together by chicken wire, stopped in the entrance to the clinic. A large hand seized my elbow and a handsome African in a parade-ground uniform, Captain Kagwa of the national gendarmerie, shouted through the aircraft noise.
‘She’s not for you, doctor! For pleasure you’ll have to sit with me!’
‘Captain Kagwa … For once you’re on time …’
‘On time? My dear doctor, we were delayed. Where’s Harare? How many men did he have?’
‘More than three platoons. Don’t worry, you gave them enough warning to escape.’ I pointed to the trucks heading towards the airstrip. ‘Why all this military action? I thought you’d already stolen everything in Port-la-Nouvelle?’
‘Doctor, I don’t want anything from you, not even your water. I’ve brought you something precious. What you Europeans really understand.’
‘Drilling bits, Captain?’
‘Drilling—?’ Kagwa pulled me into the rear seat of the jeep, where I sat among the field radios and ammunition boxes. ‘I’m talking about something real, doctor, something you can hold in your hand, that’s not going to run through your fingers like water. I’m talking about fame.’
Fame? Had I been shot, along with Santos and Mrs Warrender, the news would scarcely have made the morning bulletin on the government radio station. I assumed that this was some complex game of the Captain’s – perhaps Harare was about to be betrayed by his own men and I would be called upon to identify the body as it lay in state at the Toyota showroom. Since my failed courtship of Mrs Warrender, I had grown to know this amiable but unpredictable police chief more closely than anyone else at Port-la-Nouvelle. A huge and often clumsy man, well over six feet tall, Kagwa was capable of surprising delicacy of mind. He was a modest amateur pianist, and had tried patiently to teach me the rudiments of the keyboard on Santos’s upright.
A fanatic for self-improvement, Kagwa spent his spare time listening to a library of educational cassettes on politics, law and economics. One evening in Port-la-Nouvelle, when the French mining engineers had run riot through the beer parlours, I tried to compliment him by remarking piously that he and I were the only sober and responsible people in the town. He had clasped my shoulders in his immense hands and said, with great earnestness: ‘Doctor, you are not sober. You are not even responsible. No responsible man would search for water at Lake Kotto – I could arrest you tomorrow. You are Noah, doctor, waiting for rain, Noah without an ark.’
A brief cloudburst would have been welcome as we reached the airstrip. The Dakota had already landed, and was taxiing through its own dust, engines setting up a storm of white soil. The two trucks filled with soldiers drew up alongside the control tower. One squad set off to patrol the airstrip perimeter, weapons raised to the forest canopy as if the soldiers expected Harare and his guerillas to be climbing into the sky. A second platoon formed an honour guard, heels stamping as they dressed off in two files. While they presented arms I saw that the entire scene was being filmed by the Japanese photographer. From the cockpit of her light aircraft Miss Matsuoka had removed a chromium suitcase packed with lenses and filters. Mounting a small cine-camera on a tripod, she filmed the Dakota as it lumbered up and down the earth strip, casting clouds of dust and dirt over the tractor parked beside the trees at the eastern end of the runway.
At last, having convinced himself that he had landed, the African pilot shut down the engine. The noise faded, and the co-pilot’s window opened to the air. A blond-haired man in a safari jacket, with a deep sun-tan that was more electric than solar, leaned from the window and gave a series of encouraging waves, apparently returning the cheers of a huge welcoming party. He repeated the performance as Miss Matsuoka, face pressed to the eyepiece of the hand-held camera, ducked under the starboard wing. She crept along the fuselage, her lens taking in every capped tooth in the man’s confident and wolflike smile.
Already the cargo doors had opened, and two crew men lowered a metal step to the ground. Their overall pockets carried a distinctive emblem that seemed to be both a religious symbol and the logo of a television station.
‘Who are these people?’ I asked Captain Kagwa as we stepped from the jeep and shook the dust from our clothes. ‘Are they evangelists? Or some sort of missionary group?’
‘Our saviour, certainly.’ Kagwa saluted the aircraft with an ironic flourish. ‘Professor Sanger brings hope to our doorstep, salvation for the poor and hungry of Lake Kotto, comfort for the bush doctor …’
The blond-haired man stood in the doorway of the cargo hold. He was in his mid-forties, and had the reassuring but devious manner of a casino operator turned revivalist preacher. He bent down and greeted Captain Kagwa with a generous handshake, while giving his real attention to the Japanese photographer, who was reloading her camera beneath the starboard wing tip. When she was ready he ruffled his hair and then brought his hands together in a snapping gesture which I first assumed was a stylized religious greeting, but in fact was a clapperboard signal. As the camera turned, he posed beside two large sacks which the flight crew had manhandled into the hatchway. He composed his features into a tired but pensive gaze, and allowed a quirky smile, at once vulnerable but determined, to cross his sharp mouth. This well-rehearsed grimace, a tic I had seen before somewhere, cleverly erased all traces of his quick intelligence from his face. Only his eyes remained evasive, looking out at the indifferent forest wall with a curious blankness, like those of an unrecognized celebrity forced to return the stares of a foreign crowd. When Miss Matsuoka called to him, he quickly slipped on a large pair of sunglasses.
‘Right, Professor Sanger – I will wait for the poor people to receive your gifts …’
The Japanese woman had completed her shot, and was thanking Captain Kagwa, who had clearly relished the attentions of her lens. I left the jeep and walked to the wingtip of the Dakota, running my hand against the weather-worn trailing edge of this elderly aircraft. I now remembered Professor Sanger, a sometime biologist turned television popularizer. He had enjoyed a brief celebrity ten years earlier with a series of programmes that sought to demonstrate the existence of psychic phenomena in the animal world. The migration of birds, the social behaviour of ants and bees, the salmon’s immense journey to its spawning grounds, were all attributed to the presence of extra-sensory powers distributed throughout the biological kingdom, but repressed in Homo sapiens. As a newly qualified houseman doing my year on the wards in a London hospital, I would see him on the television set in the junior doctors’ common room. Of mixed Australian and German ancestry, Sanger had perfected the rootless international style of an airline advertisement, which his audiences took for objectivity. After a day spent in the emergency unit, treating road accident casualties and the victims of strokes and heart attacks, I would sit exhausted in the debris of the common room and watch this scientific smiler holding forth from a rockpool in the Great Barrier Reef or an anthill in the Kalahari.
Fortunately, his success was short-lived. He soon exposed himself to ridicule when he claimed that plants, too, could communicate with one another and appeared in a televised experiment in which the gardeners of Britain rose at dawn and urged their hollyhocks and lupins to deny the sun. After this fiasco Sanger began a second career in Australian television, but he soon became involved with dubious video and publishing ventures, popup books and filmed histories of the Yeti and Bigfoot.
‘Dr Mallory …’ Captain Kagwa signalled to me. I was being summoned to meet the great man, who was already in conference with his production staff – a small team of European engineers, and a scholarly young Indian frowning over his pocket calculator, whom I took to be Sanger’s scientific researcher. Behind them were two African journalists from the government information office, gazing sceptically at the weed-grown airstrip and the silent forest.
‘Doctor …’
