both, and was gone. Tucker Pierce smiled at Liffey. Liffey’s eyelids drooped as other parts of her contracted, in automatic beat. Oh, little black cat, squirming over the cool ground, the better to put out the fire within! Tucker moved closer. Liffey stood her ground, chanting an inner incantation, of nonsense and aspiration mixed. Richard, I love you, Richard, I am spirit, not animal: Tucker, in the name of love, in the name of God, in the name of Richard, flawed and imperfect as he is; Tucker, stay where you are.
Tucker stayed; Tucker talked, still on the step.
‘Come the spring,’ said Tucker, ‘you’ll be wanting our cows in your field. Keep the grass and the thistles down.’ ‘Not to mention the docks,’ said Tucker. ‘Docks can be a terrible nuisance.’
‘Don’t thank me,’ said Tucker. ‘We’re neighbours, after all.’
‘Any little bits and pieces you need doing,’ said Tucker. ‘Just ask.’
‘Looks cosy in there,’ said Tucker, peering over Liffey’s shoulder into the colourful warmth within. ‘I see you’ve a way with rooms: making them look nice, feminine like.’
And indeed Liffey had: tacking up a piece of fabric here, a bunch of dried flowers there. She adorned rooms as she hesitated to adorn herself. She loved silks and velvets and rich embroideries and plump cushions and old, faded colours.
Tucker looked longingly within. Liffey stood her ground. ‘Come on down to the farm,’ said Tucker, remembering Mabs’ instructions, ‘and have a cup of coffee with Mabs.’ ‘Mabs is always glad of company,’ lied Tucker. ‘One thing to be on your own when you expect it,’ observed Tucker, with truth. ‘Quite another when you don’t. You’ll be feeling lonely, I dare say.’
‘Not really,’ said Liffey, with as much conviction as she could muster. ‘But I’d be glad to use your telephone, if I could.’
They walked down together, along the rutted track. Tucker Pierce, farmer, married, father of five, muddy-booted, dirty-handed, coarse-featured, but smiling, confident and easy, secure in his rights and expectations. And little Liffey, feeling vulnerable and flimsy, a pawn on someone else’s chessboard, not the Queen. She saw herself through Tucker’s eyes. She saw that her frayed jeans could represent poverty as well as universal brotherhood, and skinniness malnutrition, rather than the calculated reward of a high protein, low calorie diet.
Liffey had to run to keep up with Tucker. Her country shoes, so absurdly stout in London, appeared flimsy here, while his clumsy boots moved easily over the hollows and chasms of the rutted path.
‘It’s quiet up here,’ said Tucker, turning to her.
Not here, she thought, not here in the open, like an animal: and then, not here, not anywhere, never!
Liffey rang Richard’s office from the cold hall of Cadbury Farm. Miss Martin said Richard was not available, having gone to a meeting at an outside advertising agency, and she did not expect him back.
‘Didn’t he leave a message?’
‘No.’
Liffey rang Bella and the au pair girl Helga answered.
Bella and Ray were dining out, with Mr Lee-Fox. Perhaps if Liffey rang later? At midnight?
‘No. It wouldn’t be practical,’ said Liffey.
‘Any message?’
‘No,’ said Liffey.
‘You do look cold,’ said Mabs. ‘Pull a chair to the fire.’ And she poured Liffey some coffee, in a cracked cup. The coffee was bitter.
Mabs chatted about the children, and schools, and cows and smoking chimneys. Tucker said nothing. The kitchen was large, stone flagged, handsome and cold. The same pieces of furniture—substantial rather than gracious—had stood here for generations—dresser, tables, sideboards, chairs—and were half-despised, half-admired by virtue of their very age. Tucker and Mabs boasted of the price they would fetch in the auction room, while using the table, almost on purpose, to mend sharp or oily pieces of farm machinery, and the edge of the dresser for whittling knives, and covering every available surface with the bric-a-brac of everyday life—receipts, bills, brochures, lists, padlocks, beads, hair rollers, badges, lengths of string, plastic bags, scrawled addresses, children’s socks and toys, plasters, schoolbooks, and tubes of this and pots of that. Neither Mabs nor Tucker, thought Liffey, marvelling, were the sort to throw anything away, and had the grace to feel ashamed of herself for being the sort of person who threw out a cup when it was chipped, or a dress when she was tired of it, or furniture when it bored her.
Cadbury Farm, she saw, served as the background to Tucker and Mabs’ life, it was not, as she was already making out of Honeycomb Cottage, a part, almost the purpose, of life itself.
Liffey went home as soon as she politely could.
‘It’s getting dark,’ said Mabs. ‘Tucker had better go with you. I’m not saying there’s a headless horseman out there, but you might meet a flying saucer. People do, round here. Mostly on their way home from the pub, of course. All the same, Tucker’ll take you. Won’t you, Tucker?’
‘That’s right,’ said Tucker.
But Liffey insisted on going by herself, and then felt frightened and wished Tucker was indeed with her, whatever the cost, particularly at that bend of the road where the wet branches seemed unnaturally still, as if waiting for something sudden and dreadful to happen. But she hurried on, and pulled the pretty curtains closed when she got to the cottage, and switched on the radio, and soon was feeling better again, or at any rate not frightened; merely angry with Richard and upset by her own feelings towards Tucker, and fearful of some kind of change in herself, which she could hardly understand, but knew was happening, and had its roots in the realisation that she was not the nice, good, kind, pivotal person she had believed, around whom the rest of an imperfect creation revolved, but someone much like anyone else, as nice and as good as circumstance would allow, but not a whit more: and certainly no better than anyone else at judging the rightness or wrongness of her own actions.
Desire for Richard overwhelmed her when she lay down to sleep on the mattress on the floor. It was, for Liffey, an unusual and physical desire for the actual cut and thrust of sexual activity, rather than the emotional need for tenderness and recognition and the celebration of good things which Liffey was accustomed to interpreting as desire, for lack of a better word. Presently images of Tucker replaced images of Richard, and Liffey rose and took a sleeping pill, thinking this might help her. All it did was to seem to paralyse her limbs whilst agitating her mind still more; and a sense of the blackness and loneliness outside began to oppress her, and an image of a headless horseman to haunt her, and she wondered whether choosing to live in the country had been an act of madness, not sanity, and presently rose and took another sleeping pill, and then fell into a fitful sleep, in which Tucker loomed
