‘Hundreds. Thousands. Thirty bags. And guess what, Da, some of the kids turned in milkweeds that was still green, and they only give ‘em ten cents a bag. I let mine get all nice and dry up in the hayloft first. The only one picked more than me was a old man from Topunder. Seventy-two bags, but he didn’t have to go to school. He could just fool around pickin’ milkweed all day long.’
‘I wondered what in the hell all them milkweed pods was doin’ spread out over the floor up there. First I thought it was some idea Loyal had for cheap cowfeed. Then I thought they was goin’ to be some kind of a decoration.’
‘Da, they don’t make decorations out of milkweed pods.’
‘Hell they don’t. Milkweed pods, pinecones, spook, popcorn, apples, throw some paint on it, that’s it. I seen women and girls make a goddamn hay rake into a decoration with crepe paper and poison ivy.’
The door opened a few inches and Dub’s florid big-cheeked face thrust into the kitchen. In the thicket of his curly hair a bald spot appeared like a clearing in the woods. He pretended to look around guiltily. When his eyes came to Jewell’s he twisted up his mouth in mock fear, sidling into the room with his arm crooked across his face as if to ward off blows. His thighs were heavy and he had the short man’s scissory walk. He knew he was the fool of the family.
‘Don’t hit me, Ma, I’ll never be late again. Couldn’t help it this time. Hey, I got talkin’ with a fella, said his wife was one of the ones that was up on Camel’s Hump where that bomber went down, looking for the survivors of the crash?’
‘For pity’s sake,’ said Jewell.
Dub turned his chair around and straddled it, his good arm across the back, the empty left sleeve, usually tucked in his jacket pocket, hanging slack. A Camel cigarette balanced behind his right ear. For an instant Jewell remembered how shapely his forearms had been, the swelling flexors and the man’s veins like tight fine branchwood. Mink cut a dice of ham into pieces and scraped them onto Dub’s plate.
The kitchen seemed to Loyal to be falling outward like a perspective painting, showing the grain of the ham, the two shades of green of the wallpaper ivy, the ears of drying popcorn joined together in a twist of wire hanging over the stove, the word COMFORT on the oven door, Jewell’s old purse nailed to the wall to hold bills and letters, the pencil stubs in the spice can hanging from a string looped over a nail, Mernelle’s drawing of a flag tacked to the pantry door, the glass doorknob, the brass hook and eye, the sagging string and stained cretonne covering the cavity under the sink, the wet footprints on the linoleum, all flat and detailed, but receding from him like torn leaves in a flooding river. It seemed he had never before noticed his mother’s floral print apron, the solid way she leaned forward, her beaky nose and round ears. They had those ears, he thought, every one of them, forcing his mind away from what was up under the wall, and Mink’s black Irish hair, so fine you couldn’t see the single hairs.
Dub heaped the mashed potato on his plate, poured the yellow gravy over it and worked it in with his fork. He stuck a lump of chewing gum on the edge of the plate.
‘Plane was all over the mountain. One wing clipped a part of the lion, and then it just end-overed, wings broke off here, tail farther down, cockpit belly-bunted half a mile down. Tell you what, they don’t see how that guy lived through it, guy from Florida, just layin’ on the snow, guts and arms and legs from nine dead men all around him, and all he had was a couple cuts and scrapes, nothing even broke. Guy never even see snow before.’
‘What lion?’ asked Mernelle, picturing the beast behind snowy rocks.
‘Ah, the top of the mountain, looks like a lion gettin’ ready to jump, other guys thinks it looks like a part of a camel. The lion party wanted to call it “crouchin’ lion” but the camel lovers got their way. Camel’s Hump. It’s just stone up there, grade A granite. Looks like a pile of rock. Hey, don’t look like a camel or a lion or a porcupine. Don’t they learn you nothin’ in school!’
‘Seems like it’s been a terrible time the last year or so for terrible things. The War. The Chowder Girl subbing that needle in her eye. That was terrible. That poor woman in the bathtub in the hotel.’ Jewell unleashed one of her gusty sighs and stared away into the sad things that happen, that she guiltily savored. Her eyes were half closed, her thick wrists resting on the edge of the table, fork lying across her plate.
‘What about the fool things,’ said Mink, the words tangled in his mouth with potato and ham, the stubbled cheeks flexing as he chewed, ‘what about that fool that brought the can of blasting powder into the kitchen and put a match to it to see if it would burn. A fool thing, and half the town on fire on account of it and him and his brother’s whole family dead or torn up.’
‘What the hell is this?’ said Dub, pulling something from the mashed potato on his plate. ‘What the hell is this?’ holding up a bloodied Band-Aid.
‘Oh my lord,’ said Jewell, ‘throw it out. Take some new potato. I cut my finger peelin’ potatoes, then when I was settin’ the table I see I lost the Band-Aid somewhere. Must of fell in the potatoes when I was mashin’ ’em. Give it here,’ she said, getting up and scraping the potato in the pig’s slop bucket. She moved with a quick step, her lace-up oxfords with the stacked heels showing off her small feet.
‘Thought for a minute there,’ said Dub, ‘that the taters had the rag on.’
‘Dub,’ said Jewell.
‘I don’t get it,’ said Mernelle. ‘I don’t get what a bomber was doin’ near the Camel’s Hump. Is there Germans on the Camel’s Hump?’
Dub roared in his stupid way. Mernelle could see the thing at the back of his throat hanging down, the black parts of his teeth and the empty gums on the left where the train men had knocked his teeth out.
‘Don’t worry about the Germans. Even if they made it across the ocean what the hell would they do up on Camel’s Hump? “Ach, Heinz, I am seeink der Blood farm und der dangerous Mernelle collecting ze milkveed pods.” ’ Dub’s grin hung in his face like an end of wet rope.
The food lay on Loyal’s plate as Mink had sent it along, the ham hanging a little over the edge, the cone of potato rising, a single iceberg from a frozen sea.
Loyal stood up, the yellow kerosene light reaching as high as his breast, his face shadowed. His leaf-stained fingers bunched, braced against the table. ‘Got something to say. Billy and me has had enough of this place. We’re pullin’ out tonight. She’s waitin’ for me right now. We’re pullin’ out and going out west, someplace out there, buy a farm, make a new sun. She got the right idea. She says “I’m not even goin’ to try to see my folks. Suit me good if I never have to see one of them again.” She’s just goin’. I wanted to set it straight with you, give you some idea. I didn’t come back for no goddamn dinner. Didn’t come back to listen to horseshit about Germans and potatoes. I come back to get my money and my car. Ask you to tell her folks she’s gone. She don’t care to see them.’ As he said it he knew that’s what they should have done. It seemed so easy now he couldn’t understand why he’d fought the idea.
There was a silence. A discordance spread around the table as though he had blindly hit piano keys with a length of pipe.
Mink half-stood, the hair hung down over his eyes. ‘What in hell are you sayin’! This your idea of a joke? All I ever hear from you for ten years is how you think this place oughta be run, now you say just like you was talkin’ about changin’ your shirt that you’re pullin’ out? For ten years
