The Gilded Life Of Matilda Duplaine. Alex Brunkhorst

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The Gilded Life Of Matilda Duplaine - Alex  Brunkhorst

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I decided to take Kurt’s cue. He didn’t address me once during the hour-long journey; he listened to classical music on the radio and never glanced into the rearview mirror unless it was to change lanes.

      Finally, after our long sinuous trip across town, Kurt put on his blinker, preparing for a sharp right into a narrow road that traveled between colossal white walls. A filigree black-iron signpost announced where we were going. The words Bel-Air lit up the twilight in a curious shade of blue-white, the color of an ice-skating rink. The words were written in an old-fashioned glitzy font embellished with curlicues and arcs. It was a font from the days when more meant more.

      Bel-Air wasn’t gated, as some Los Angeles communities were. Instead, it was simply known as a place that commoners like me didn’t visit.

      We took a soft left and then a sharp right, and then we drove through the winding hills. I opened the tinted window halfway. We were a mere thirteen miles away from my apartment, but the air felt as if it had rolled in from another lifetime. It was foggy and cool, and it smelled of smoke from real chimneys, of lawns freshly cut, of hedges just pruned and of autumn-blooming flowers. Silver Lake reeked of the pavement and the people who slept on it.

      The few street signs I made out from the window had regal names, and if you were looking from the street you would think there were no houses here, only thirty-foot hedges, iron gates and video cameras. The tight streets, two-acre parcels and light traffic had the makings of a neighborhood, but there were no sidewalks. From what I could tell, people here didn’t borrow sugar—they sent their drivers to the store for it.

      Flowers hung from heavy vines and wept into the narrow streets, squeezing them even tighter. We didn’t have foliage like this in the rest of Los Angeles, and I wondered if the flowers were indigenous to only these six square miles. Perhaps the rain here was different, or maybe even the sun preferred Bel-Air. I reached out my window, and I plucked one of the dew-swept flowers off its vine, allowing it to wither between my thumb and index finger before placing it in my interior jacket pocket beside my tape recorder.

      Even as a little boy I had always been fascinated by wealth. I grew up in a working-class family, and while my teenage friends were content playing in the streets in Milwaukee’s rough inner city, I chose my running path along Lake Michigan, where behemoth mansions reminded one of another era, an era when the industry of the Midwest made millionaires. I dreamed of living in those manors with owners who didn’t have a care in the world. At fifteen, when it came time for employment, I eschewed fast food or gas stations. Instead, I worked for an older, wealthy gentleman by the name of Mr. Wayne. I had always been mechanically inclined, so in the evenings my head would be bent over the guts of his expensive hot-rod collection bringing dead cars back to life. In summers, I was a golf caddy at Milwaukee’s most expensive country club, even though it required multiple bus transfers to get to work. And then at Harvard, I was surrounded by wealth unimaginable for a boy from the working class of the heartland. For the first time in my life, money seemed accessible, something I could get. All I had to do was work in the world of investments, as most of my college buddies had done. When it came down to it, though, I had chosen a different path—one that would keep me firmly in the lot of the middle class for the rest of my life.

      Old iron gates opened. We hadn’t announced ourselves, but tiny video cameras blinked red in the eyes of the stone lions.

      The steep, narrow driveway ended at a cobblestone motor court with an ornate fountain depicting sea nymphs at play. Prehistoric-looking foliage surrounded an old stone Spanish-style mansion. The cacti were ten feet tall and blue lights illuminated trees with spiky leaves and exotic flowers.

      I tapped the front door’s heavy knocker. I heard the clackety-clack of heels on a tile floor and the door opened. A house cat with spots like a leopard sprinted across the foyer.

      The woman was in her late thirties and dressed for a rococo costume party, not an intimate dinner. Her outfit featured a tortoise-and-feather headpiece, white fur shawl, snakeskin pants so tight they might have been painted on and six-inch ostrich heels. I thought of Lily’s ivory necklace. I wondered if wearing endangered species was a status symbol in all of Los Angeles’s social stratosphere or just this specific circle of it.

      “You must be Thomas. Come in. You’re pale. It looks like you could use a drink. And a trip to Tahiti. But we can take care of that later.”

      We stood in a two-story entry the size of a ballroom. Red wax candles served as wall sconces and the only man-made light came from an overhead chandelier adorned with dragons and crystals. Juliet balconies above us were empty, but I got the sense that during grander parties violinists played there and during more intimate ones men and women did.

      “Everyone, this is Thomas, Lily’s friend,” the woman who answered the door said, leading me from the foyer to a smaller room.

      She did not bother introducing herself, but her manner was as theatrical as her attire and her words echoed on the stone. The four other people in the room hushed on cue, and I was embarrassed by their silence, their undeserved stares. In order to divert my eyes, I took in the room’s zebra chairs, antlered sconces and mirrored ceilings, wondering if I had fallen down the rabbit hole.

      “Thomas, darling, what are you drinking?” the oddly dressed woman asked.

      I scanned the group with the corners of my eyes. There was no Lily. My heart quickened, and I was so nervous I briefly and irrationally thought that I had shown up to the wrong party.

      “Sweetheart. Is everything okay?” the woman pressed me, after her question had gone unanswered.

      She stood beside the type of formal mirrored bar you would’ve found in a 1920s Art Deco speakeasy in Manhattan. There were no off-the-shelf bottles; liquor was kept in heavy crystal decanters. Sterling silver–framed snapshots surrounded the crystal on all sides. It was then that I realized Lily Goldman had invited me to a dinner party at someone else’s house.

      I paused for a moment. I needed to choose a drink that was both elegant and available in one of those anonymous bottles. I thought of my ex-girlfriend—she had been a girl who would have known what to order in a scene like this. A gimlet. That had been her drink of choice.

      “Yes. Sorry. A gimlet, please. On the rocks.”

      “A gimlet—how old-fashioned and moneyed of you. I’ll have to remember that,” she said. “I love anything old-fashioned. Right, George?”

      “And moneyed, which is the only reason you fell in love with me,” George said with a glint in his eye, as if he knew it was true but was also flattered by it.

      “Fell in love maybe, but stayed in love no. California’s a community property state. Even half your money would’ve kept me in couture and a G5,” she said as she squeezed three slices of lime into the drink she had prepared.

      George walked over and preemptively sandwiched my hand in both of his. His squeeze was more appropriate for a long-lost high school chum than a random dinner-party crasher, and I immediately liked him for it.

      “George Bloom. My wife, Emma, has many wonderful traits—I love her dearly—but introductions aren’t one of them. Welcome to our humble abode.”

      So this was why Rubenstein had so easily moved my deadline.

      Everyone knew George Bloom as the most powerful man in the music business. He grinned, and his large-toothed smile was as wide as his jaw was formidable. It was easy to imagine him bestowing that same charming grin on musicians he wanted to sign to his record label—with great success. Unlike his wife, whose outfit must have been the

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