The Light We Lost: The International Bestseller everyone is talking about!. Jill Santopolo

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The Light We Lost: The International Bestseller everyone is talking about! - Jill Santopolo

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. . shredded cheese . . . or nacho chips . . . would I feel like my time here was well spent?”

      You bit your lip. Your eyes said, I’m thinking about this. I learned more of your topography. Perhaps you learned a bit of mine. “What makes a life well spent?” you asked.

      “That’s what I’m trying to figure out,” I told you, my mind turning as I was talking. “I think it might have something to do with making a mark—in a positive way. Leaving the world a little bit better than it was when you found it.” I still believe that, Gabe. It’s what I’ve been striving my whole life to do—I think you have too.

      I saw something blossom in your face then. I wasn’t sure what it meant. I hadn’t learned you well enough yet. But now I know that look. It means perspectives are shifting in your mind.

      You dipped a chip in the salsa and held it out to me.

      “Bite?” you asked.

      I crunched it in half, and you popped the rest into your mouth. Your eyes traced the planes of my face and traveled down the length of my body. I could feel you examining me from different angles and vantage points. Then you brushed my cheek with your fingertips and we kissed again; this time you tasted like salt and chili pepper.

      When I was five or six, I drew on my bedroom wall with a red crayon. I don’t think I ever told you this story. Anyway, as I was drawing hearts and trees and suns and moons and clouds, I knew I was doing something I shouldn’t. I could feel it in the pit of my stomach. But I couldn’t stop myself—I wanted to do it so badly. My room had been decorated in pink and yellow, but my favorite color was red. And I wanted my room to be red. I needed my room to be red. Drawing on the wall felt completely right and absolutely wrong at the same time.

      That’s how I felt the day I met you. Kissing you in the middle of tragedy and death felt completely right and absolutely wrong at the same time. But I concentrated on the part that felt right, the way I always do.

      I SLID MY HAND into the back pocket of your jeans, and you slid your hand into mine. We pulled each other closer. The phone in your room rang, but you ignored it. Then the phone in Scott’s room rang.

      A few seconds later, Scott came into the kitchen and cleared his throat. We broke apart and faced him. “Stephanie’s looking for you, Gabe,” he said. “I put her on hold.”

      “Stephanie?” I asked.

      “No one,” you answered, just as Scott said, “His ex.”

      “She’s crying, dude,” Scott told you.

      You looked torn, your eyes going from Scott to me and back again. “Would you tell her I’ll call her back in a few minutes?” you said to him.

      Scott nodded and left, and then you grabbed my hand, weaving your fingers through mine. Our eyes met, like they had on the roof, and I couldn’t look away. My heart sped up. “Lucy,” you said, somehow infusing my name with desire. “I know you’re here, and I know that makes this strange, but I should see if she’s okay. We were together all last school year and only broke up last month. This day—”

      “I get it,” I said. And weirdly, it made me like you better, that while you weren’t dating Stephanie anymore, you still cared about her. “I should head back to my roommates anyway,” I said, even though I didn’t want to go. “Thank you for . . .” I started the sentence without knowing how to end it, and then found I couldn’t.

      You squeezed my fingers. “Thank you for making this day about something more,” you said. “Lucy. Luce. Luz is light in Spanish, right?” You paused. I nodded. “Well, thank you for filling a dark day with light.”

      You’d put into words the feeling I couldn’t express. “You did the same for me,” I said. “Thank you.”

      We kissed again and it was hard to tear myself away from you. It was so hard to leave.

      “I’ll call you later,” you said. “I’ll find you in the directory. I’m sorry about the nachos.”

      “Stay safe,” I said. “We can always eat nachos another time.”

      “That sounds good,” you answered.

      And I left, wondering if it was possible for one of the most horrific days I’d ever experienced to somehow contain a small nugget of goodness.

      YOU DID CALL ME a few hours later, but it wasn’t the conversation I’d expected. You said you were sorry, so sorry, but you and Stephanie had gotten back together. Her eldest brother was missing—he worked at One World Trade—and she needed you. You said you hoped I understood and you thanked me again for bringing light to such a horrible afternoon. You said it meant a lot to have me there. And you apologized once more.

      I shouldn’t have been crushed, but I was.

      I didn’t speak to you for the rest of fall semester. Or spring semester either. I changed my seat in Kramer’s class so I wouldn’t have to sit next to you. But I listened every time you spoke about the way you saw beauty in Shakespeare’s language and imagery—even in the ugliest scenes.

      “‘Alas!’” you read aloud, “‘a crimson river of warm blood, / Like to a bubbling fountain stirr’d with wind, / Doth rise and fall between thy rosed lips.’” All I could think about was your lips and how they felt pressed against mine.

      I tried to forget that day, but it was impossible. I couldn’t forget what happened to New York, to America, to the people in the towers. And I couldn’t forget what happened between us. Even now, whenever anyone asks, “Were you in New York when the towers fell?” or “Where were you that day?” or “What was it like here?” the first thing I think of is you.

      THERE ARE MOMENTS that shift the trajectory of people’s lives. For so many of us who lived in New York City then, September 11th was that moment. Anything I did that day would have been important, would have been burned into my mind and branded on my heart. I don’t know why I met you that day, but I do know that because I did, you would have been a part of my personal history forever.

      IT WAS MAY AND WE’D JUST GRADUATED. WE’D HANDED back our caps and gowns, trading them for diplomas written in Latin, emblazoned with our names, first, middle, and last. I walked into Le Monde with my family—my mother, my father, my brother Jason, two grandparents, and an uncle. They seated us next to another family, a much smaller family—yours.

      You looked up as we filed by and you reached out, touching my arm. “Lucy!” you said. “Congratulations!”

      I shivered. All those months later, feeling your skin against mine did that to me, but I still managed to say, “You too.”

      “What are you up to?” you asked. “Are you staying in the city?”

      I nodded. “I got a job working in program development at a new TV production company—kids’ shows.” I couldn’t help grinning. It was a job I’d been crossing my fingers over for almost two months before I got it. The kind of job that I’d started thinking about soon after the towers fell, after I admitted that I wanted to do something more meaningful than advertising. A job that could reach the next generation and had the potential to change the future.

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