The Saint Peter’s Plot. Derek Lambert
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Seeing him standing beside the fountain Maria Reubeni thought: “Now there’s a man.”
She walked up to him. “Good morning, Father.”
He smiled at her. “Good morning, my child.” His features were serene and yet it seemed to Maria that the serenity was a mask beneath which any extreme was possible.
He pointed at the fountain’s rocks set against the wall of the palace, at the statues of gods and goddesses and tritons, and the cascades of water spilling into the great bowl. “That water,” he said, “comes from Agrippa’s aqueduct, the Aqua Vergine, probably the sweetest water in all Rome. And do you know what the English used to do with it?”
She shook her head.
“Make tea.”
She laughed.
“Great people the English. A pity they never colonised Rome. If they had we might spend the rest of the day waiting for the sun to go down over the yard-arm instead —”
“Of waiting for the Germans to come.”
Father Benedetto sighed. “And come they will. Already the German Army is preparing to take over. We have a lot to do,” he said taking her arm. “Papers to forge, food to hide, escape hatches to oil.”
“But first,” she said, “the Jews in France, in Nice. How is it going, Father?”
“Slowly,” said the priest. “As you know, I’ve seen the Holy Father and sought his help. So far nothing’s happened but that was only thirteen days ago. These things take time. And the Holy Father is in a very difficult position,” he added.
“Very,” the girl said drily. “He finds it very difficult to acknowledge the existence of Jews. Particularly dead ones.”
“Now that,” said the Capuchin friar, “is not quite so. There are many factors involved. But this is no time for a debate about Papal diplomacy.” He led her from the little square in the direction of the Corso, gesturing with his free hand. “Palaces, basilicas, villas … We live in a museum. And there must be many dusty hiding places in a museum.”
“But will you be able to get the Jews out of France?” Maria asked.
“We hope to get in touch with London and Washington through the British and American representatives at The Holy See. The prisoners in The Vatican,” he said smiling. “Which reminds me,” tightening his grip on her arm, “I understand there was a very important visitor to The Holy See today.”
They reached the Corso, the windows of its elegant facades covered with dark-blue paper as an air-raid precaution. There were a few people around heading for the food queues; a kiosk opposite the Piazza Colunna displayed newspapers bearing nebulous headlines because editors were no longer sure what constituted good and bad news.
“Who was that?” Maria asked. “The Chief Rabbi?”
“On the contrary,” Father Benedetto said. “He was a German.”
“That doesn’t surprise me.”
“His name might.”
“Who was it, Hitler?”
“Not quite.” Benedetto bought a newspaper with a map of Sicily on the front page. The arrows on it seemed to indicate that the Enemy was winning. Or were they now the Allies? “His name is Dietrich.”
“Not Sepp Dietrich?”
“So it seems.”
“But what —”
“That is what we’d like to know,” the priest interrupted. “Why was Hitler’s favourite soldier-boy seeing the Holy Father?”
“Or why,” said the girl, “did the Pope grant an audience to a swine like that?”
“Whichever way you like to put it,” Father Benedetto said mildly. “Apparently it isn’t generally known that the audience took place.”
“How do you know?” She plunged her hands deep into the pockets of her skirt and began to walk slowly down the sidewalk, head bowed in thought.
“From our contact” — he corrected himself —” your contact in The Vatican. It seems,” tapping her on the shoulder with the rolled-up newspaper, “that you have a way with priests.”
“But why didn’t he contact me?”
“Apparently you were out of touch last night.”
“I suppose I was. I was having dinner with my father.” She took a pack of cigarettes from her handbag, then put it back because you didn’t smoke in the presence of a priest, certainly not walking in the street. “Who did he contact?”
“Angelo Peruzzi,” the priest told her and, because of her startled reaction, asked: “Why, does it matter?”
She said abruptly: “It might.”
“Well, you’d better go and see him,” said Father Benedetto uncertainly. “He’s a good man, isn’t he?”
“A good man, yes. But a weak man who disguises his weakness with bravado. If you’ll excuse me, Father, I’d better go to him now.”
“Very well, my child.” He touched her arm. “God be with you.”
Yes, she thought as she boarded a tram, Angelo was a good man. A brave man? Possibly. But bravery wasn’t necessarily strength, bravery didn’t embrace wisdom. How many acts of bravery had been committed for facile motives? Would Angelo kill just to prove himself to the rest of the partisani?
* * *
From the tram, jammed with rich and poor united by lack of gasoline, Maria gazed at churches and palaces opening their pores to the sun; at the sand-coloured walls of the Palazzo Venezia and its balcony from which Mussolini had declared war: at the white wedding cake across the square, the Vittorio Emanuele Monument.
In this square, when the overthrow of Mussolini had been announced, Maria had seen black-shirts flee for their lives as the crowd spat on a bronze bust of Mussolini. The euphoria had been sustained by the rumour that Hitler was dead.
Now the celebrants had retired and the Fascists were showing their noses again. Mussolini was still alive, the Germans would soon be here, and already in the streets you could see young men with bright blue eyes wearing combat clothes beneath civilian jackets.
Maria turned her attention to the stumps and roots of ancient Rome. The Allies had already bombed the city, wrecking the Basilica di San Lorenzo. How many more noble buildings would join the ruins of the Coliseum and the Forum before the war was finished? And who would destroy them — the Germans or the Allies? If only, Maria thought, the Italians could decide which was the enemy.
She alighted from the tram under a Fascist slogan, Many Enemies, Much Honour and made her way up the Via Cavour, a long and dreary