finest bicycle I ever had was a Holdsworth which my father allowed me to order when I was sixteen. He had arranged with a Swiss business acquaintance of his called Mr Guggenheim that I should work in his silk firm in Zurich in order to learn the business and the German language, and no doubt he thought that cycling up and down the Alps would keep my thoughts in wholesome channels. It was a model called Stelvio, and was specially designed for cycling in the Alps.
It was hand-built in a small shed at the back of Holdsworth’s shop in Putney by a thin, energetic, chain-smoking genius with wispy hair and a terrible cough. He had lined the walls of the shed with a really wonderful collection of pin-ups all of which displayed enormous tits; presumably to stimulate him to even greater activity. They certainly stimulated me. It was the finest bicycle procurable at that time and it cost a colossal £20. The day I took delivery of it I remember him bouncing it up and down on its over-size hand-made tyres as if it was a ping-pong ball.
‘Luvly job,’ he said, with a cigarette stuck to his lower lip. ‘A real iron. Go out and give them Alps a bashing. Funny to think I’ll never see ’em.’
I never saw the Alps either, let alone gave them a bashing. The arrangement with Mr Guggenheim was shelved when my father found out that the kind of Schweitzerdeutsch they spoke in Zurich was so extraordinarily funny that if real German speakers heard it they fell about. I never dared tell the creator of the ‘iron’ that the furthest I got was the Black Mountains on the Welsh border.
In the war I rode huge bicycles with 28″ wheels that weighed 60 lbs or more, of the sort still popular in parts of India and Africa. At the Royal Military College, Sandhurst, which I attended in 1940, a special drill had been invented for riding these monsters:
‘Number One Platoon!’ (or whatever it was) ‘’Arf Sections Left! Prepare to Meount! … Meount! ’ And we would wobble off into the asylum country round Broadmoor.
Wanda’s affair with the bicycle was very different from mine. For her there was, and still is, a Platonic, archetypal bicycle, the first one she ever had. It was the sort of bicycle on which droves of girls used to cycle past the prison camp in which I was incarcerated in the Po Valley, near Parma, during the war. Similar droves were to be seen riding through the equally flat countryside around pre-war Ferrara in Visconti’s film The Garden of the Finzi-Contini.
It was a single-speed lightweight roadster with an open frame, raised handlebars fitted with a wicker basket and a back pedalling brake on the rear wheel, the upper part of which was covered with thin cords to prevent the wearer’s skirt becoming entangled in it, which made the whole thing look like some archaic stringed instrument on wheels.
It was a present to her from her godmother on her sixteenth birthday. Originally she had given her a wristwatch but Wanda displayed such obvious disappointment on receiving it that her godmother eventually wrung from her the confession that what she really longed for was a bicycle. Unfortunately Wanda’s godmother had no idea how much a bicycle cost, and the money she gave Wanda in lieu of the wristwatch was totally insufficient to buy even a good second-hand one, which was why Wanda’s bicycle came to be made up of salvaged parts, re-assembled by the village bicycle repairer. In spite of this it was a good bicycle, with a frame made by the still excellent firm of Bianchi.
Because of all this Wanda had the fierce affection for her bicycle that most people reserve for the living. So when the Germans occupied Italy in September 1943, and her father was arrested by the Gestapo as an anti-Fascist, her bicycle was impounded as an additional punishment, to which she took strong exception. Eventually she succeeded in tracking it down to a German military headquarters at Salsomaggiore, a spa miles away from where she lived in the foothills of the Apennines, to which literally thousands of confiscated bicycles had been taken.
‘You have stolen my bicycle,’ she said without preamble to the first German officer she encountered there, who happened to be a colonel taking a turn in the open air.
‘What, me?’ he said in genuine astonishment, saluting. ‘Why should I take your bicycle? I have no need of a bicycle.’
‘Well, if you didn’t take it your soldiers did. My father was in the Austrian Imperial Army. He never stole ladies’ bicycles.’
‘Where is your bicycle?’ he asked.
‘In there,’ she said, indicating through open doors in a hangar what appeared to be the biggest second-hand bicycle shop in the world.
‘Signorina,’ he said gallantly, anxious to be rid of this Slovenian fury he had somehow unwittingly fielded, ‘if we have taken your bicycle I can only apologize on behalf of the Wehrmacht. We are not here to make war on young ladies. We will restore you a bicycle. Please take any bicycle. I will personally authorize it. Take a good bicycle.’
‘I don’t want any bicycle,’ she said. ‘I want my bicycle.’
Eventually the colonel was constrained to send for a couple of soldiers and order them to force their way through the masses of bicycles, many of them superb machines, any of which she could have had for the asking, until they reached the enclave in which Wanda’s humble machine was finally located. For with Teutonic efficiency they were grouped according to whichever town or village they had been impounded in.
Knowing all this, and that a facsimile of her old bicycle was the only thing that would really make her content, I felt myself in the same sort of spot as the German colonel at Salsamaggiore in 1943. In one of my wilder, more fanciful moments I imagined trying to sell her the idea that dropped handlebars are nothing more than raised handlebars installed upside down. And in my mind’s eye I could see her wrestling with them, like an Amazon with the antlers of a stag at bay, trying to return them to what she regarded as their proper position.
The heart of rural Dorset is not the easiest place to find out about the latest developments in the world of bicycles, but by good fortune our local newsagent in Wareham had a copy of a magazine called The Bicycle Buyer’s Bible, 1985/6 on its shelves. By this time the question of what sort of bikes we were going to take with us if we were going to get moving before Christmas was becoming extremely urgent. The Bible gave detailed specifications of about three hundred machines with prices ranging from £105 to £1147, and £1418 for a tandem.
The machines that interested me most were the mountain bicycles, otherwise ATBs, All Terrain Bicycles. Everything about a mountain bike is big, except for the frame, which is usually smaller than that of normal lightweight touring bicycles. They are built of over-size tubing and have big pedals, ideal for someone like me with huge feet; wheels with big knobbly tyres which can be inflated with four times as much air as an ordinary high-pressure tyre; very wide flat handlebars, like motorcycle handlebars, fitted with thumb-operated gear change levers; and motorcycle-type brake levers connected to cantilever brakes of the sort originally designed for tandems, which have enormous stopping power.
Most of them are fitted with 15- or 18-speed derailleur gears made up by fitting a five- or six-sprocket freewheel block on the rear hub and three chainwheels of different sizes on the main axle in the bottom bracket where the cranks are situated; a sophistication so conspicuously unnecessary that it would have had Thorsten Veblen ecstatically adding another chapter to his great work, The Theory of the Leisure Class, had he lived to see it. This equipment produces gears ranging from 20″ or even lower (which can be a godsend when climbing mountains) to 90″ or even higher for racing downhill, or with a following wind on the flat.1 Not all these gears are practicable or even usable, however, for technical reasons.
These mountain bikes looked very ugly, very
