing about Norse legends. It’s been a bit of an albatross, thanks to a certain piece of classic children’s animation. Ivor endured the rugby players in our halls of residence at university calling him ‘the engine’ and claiming he made a pessshhhty-coom, pessshhhty-coom noise at intimate moments. Those same rugby players drank each other’s urine and phlegm for dares and drove Ivor upstairs to meet the girls’ floor, which is how we became a mixed-sex unit of four. Our platonic company, combined with his close-shaved head, black-rimmed glasses and love of trendy Japanese trainers led to a frequent assumption that Ivor was gay. He’s since gone into computer game programming and, given there are practically no women in the profession whatsoever, he feels this misconception could see him missing out on valuable opportunities.
‘It’s counter-intuitive,’ he always complains. ‘Why should a man surrounded by women be homosexual? Hugh Hefner doesn’t get this treatment. Obviously I should wear a dressing gown and slippers all day.’
Anyway, I’m not quite ready to face cocktail bar society, so I opt for a night in drinking the domestic variety, invariably more lethal.
Caroline’s house in Chorlton is always the obvious choice to meet, as unlike the rest of us she’s married, and has an amazing one. (I mean house, not spouse – no disrespect to Graeme. He’s away on one of his frequent boys’ golfing weekends.) Caroline is a very well paid accountant for a large chain of supermarkets, and a proper adult: but then, she always was. At university, she wore quilted gilets and was a member of the rowing club. When I used to express my amazement to the others that she could get up early and exercise after a hard night on the sauce, Ivor used to say, groggily: ‘It’s a posh thing. Norman genes. She has to go off and conquer stuff.’
He could be on to something about her ancestry. She’s tall, blonde and has what I believe is called an aquiline profile. She says she looks like an ant eater; if so, it’s kind of ant-eater-by-way-of-Grace-Kelly.
I have the job of slicing limes and salting the rims of the glasses on Caroline’s spotlessly sleek black Corian worktop while she blasts ice, tequila and Cointreau into a slurry in a candy-apple red KitchenAid. In between these deafening bursts, from her regal perch on the sofa, Mindy is gifting us, as usual, with the Tao of Mindy.
‘The difference between thirty and thirty-one is the difference between a funeral and the grieving process.’
Caroline starts spooning out margarita mixture.
‘Turning thirty is like a funeral?’
‘The funeral for your youth. Lots of drink and sympathy and attention and flowers, and you see everyone you know.’
‘And for a moment there we were worried the comparison was going to be tasteless,’ Ivor says, pushing his glasses up the bridge of his nose. He’s sitting on the floor, legs outstretched, one arm similarly outstretched, pointing a remote at something lozenge-shaped that’s apparently a stereo. ‘Have you really got The Eagles on here, Caroline, or is it a sick joke?’
‘Thirty-one is like grieving,’ Mindy continues. ‘Because getting on with it is much worse, but no one expects you to complain any more.’
‘Oh, we expect you to complain, Mind,’ I say, carefully passing her a shallow glass that looks like a saucer on a stem.
‘The
