started to sparkle in the trees and the mosquitoes started to bite. Bhima, instead of listening to her ideas on education for all, began trying to balance a glass of water on his head, an experiment ending with water gushing over his nose. ‘You look like Shiva catching the Ganges on his head,’ said Shivarani strictly. ‘And you have not been listening.’ She did not approve of such frivolity.
‘Your beautiful hair is on fire,’ said Bhima, wiping his face. He gently took a firefly from her head, and held out the little flashing light to her in his palm. Shivarani suddenly could not remember what she had been about to say.
When she came home for her vacation Shivarani was shocked at the frivolity of her younger sister, Koonty, who rampaged round the Hatibari estate playing with the local children as though she was one of them and whose bedroom walls were covered in posters of film stars. ‘Even here, in the village of Hatipur, there are children who don’t have enough to eat,’ said Shivarani. ‘You should be thinking about things like that instead of getting swoony over some film star. Tomorrow I am going to the village to see what help I can give the people there. You should come with me.’
‘Don’t get cross with me so soon,’ begged Koonty. ‘Tell me about the people in college? Did you fall in love?’
Shivarani hesitated for the smallest moment before saying, ‘No.’
Koonty could not come with Shivarani to the village. She had been invited to the Hatibari by the young zamindar. ‘I will come with you next time, I swear, Didi,’ she said.
Shivarani jumped, startled at the creaking stirring of a bush, thinking that a snake was about to emerge, and had told herself that if the brain-fever bird did not shut up, she would be driven mad. When she was halfway to Hatipur the bird did fall silent for a while, and then all she could hear were the squawks of mynahs, the high screams of the rose-ringed parakeets robbing the guava trees and the river slapping its banks like an arrogant hero beating his thighs. The air was peppery and stung a little, as though the leathery trees and the bushes with their dangerous-looking speckled leaves were gasping spice. She wished her parents had not chosen to live in such an out-of-the-way place.
As Shivarani arrived a cry went round for someone to bring a chair for the Hatibari manager’s daughter. Ignoring their protests and refusing the battered plastic seat she told the gathering crowd, ‘I have been studying for the past three years, learning about the problems faced by the villagers of India. Now that I am back, please tell me what has been going on here.’
At once a great babble of excitement rose. People, packing tightly round her, began to talk all at once. They waved their arms, beat their breasts and dramatically pulled at their hair as they told of the things they needed – a well so they would not have to go so far for water, a bus service, a health clinic and most of all electricity. ‘Also we would like our own cinema,’ they told her. ‘At present we must travel to Dattapukur three miles away to see the films and because we are from outside, we have to sit at the back while those from Dattapukur get all the good places. And also when it is raining there is only a small tarpaulin for shelter and we of Hatipur are forced to sit outside of it till we become completely wetted. Even those with umbrellas become wetted underneath because of the water running over the earth.’
Shivarani quickly turned the conversation to drains, school books, clean water and medical care but every now and again one or another of the young men would let out an ear-splitting yell of ‘yahoo.’ ‘They have been to see the film of Jungly,’ a woman explained. ‘Have you seen this wonderful film, Memsahib Shivarani? In this Shamee Kapoor is this wild man, who is constantly shouting in such a way.’
‘But although hanging from trees and such like he is of a very handsome type,’ said another. ‘Like the gopis and their passion for the blue god, Krishna, all the women of Hatipur are in love with this fellow though the married ones do not mention it to their husbands.’ The surrounding girls giggled protests and hid their faces in their hands while the men of their families looked at them accusingly.
Shivarani brought the conversation back to tangible problems that she might have a chance of solving.
A woman spoke up, ‘My name is Laxshmi. If you wish to be helpful then you should do something for me. I have three daughters already …’ she gestured to three little girls wearing starched frocks, with bows in their hair. ‘I am pregnant again. If this child is a girl as well, my husband has said he will leave me. So can you make this child into a male?’
Shivarani sighed.
Others began to pour out their problems. They began to tell Shivarani of the paralysed grandmother who had to be carried everywhere, the threatening mother-in-law, the child that did not thrive, the cow that had dried up too soon, the virus in the tomatoes. One man described his happiness because his cow had given birth to a female calf. Another expressed his dismay because his wife had given birth to a female child. And then there were the widows. There were fourteen of them. ‘Perhaps you can find some work for us, Shivarani Memsahib,’ they said. ‘For these days we hardly get enough to eat for even if the families of our husbands wanted to, they would be unable to spare enough for us after the children have eaten.’
‘The wife of the misti wallah has a trouble and needs your help,’ someone told her. Shivarani followed him.
The misti wallah’s wife was sitting on bolsters in the room at the back of the shop, pressing shandesh into little wooden moulds in the shape of fishes. The room smelled of sugar and buzzed heavily with bees and flies and the misti wallah’s back was visible through the bamboo curtain, as he sat cross-legged behind his piles of sweets.
‘I want my eldest sons, Rahul and Ravi, to go to school, but instead they are thieving around the village and their father does nothing to stop them,’ said the woman. ‘Ravi is the leader, and Rahul, though the eldest, follows him. I want the best for our children and my husband says he does too, but it costs money and the attention of the father to bring up children properly.’
The misti wallah’s back flinched as though he heard or guessed what his wife was saying about him. He worked very hard, getting up before sunrise to separate the curds and set the dahis. For hours, even on the hottest days he would be toiling over a vat of hot oil, dribbling in the batter to make jellabies, then dropping the hot crisp squirls into simmering sugar syrup. After his stall opened he would be sitting there all day long, serving customers with rosogullas, Lady Kennies, gulab jamans, shandesh. Spooning almond-spiked paishes and rose-flavoured kheers into terracotta pots. Packing jellabies into banana leaf and tying the bundle with thread. Even after the stall was closed his work would still not be finished. He would still have to seal the jars of warm curd with muslin and waxed paper before carrying them to the river to cool all night in the shallows there. The evenings in the drink shop were his relaxation. He looked forward all day to the hour when he would be able to sit in silence in the little concrete room of the arrak shop and down a few tumblers of arrak. Then, fully drunk, his worries about his out-of-control sons and his wife’s complaints forgotten, he would stagger home and sleep.
The misti wallah, on his way to the arrak shop, would sometimes pass the bullock cart on which his wife and children were squashed among the other villagers, on their way to see the film at Dattapukur. His wife, like the other women, wearing her brightest sari and with jasmine in her hair, his sons wearing oversized shorts, with their hair greased down and behaving properly for once, crammed among little girls in frocks embroidered with glittering thread and men in starched pyjamas. ‘Why don’t you come with us instead of getting drunk,’ his wife would cry as he squeezed onto the verge to let the cart rumble by. ‘The cinema will not give a headache and tonight is one very good film.’
Later,
