in the Shakespearean forest of Arden.
‘I’m a bit of a wanderer. I was born in Michigan, but I’ve lived all over.’
‘So glamorous Columbus, Ohio, is just one stop on your world tour?’ Rose asked, her cheeks flushing. Was she flirting?
He chuckled. ‘You could say that. Last year I was in Paris.’
‘Coming here must have been a letdown.’ Her heart was beating quickly and she couldn’t stop smiling, stupidly, like a pre-teen. She wondered what Bean would do. Flip her hair, probably. Rose patted the conservative bun at the back of her neck awkwardly.
‘Not at all. Paris was overrated. So many French people. I didn’t catch your name?’ he asked, coaxing.
‘Rose Andreas,’ she said.
‘You teach in the math department?’ he asked. Rose stared at him, tongue-tied.
‘Yes,’ she said, finally. ‘This is my office.’
Jonathan nodded, looking thoughtfully at Rose. Oh, our Rose. Her hair up like a Gibson girl, her skin stained pretty pink from the blushing, face bare of makeup, one of those flowing outfits that hid her curves, beauty and honour in her are so mingled . . . but would he see it? Would he see, beneath her self-consciousness, the way she could clean that stain off his tie with only club soda and the edge of her shirt, catch spiders we would be too afraid to touch, marshal our forces to pack the car for a trip so everything fit and nothing was forgotten, pick the perfect fresh flowers to make the breakfast table seem like a celebration, hold us after a nightmare, put herself aside to make sure we were happy? Would he see why we loved her so? We held our breath.
‘Would you like to go to lunch?’ he asked.
He saw it.
Perhaps you never liked your name. Perhaps you took every opportunity to change it: a new school, for example, where you would test out life with some pale echo of your real name – Elizabeth to Bitsy, wouldn’t that be cute? A whole new you. You tried your middle name, provided it was suitable and not embarrassing, as middle names are wont to be. Or perhaps you were one of those poor souls whose well-meaning parents, in honour of some long-dead ancestor, gave you a name no contemporary soul should have to bear. Like Evelyn or Leslie or Laurie for a boy. Or Florence or Mildred or Doris for a girl – not bad names, you understood, just woefully dated, guaranteeing years of playground torture or a feeling you were destined for a rocking chair and an old folks’ home long before your time.
But what if it weren’t so much a matter of having a name with unfortunately predetermined gender identification, or one you felt just didn’t suit you? What if the name you were given had already been lived in, had been inhabited so well, as a matter of fact, that its very mention brings to mind its original owner, and leaves your existence little more than an afterthought?
At one of Cordy’s many temp jobs, she had worked in an office with a harried secretary by the name of Elizabeth Taylor. Huddled in her cubicle, desperately pretending to be worth the twenty-five dollars an hour the company was paying to her agency (without, of course, doing any actual work), Cordy watched and listened as Elizabeth Taylor answered the phone. At least a million times a day, Cordy thought, running her fingers back and forth across the office supplies she hoarded as props in her one-woman burlesque of industry, Elizabeth Taylor said, ‘Yes, really.’ And every time, she said it with a smile. Cordy supposed it was at least partially due to the fact that Elizabeth Taylor had married into her name, so had only had it for fifteen years or so. Given time, we were sure, she would tire of the National Velvet jokes, of the comments on her enthusiasm for matrimony, and one day, Elizabeth Taylor would snap, lashing out at her husband, wishing she had never married him.
With a father like ours, and with names like ours, we had reached that state years ago.
First came Rosalind, a fair choice; probably our mother’s intervention spared her from something weightier. But after that, it was all our father’s doing, we are sure. Because then came the second daughter, and what can you name a second daughter but Bianca? And then the third, and if it had been anything other than Cordelia, the heavens might have shaken. Bean and Rose were grateful, true, that the Lear comparisons could not have been made until the troika was complete, or they might have been dubbed to match the play’s older sisters, and they knew there was no way to survive being named Goneril and Regan. Not in this day and age.
We wear our names heavily. And though we have tried to escape their influence, they have seeped into us, and we find ourselves living their patterns again and again.
It’s unlikely that our parents ever looked up any of our names in one of those baby name books. The Riverside Shakespeare had obviously been the repository of choice. Once Rose had a summer camp counsellor who, as an icebreaker, looked up the meanings of all the children’s names, and Rosalind was horrified to learn her name meant, yes, ‘beautiful rose’, but also ‘horse serpent’. Horse serpent? If that won’t give a girl body image issues for life, we don’t know what will.
But mostly the thorn in our Rose’s side – Cordy again with the punny – was love. For really, the transformation of As You Like It comes through the love between Rosalind and Orlando. How can you live up to that? How can you possibly find a man in twenty-first-century America who would paper an entire forest with love poems to you?
Well, Rose will tell you, you can’t.
And if he did, he would probably also be rather creepy.
But she can tell you this only after sixteen years – sixteen years! – of searching through the forest, of weeding out unsuitable suitors in some sort of romantic scavenger hunt: Emotionally unavailable? Check! Oedipus complex? Check! Stalker? Check! Inability to commit? Check! Inability NOT to commit? Check! It wasn’t until long into her dating career, when a particularly callous date had taken her to a production of the offending play that Rose had realized the trap of her name. Because of course, being Rosalind meant she would always be searching for her true love, but would require such extraordinary lengths to prove it that she would never find him, at least not outside of fiction.
So she dumped the playdate and vowed to give up entirely, because it’s not as though her life was unsatisfying, she promised herself, and this is of course precisely when she met Jonathan, who was not the type of man to write poems and post them all over campus, but who was the type of man to agree to do that if that’s what she wanted, and she figured that wasn’t too shabby.
Chapter Four
Even if it hadn’t been summer, had been fall or spring or winter, if the campus had been alive with students and more than the skeleton crew of staff that kept the town on life support during the long, slow pull between graduation and orientation, there still wouldn’t have been anything to do at night. Maybe a concert by a visiting performer, or a misguided experimental piece in the black box theater would take you through to the anemic hour of nine or so, but then what? Bean had always been a night owl, had more than once been caught by Rose reading under her sheets with a flashlight when we were children and had fully embraced the ethos of the city that never slept.
And now here she was back in Barnwell. Our parents had drifted toward sleep in stages, like a series in tableau, here doing the dishes, then sitting on the sofa reading, then their voices talking softly upstairs, and now silence. Rose had taken a long walk, and when she’d gotten back Bean had been nearly desperate enough to suggest a game of Spite & Malice, a card game we had played as children that was terrible with only two players but would have at least whiled away some time, worked her into sleep. But Rose had
