The Tart is Laney’s nickname for my father’s girlfriend. Her actual name is Melinda; she’s ten years younger than he is and waitresses for a catering company. That’s how she met my father—the previous April, she’d worked the big party his accounting firm threw every year to celebrate the end of tax season. The party was held on a riverboat, and during her breaks, they stood out on the deck, talking and joking about the salmon filet. Or so the story goes.
Dad maintains to this day nothing happened between them until after the separation. I have my doubts.
The truth is, I don’t actually hold any personal grudge against Melinda. She’s nice enough, even if her button nose seems too small for her face and she has these moist eyes that make it look like she could cry at any moment, and she wears pastels and high heels all of the time, even when she’s doing some mundane chore like cleaning dishes or folding laundry. And sure, she can’t hold a decent conversation to save her life, but it’s not like I blame her for my family being so screwed up. She just happened to be a catalyst, speeding up the inevitable implosion.
“You look really tired,” Laney says. “I mean, no offense.” She winces. “I’m sorry. That was so the wrong thing to say.”
She says it like there’s a right thing to say. There really, really isn’t.
“I’m just ready to be … done.” I rub at my eyes. “I’m sick of talking.”
“Well, then don’t! Talk anymore, I mean,” she says. “You shouldn’t if you don’t want to. Here, come on. Let’s go upstairs and blow off the circus.”
It’s easy to get from the kitchen to the bottom of the staircase with Laney acting as my buffer, diverting the attention of those who approach with skilled ease and whisking me to the haven of the second floor in a matter of seconds. In the upstairs hallway, there are two framed photos on the wall: the first is of June, her senior portrait, and the second is my school picture from earlier this year. Some people say June and I look alike, but I don’t see much resemblance. We both have the same brown hair, but hers is thicker, wavier, while mine falls flat and straight. Where her eyes are a clear blue, mine are a dim gray. Her features are softer and prettier, more delicate; maybe I’m not ugly, but in comparison I’m nothing remarkable.
There used to be a third picture on the wall, an old family portrait. For their tenth wedding anniversary, my parents rented this giant tent, and they hosted a festive dinner with a buffet and music and all of our family and friends. June and I spent the evening running around with plastic cups, screaming with laughter, making poor attempts to capture fireflies, while my parents danced under the stars to their song—Frank Sinatra’s “The Way You Look Tonight.”
Toward the end of the night, someone gathered the four of us together and took a snapshot. June and I were giggling, heads bent close together, our parents standing above us in an embrace, gazing at each other instead of the camera. It always struck me in the years after how bizarre it was, how two people could look at one another with such tenderness and complete love, and how quickly that could dissolve into nothing but bitterness.
That photo hung on our wall for years and years, staying the same even as June’s and mine were switched out to reflect our progressing ages. Now it’s gone, just an empty space, and June’s will remain the same forever. Only mine will ever change.
I stare at June’s photo and think: This is it. I’ll never see her face again. I’ll never see the little crinkle in her nose when she was lost in thought, or her eyebrows knitting together as she frowned, or the way she’d press her lips together so hard they’d almost disappear while she tried not to laugh at some vulgar joke I’d made, because she didn’t want to let me know she thought it was funny. All I have left are photos of her with this smile, frozen in time. Bright and blinding and happy. A complete lie.
It hurts to look, but I don’t want to stop. I want to soak in everything about my sister. I want to braid it into my DNA, make it part of me. Maybe then I’ll be able to figure out how this happened. How she could do this. People are looking to me for answers, because I’m the one tied the closest to June, by name and blood and memory, and it’s wrong that I’m as clueless as everyone else. I need to know.
“Come on,” says Laney gently, taking my hand and squeezing it, leading me toward my bedroom.
I drag my feet and shake her off. “No. No, wait.”
I veer off toward June’s room. The door is closed; I place my hand on the brass knob and keep it there for a moment. I haven’t been inside since she died. I try thinking back to the last time I was in there, but racing through my memory, I can’t pinpoint it. It seems unfair, the fact that I can’t remember.
Laney stands next to me, shifting from foot to foot. “Harper …”
I ignore her and push the door open. The room looks exactly the same as it always has. Of course it does—what did I expect? Laney flicks on the light and waits.
“It doesn’t feel real,” she says softly. “Does it feel real to you?”
“No.” Six days. It’s already been six days. It’s only been six days. Time is doing weird things, speeding up and slowing down.
June’s room has always been the opposite of mine—mine is constantly messy, dirty clothes and books littering the floor. Hers is meticulously clean. I can’t tell if that’s supposed to mean something. She’d always been organized, her room spotless in comparison to the disaster area that is mine, but I wonder if she’d cleaned it right before, on purpose. Like she didn’t want to leave behind any messes.
Well, she’d left behind plenty of messes. Just not physical ones.
“Do you know what they’re going to do with—with the ashes?” Laney asks.
The lump that’s been lodged in my throat all day grows bigger. The ashes. I can’t believe that’s how we’re referring to her now. Though I guess what was left was never really June. Just a body.
Thinking about the body makes me think about that morning, six days ago in the garage, and I really don’t want that in my head. I look up at Laney and say, “They’re going to split them once my dad picks out his own urn.”
“Seriously?”
“Yeah.”
“That’s—”
“I know.”
Screwed up, is what she wanted to say. It makes my stomach turn, like it did when Aunt Helen decorated the mantel above our fireplace, spread out a deep blue silk scarf, and set up two candleholders and two silver-framed black-and-white photos of June on each side, leaving space for the urn in the middle.
“It should be balanced,” she’d said, hands fisted on her hips, head tipped to the side as she studied her arrangement, like she was scrutinizing a new art piece instead of the vase holding the remains of a once living, breathing person. My sister.
Laney hooks her chin over my shoulder, her arm around my stomach. I don’t really want to be touched, my skin is crawling, but I let her anyway. For her sake.
“There wasn’t a note?” she asks, soft and sad. I shake my head. I don’t know why she’s asking. She already knows.
No note. No nothing. Just my sister, curled
