The Innocents. Laura Lippman

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There is already so much to be done. But this is Go-Go—and Sean, her first boyfriend, even if she seldom thinks of him in that context. Gwen is not the kind of woman who thinks longingly of her past, who tracks down old boyfriends on the Internet. The Hallorans, along with Mickey Wyckoff, are more like the old foundations and footings they sometimes found in the woods, abandoned and overgrown, impossible to reclaim. They had been a tight-knit group of five for a summer or two, but it couldn’t be sustained. Such coed groups didn’t last long, probably. Funny, it has never occurred to Gwen until now that she and Mickey could disengage thoroughly from the group, but the Halloran brothers had to remain a set, mismatched as they were. Crass Tim, Serious Sean, Wild Go-Go.

      “I’ll be there.” She considers placing a hand on Sean’s forearm, but worries it will seem flirtatious. Instead, she strokes the dogs, who are old, with grizzled jowls and labored breathing, so ancient and tired that they don’t object to this long interlude in the middle of their walk. Yet old as they obviously are, they can’t be more than, what? Fifteen? Sixteen? Which is still older than her marriage to Karl.

      “Mom will appreciate that,” Sean says and heads back up the hill. She knows the route, knows the house at which he will arrive after going up Wetheredsville, then turning left on “New” Pickwick, a street of what once seemed like modern houses, small and symmetrical relative to the shambling antiquities for which Dickeyville was known, following it to the shortest street in the neighborhood, Sekots, just four houses. The Halloran house always smelled of strong foods—onions, cabbage, hamburger—and it was always a mess. Sometimes the chaos could be comforting; no child need worry about disturbing or breaking anything in such a household. It could be terrifying, too, though, a place where the adults yelled horrible things at one another and Mrs. Halloran was often heard sobbing, off in the distance. The boys never seemed to notice, and even Mickey was nonchalant about it. But the Halloran house scared Gwen, and she made sure their activities centered on her house or the woods beyond.

      Go-Go, dead. The only surprise was that she was surprised at all.

      Most thought he was called Go-Go because it was a bastardization of Gordon, but it really derived from his manic nature, evident from toddlerhood, his insistence on following his brothers wherever they went. “I go-go,” he would say, as if the second syllable, the repetition, would clinch the argument. “I go-go.” And he did. He ran into walls, splashed into the polluted waters of the stream, jumped from branches and balconies. Once Go-Go spent much of an afternoon running head-on into an old mattress they had found in the woods, laughing all the while.

      Now he has run head-on into the barrier at the end of the highway. Gwen can’t help wondering if he was drunk. Although she hasn’t seen the Halloran boys for years, she knows, the way that everyone knows things in Dickeyville, that Go-Go has a problem. It is implied, if never stated outright, in the lost jobs, the broken first marriage, the rocky second one, the fact that he returns to the roost for open-ended stays.

      Then again, who is she to judge Go-Go? Isn’t she pulling the same trick, running home, a two-time loser in matrimony, taking comfort in a parent’s unconditional love? Mr. Halloran may have been hard as nails, but Mrs. Halloran, when she wasn’t screaming at her sons and wondering why they had been born, spoiled them to the best of her ability, especially Go-Go. And while most people will assume Gwen is nothing more than a devoted daughter, some will see through her. Her brother and sister, certainly. And Karl.

      That is, Karl would see through her if it ever occurred to him to look, really look at her. But if Karl looked at her that way, they wouldn’t be in this fix. At least that’s how she likes to see it.

       Summer 1976

      CHAPTER TWO

      “I hate it here,” Fee said. “It’s boring.”

      “There’s no place to go,” Miller said. “There’s nothing to do.”

      “Only boring people are bored,” their father said.

      “Or maybe only boring people don’t realize how bored they are,” Fee said. “They are so boring that it never occurs to them to do anything.”

      “Gwen likes it here,” their father said.

      “Well, Gwen.” Fee sniffed. “She’s a child.”

      “Of course I’m a child,” Gwen said mildly. “I’m ten.”

      “The thing is,” Miller pressed on, intent on making his case, “there are plenty of kids for Gwen to play with—that Mickey girl, those brothers—”

      “We do NOT play with the Halloran boys. They’re too wild,” Gwen put in.

      Gwen spoke the truth, at the time. In the summer of our nation’s bicentennial, the five of us were not friends yet and the Hallorans were considered wild. We were two and three—the two girls, Gwen and Mickey, the three brothers, Tim, Sean, and Go-Go. We would not come together as a group until the following spring. But we were all aware of each other. Mickey was a familiar little figure in Dickeyville, a terrifying tomboy assumed to be a loner by choice, a child who wanted to be outdoors no matter how fierce the weather. The Halloran boys were known as hellions, primarily because of Go-Go. Besides, in the summer, they went down to the ocean, then to camp.

      And Gwen’s family, the Robisons, were famous in Dickeyville because they had been trying to build their new house for almost seven years, stopped twice by injunction because of the neighborhood’s historic status. Strangely, Dr. Robison did not resent the neighborhood’s resistance to his house. This was his dream house and he would suffer anything to get it. He had bought the lot a decade earlier, around the time Gwen was born, after stumbling across Dickeyville while trying to get to the Forest Park golf course. First he had been told that the lot wasn’t suitable for building, that its pitch would make it impossible. He refused to accept this and finally found an architect who said it could be done, although at great expense. Then the neighborhood had decided to fight it, although Dickeyville had its share of postwar nondescript houses. The Hallorans lived in one, in fact, but did not feel themselves hypocrites for joining the opposition. The Robison house—new, modern—signified something, even if no one was quite sure what. Change, hypocrisy, a challenge to traditional values. Yet nine years after the lot was purchased, five years after ground was broken, the house had asserted itself into being, through the sheer force of Dr. Robison’s will.

      This apparently came as something of a surprise to Mrs. Robison and the two older children, twenty-year-old Miller and seventeen-year-old Fee. And although Miller had to endure only summers there, and although Fee had only a year of high school left and she was continuing at Park, the same private school Gwennie attended, they were bitter. Mrs. Robison was not bitter, not exactly, but we all sensed something in her attitude. How to put it? There was a quality of withholding. In her beautiful, hippieish clothes, she moved through the world with her head down and arms crossed, as if to say to Dickeyville: I will not love you, I will not. Inevitably, all the fathers and even some of their sons were a little bit in love with Tally Robison, mistaking her coolness to her surroundings as a coolness toward them, which never fails to provoke a man. Gwen never doubted her mother’s love, however, which was mildly infuriating to the rest of us, who sometimes wondered if our mothers were altogether pleased by our existence. Mickey’s mom, the boys’ mom—they tended toward moments of frustration. Doris Halloran, in particular, had a way of asking “Why were you born?” as if she didn’t really know, or as if she was debating the church’s doctrine on abortion. Not that abortion was legal even when the youngest of the Halloran boys, Go-Go, was conceived. But we still had the impression that Mrs. Halloran would have appreciated having a choice.

      But

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