roads, servants and hangers-on pervade the Village and the Dedlock Arms. Seen by night, from distant openings in the trees, the row of windows in the long drawing-room, where my Lady's picture hangs over the great chimney-piece, is like a row of jewels set in a black frame. On Sunday, the chill little church is almost warmed by so much gallant company, and the general flavour of the Dedlock dust is quenched in delicate perfumes.
The brilliant and distinguished circle comprehends within it, no contracted amount of education, sense, courage, honour, beauty, and virtue. Yet there is something a little wrong about it, in despite of its immense advantages. What can it be?
Dandyism? There is no King George the Fourth now (more's the pity!) to set the dandy fashion; there are no clear-starched jack-towel neckcloths, no short-waisted coats, no false calves, no stays. There are no caricatures, now, of effeminate Exquisites so arrayed, swooning in opera boxes with excess of delight, and being revived by other dainty creatures, poking long-necked scent-bottles at their noses. There is no beau whom it takes four men at once to shake into his buckskins, or who goes to see all the executions, or who is troubled with the self-reproach of having once consumed a pea. But is there Dandyism in the brilliant and distinguished circle notwithstanding, Dandyism of a more mischievous sort, that has got below the surface and is doing less harmless things than jack-towelling itself and stopping its own digestion, to which no rational person need particularly object?
Why, yes. It cannot be disguised. There are, at Chesney Wold this January week, some ladies and gentlemen of the newest fashion, who have set up a Dandyism – in Religion, for instance. Who, in mere lackadaisical want of an emotion, have agreed upon a little dandy talk about the Vulgar wanting faith in things in general; meaning, in the things that have been tried and found wanting, as though a low fellow should unaccountably lose faith in a bad shilling, after finding it out! Who would make the Vulgar very picturesque and faithful, by putting back the hands upon the Clock of Time, and cancelling a few hundred years of history.
There are also ladies and gentlemen of another fashion, not so new, but very elegant, who have agreed to put a smooth glaze on the world, and to keep down all its realities. For whom everything must be languid and pretty. Who have found out the perpetual stoppage. Who are to rejoice at nothing, and be sorry for nothing. Who are not to be disturbed by ideas. On whom even the Fine Arts, attending in powder and walking backward like the Lord Chamberlain, must array themselves in the milliners' and tailors' patterns of past generations, and be particularly careful not to be in earnest, or to receive any impress from the moving age.
Then there is my Lord Boodle, of considerable reputation with his party, who has known what office is, and who tells Sir Leicester Dedlock with much gravity, after dinner, that he really does not see to what the present age is tending. A debate is not what a debate used to be; the House is not what the House used to be; even a Cabinet is not what it formerly was. He perceives with astonishment, that supposing the present Government to be overthrown, the limited choice of the Crown, in the formation of a new Ministry, would lie between Lord Coodle and Sir Thomas Doodle – supposing it to be impossible for the Duke of Foodle to act with Goodie, which may be assumed to be the case in consequence of the breach arising out of that affair with Hoodle. Then, giving the Home Department and the Leadership of the House of Commons to Joodle, the Exchequer to Koodle, the Colonies to Loodle, and the Foreign Office to Moodle, what are you to do with Noodle? You can't offer him the Presidency of the Council; that is reserved for Poodle. You can't put him in the Woods and Forests; that is hardly good enough for Quoodle. What follows? That the country is shipwrecked, lost, and gone to pieces (as is made manifest to the patriotism of Sir Leicester Dedlock), because you can't provide for Noodle!
On the other hand, the Right Honourable William Buffy, M.P., contends across the table with some one else, that the shipwreck of the country – about which there is no doubt; it is only the manner of it that is in question – is attributable to Cuffy. If you had done with Cuffy what you ought to have done when he first came into Parliament, and had prevented him from going over to Duffy, you would have got him into alliance with Fuffy, you would have had with you the weight attaching as a smart debater to Guffy, you would have brought to bear upon the elections the wealth of Huffy, you would have got in for three counties Juffy, Kuffy, and Luffy, and you would have strengthened your administration by the official knowledge and the business habits of Muffy. All this, instead of being as you now are, dependent on the mere caprice of Puffy!
As to this point, and as to some minor topics, there are differences of opinion; but it is perfectly clear to the brilliant and distinguished circle, all round, that nobody is in question but Boodle and his retinue, and Buffy and his retinue. These are the great actors for whom the stage is reserved. A People there are, no doubt – a certain large number of supernumeraries, who are to be occasionally addressed, and relied upon for snouts and choruses, as on the theatrical stage; but Boodle and Buffy, their followers and families, their heirs, executors, administrators, and assigns, are the born first-actors, managers, and leaders, and no others can appear upon the scene for ever and ever.
In this, too, there is perhaps more Dandyism at Chesney Wold than the brilliant and distinguished circle will find good for itself in the long run. For it is, even with the stillest and politest circles, as with the circle the necromancer draws around him – very strange appearances may be seen in active motion outside. With this difference; that, being realities and not phantoms, there is the greater danger of their breaking in.
Chesney Wold is quite full, anyhow; so full, that a burning sense of injury arises in the breasts of ill-lodged ladies'-maids, and is not to be extinguished. Only one room is empty. It is a turret chamber of the third order of merit, plainly but comfortably furnished, and having an old-fashioned business air. It is Mr. Tulkinghorn's room, and is never bestowed on anybody else, for he may come at any time. He is not come yet. It is his quiet habit to walk across the park from the village, in fine weather; to drop into this room, as if he had never been out of it since he was last seen there; to request a servant to inform Sir Leicester that he is arrived, in case he should be wanted; and to appear ten minutes before dinner, in the shadow of the library-door. He sleeps in his turret, with a complaining flag-staff over his head; and has some leads outside, on which, any fine morning when he is down here, his black figure may be seen walking before breakfast like a larger species of rook.
Every day before dinner, my Lady looks for him in the dusk of the library, but he is not there. Every day at dinner, my Lady glances down the table for the vacant place, that would be waiting to receive him if he had just arrived; but there is no vacant place. Every night, my Lady casually asks her maid: 'Is Mr. Tulkinghorn come?'
Every night the answer is, 'No, my Lady, not yet.' One night, while having her hair undressed, my Lady loses herself in deep thought after this reply, until she sees her own brooding face in the opposite glass, and a pair of black eyes curiously observing her.
'Be so good as to attend,' says my Lady then, addressing the reflection of Hortense, 'to your business. You can contemplate your beauty at another time.'
'Pardon! It was your Ladyship's beauty.'
'That,' says my Lady, 'you needn't contemplate at all.'
At length, one afternoon a little before sunset,' when the bright groups of figures, which have for the last hour or two enlivened the Ghost's Walk, are all dispersed, and only Sir Leicester and my Lady remain upon the terrace, Mr. Tulkinghorn appears. He comes towards them at his usual methodical pace, which is never quickened, never slackened. He wears his usual expressionless mask – if it be a mask – and carries family secrets in every limb of his body, and every crease of his dress. Whether his whole soul is devoted to the great, or whether he yields them nothing beyond the services he sells, is his personal secret. He keeps it, as he keeps the secrets of his clients; he is his own client in that matter, and will never betray himself.
'How do you do, Mr. Tulkinghorn?' says Sir Leicester, giving him his hand.
Mr. Tulkinghorn is quite well.
