The Harry Palmer Quartet. Len Deighton
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‘Not at all,’ I said. ‘Thank you.’ I watched her as she made her journey through the wispy audience of middle-aged tycoons. When she reached the rear of the auditorium she sold something to a plump man at the bar. She moved on out of my range of vision.
I looked around me; no one seemed to be watching. I walked up the stairs. It was all velveteen and tinsel stars. There was only one door on this landing – it was locked. I went up another floor. A notice said, ‘Private – Staff Only’; I pushed through the swing door. There was a long corridor ahead of me. Four doors opened to the right. None to the left. I opened the first door. It was a toilet. It was empty. The next door in the line-up said ‘Manager’; I tapped and opened it. There was a comfortable office: half a dozen bottles of booze, large armchair, a studio couch. A television set said ‘… begin to feel the tummy muscles stretching and relaxing …’
There was no one there. I walked across to the window. In the street below a man with a barrow was arranging the fruit best side forward. I went down the corridor and opened the next door – there was a complex and fleshy array of about twenty semi-nude chorus girls, changing their tiny costumes. A loudspeaker brought the sound of the piano and drums from downstairs. No one screamed, one or two of the girls looked up and then continued with their conversation. I closed the door quietly and went to the last door.
It was a large room devoid of any furniture; the windows were blocked up. From a loudspeaker came the same piano and drums. In the floor of the room were six panels of armour glass. The light came from the room below. I walked to the nearest glass panel and looked down through it. Below me was a small green baize table with sealed packs of cards, and ashtrays, and four gold-painted chairs. I walked to the centre of the room. The glass panels here were bigger. I looked down upon clean bright yellow and red numbers demarking black rectangles on the green felt. Inset into the table a nice new roulette wheel twinkled merrily. There was no sign of anyone unless you included the pale man in dark jacket and pin-stripe trousers who was lying full length along the gaming table. It looked like, and it just had to be; Raven.
[Aquarius (Jan 20–Feb 19) You may be relying too heavily on other people’s intentions and ideas. A complete change will do you good.]
There was no other door to the room and the windows were blocked. I went back along the corridor and down the stairs. I tried the door again as I had on the way up; I reached the same conclusion. I moved it gently and heard the bolt rattle. I rapped it with my knuckles – it was solid. I went upstairs quickly and back into the observation room. From below the glass would look like mirror, but anyone in this room could see the cards all the players were holding.
I hadn’t yet offered a deal to Jay. If that was Raven I was bound to recover him, seize him, or whatever the terminology is. I went quickly back to the manager’s office. The woman on the TV was saying ‘… down together …’ I lifted his heavy typewriter off his desk and carried it along the corridor. Two girls in scanties came pushing out of the dressing-room and, seeing me, the tall one called through the doorway, ‘Watch your pockets girls, he’s back again,’ and her friend said, ‘He must be a reporter,’ and they both giggled and ran downstairs. I humped the huge typewriter into the observation room in time to see a figure enter the gaming room downstairs. It was Housemartin, and he now had a grease stain on the lapel of his camel-hair coat. He looked as hot and bothered as I felt, and he hadn’t had my troubles with the typewriter or the girls.
Housemartin was a big man. Because he wore suits with shoulders six inches outboard of the shoulder bone didn’t mean that he wasn’t beefy enough already. He picked the limp Raven off the big crème de menthe coloured table like a Queen’s scout with a rucksack, and marched off through the far door. I was groaning under the weight of the Olivetti and now I let go. It went through the big six-foot panel without a ripple. The surface shattered into a white opacity except for a large round hole through which I saw the typewriter hit the roulette wheel dead centre and continue its downward path to the floor – the hole in the gaming table mouthed its circular surprise. I kicked the splintery edges of the broken glass but still tore the seat of my trousers as I slid through the panel and dropped on to the gaming table below. I picked myself up and rubbed the torn place in my trousers. Suddenly the music from the loudspeaker ceased, and I heard one of the strippers running upstairs shouting.
Over the loudspeakers a voice said, ‘Ladies and Gentlemen, the police are checking the premises; please remain in your seats …’ By that time I was across the gaming room and through the doorway through which Housemartin and Raven had gone. I went down the stone staircase two steps at a time. There were two doorways, one had ‘emergency exit’ painted on it. I put my weight against the crunch-bars and opened it a couple of inches. I was in a semi-basement. There were four uniformed policemen standing ten feet away along the pavement. I closed the door and tried the other door. It opened. Inside were three middle-aged men in business suits. One was flushing the contents of his pockets down the toilet. One was standing in another toilet helping the third through a very small window. The sight through this window of the point of a blue helmet had me moving back up the stairs again. I had passed a door on the way down. I pushed at it now. It was made of metal, and was very heavy. It moved slowly and I found myself in an alley full of bent dustbins, wet cardboard cartons and crates with ‘No deposit’ stencilled upon them. At the end of the alley was a tall gate with a chain and padlock. Facing me was another metal door. I walked through it into a man in a greasy white jacket shouting ‘Make it spaghetti and chips twice.’ He looked me over suspiciously and said, ‘You want a meal?’
‘Yes,’ I said quickly
‘That’s all right then, sit down. I’m not doing no more coffee except with food.’ I nodded. ‘I take your order in a minute,’ he said.
I sat down and felt in my pocket for cigarettes. I had three and a half packets in one pocket and a quarter of a pound of garlic sausage, and a soft metal foil parcel of butter in the other. It was then that I discovered there a brand new hypodermic syringe in a black cardboard box, and I thought, ‘What did that cigarette-girl mean by “Go home. There is nothing to be gained here”?’
I used the emergency number to go through to our secret exchange: Ghost – which was our section of the special Government telephone exchange: Federal.
Ghost switchboard gave the usual eighty seconds of ‘Number unobtainable’ signal – to deter callers who dialled it by accident – then I gave the week’s code-words ‘MICHAEL’S BIRTHDAY’, and was connected to the duty officer. He plugged me in to Dalby who might have been anywhere – half-way across the world, perhaps. I conveyed the situation to him without going into details. He felt it was all his fault, and said how pleased he was that I hadn’t got mixed up with the ‘blue pointed head mob’. ‘You will be doing a job with me next week. It might be very tricky.’
‘Fine,’ I said.
‘I’ll speak to Alice about it, meanwhile I want you to change your papers.’ He rang off. I went home to a garlic sausage sandwich. ‘1,200,’ I thought. ‘That’s twenty-four pounds a week.’
‘Changing papers’ is a long and dreary process.
It meant photographs, documents, finger-prints and complications. A small roomful of civilian clerks at the War Office are busy the