bat flies by, on its way to the river. She has seen bats drink on the wing, as swallows do, sipping from the water’s surface. Swallows eat in flight as well, snapping insects from the air. Rain is sure to follow when they fly low; a belief that dates from Virgil, but which she knows to be true. When the air is damp and heavy the insects hover low, and she has seen how the swallows merely follow them.
In the dark she sheds her gown, her corset, her slippers and stockings and complicated underclothes, until she is finally naked. She lies on the floor beside her desk, below the open window. Into her notebook she has copied these lines, written by Olaus Magnus, archbishop of Uppsala, in 1555:
From the northern waters, swallows are often dragged up by fishermen in the form of clustered masses, mouth to mouth, wing to wing, and foot to foot, these having at the beginning of autumn collected amongst the reeds previous to submersion. When young and inexperienced fishermen find such clusters of swallows, they will, by thawing the birds at the fire, bring them indeed to the use of their wings, which will continue but a very short time, as it is a premature and forced revival; but the old, being wiser, throw them away.
A lovely story, but surely wrong. The cool damp air washes over her like water. She folds her arms around her torso and imagines lying at the bottom of the lake, wings wrapped around her body like a kind of chrysalis. It is cold, it is dark, she is barely breathing. How would she breathe? Around her are thousands of bodies. The days lengthen, some signal arrives, she shoots with the rest of her flock to the surface, lifts her head and breathes. Her wings unfold and she soars through the air, miraculously dry and alive.
Is it possible?
Eight months later, Sarah Anne and Christopher stand on London Bridge with Miss Juliet Colden and her brother John, all of them wrapped in enormous cloaks and shivering despite these. They’ve come to gaze at the river, which in this January of remarkable cold is covered with great floes of ice. An odd way, Sarah Anne thinks, to mark the announcement of Christopher and Juliet’s engagement. She wishes she liked Juliet better. Already they’ve been thrown a great deal into each other’s company; soon they’ll be sharing a house.
But not sharing, not really. After the wedding, Juliet will have the household keys; Juliet will be in charge of the servants. Juliet will order the meals, the flowers, the servants’ livery, the evening entertainments. And Sarah Anne will be the extra woman.
The pieces of ice make a grinding noise as they crash against each other and the bridge. Although the tall brick houses that crowded the bridge in Sarah Anne’s childhood were pulled down several years ago and no longer hang precariously over the water, the view remains the same: downriver the Tower and a forest of masts; upriver the Abbey and Somerset House. The floating ice greatly menaces the thousands of ships waiting to be unloaded in the Pool. It is of this that John and Christopher speak. Manly talk: will ships be lost, fortunes destroyed? Meanwhile Juliet chatters and Sarah Anne is silent, scanning the sky for birds.
Wrynecks, white-throats, nightingales, cuckoos, willow-wrens, goatsuckers—none of these are visible, they’ve disappeared for the winter. The swallows are gone as well. An acquaintance of Christopher’s mentioned over a recent dinner that on a remarkably warm December day, he’d seen a small group of swallows huddled under the moldings of a window at Merton College. What were they doing there? She’s seen them, as late as October, gathered in great crowds in the osier-beds along the river—very late for young birds attempting to fly past the equator. In early May she’s seen them clustered on the largest willow at Burdem Place, which hangs over the lake. And in summer swallows swarm the banks of the Thames below this very bridge. It’s clear that they’re attached to water, but attachment doesn’t necessarily imply habitation. Is it possible that they are still around, either below the water or buried somehow in the banks?
If she were alone, and not dressed in these burdensome clothes, and if there were some way she could slip down one of the sets of stairs to the river bank without arousing everyone’s attention, she knows what she would do. She’d mark out a section of bank where the nesting holes are thickest and survey each hole, poking down the burrows until she found the old nests. In the burrows along the river bank at home she’s seen these: a base of straw, then finer grass lined with a little down. Small white eggs in early summer. Now, were she able to look, she believes she’d find only twists of tired grass.
The wind blows her hood over her face. As soon as she gets home, she thinks, she’ll write another letter to Linnaeus and propose that he investigate burrows in Sweden. Four times she’s written him, this past summer and fall; not once has he answered.
Christopher and John’s discussion has shifted to politics, and she would like to join them. But she must talk to Juliet, whose delicate nose has reddened. Juliet’s hands are buried in a huge fur muff; her face is buried in her hood. Well-mannered, she refuses to complain of the cold.
“You’ll be part of the wedding, of course,” Juliet says, and then she describes the music she hopes to have played, the feast that will follow the ceremony. “A big table,” she says. “On the lawn outside the library, when the roses are in bloom—what is that giant vine winding up the porch there?”
“Honeysuckle,” Sarah Anne says gloomily. “The scent is lovely.”
She can picture the wedding only too clearly. The other attendants will be Juliet’s sisters, all three as dainty and pretty as Juliet. Their gowns will be pink or yellow or pink and yellow, with bows down the bodice and too many flounces. The couple will go to Venice and Paris and Rome and when they return they’ll move into Sarah Anne’s large sunny bedroom and she’ll move to a smaller room in the north wing. The first time Juliet saw Sarah Anne’s room, her eyes lit with greed and pleasure. A few days later Christopher said to Sarah Anne, “About your room…” She offered it before he had to ask.
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