and my readers once again take it into the bestseller lists.
Three years later, my marriage is in excellent shape; I am doing what I always wanted to do; the first translation appears, then the second, and success – slowly but surely – takes my work to the four corners of the earth.
I decide to move to Paris because of its cafés, its writers and its cultural life. I discover that none of this exists any more: the cafés are full of tourists and photographs of the people who made those places famous. Most of the writers there are more concerned with style than content; they strive to be original, but succeed only in being dull. They are locked in their own little world, and I learn an interesting French expression: renvoyer l’ascenseur, meaning literally ‘to send the lift back up’, but used metaphorically to mean ‘to return a favour’. In practice, this means that I say nice things about your book, you say nice things about mine, and thus we create a whole new cultural life, a revolution, an apparently new philosophy; we suffer because no one understands us, but then that’s what happened with all the geniuses of the past: being misunderstood by one’s contemporaries is surely just part and parcel of being a great artist.
‘They send the lift back up’, and, at first, such writers have some success: people don’t want to run the risk of openly criticising something they don’t understand, but they soon realise they are being conned and stop believing what the critics say.
The Internet and its simple language are all that it takes to change the world. A parallel world emerges in Paris: new writers struggle to make their words and their souls understood. I join these new writers in cafés that no one has heard of, because neither the writers nor the cafés are as yet famous. I develop my style alone and I learn from a publisher all I need to know about mutual support.
‘You know. Everyone knows.’
‘Possibly, but I still haven’t quite grasped what you’re saying.’
‘It was an American writer who first mentioned it. It’s the most powerful bank in the world, and you’ll find it in every sphere of life.’
‘Yes, but I come from a country without a literary tradition. What favours could I do for anyone?’
‘That doesn’t matter in the least. Let me give you an example: I know that you’re an up-and-coming writer and that, one day, you’ll be very influential. I know this because, like you, I too was once ambitious, independent, honest. I no longer have the energy I once had, but I want to help you because I can’t or don’t want to grind to a halt just yet. I’m not dreaming about retirement, I’m still dreaming about the fascinating struggle that is life, power, and glory.
‘I start making deposits in your account – not cash deposits, you understand, but contacts. I introduce you to such and such a person, I arrange certain deals, as long as they’re legal. You know that you owe me something, but I never ask you for anything.’
‘And then one day…’
‘Exactly. One day, I’ll ask you for a favour and you could, of course, say “No”, but you’re conscious of being in my debt. You do what I ask, I continue to help you, and other people see that you’re a decent, loyal sort of person and so they too make deposits in your account – always in the form of contacts, because this world is made up of contacts and nothing else. They too will one day ask you for a favour, and you will respect and help the people who have helped you, and, in time, you’ll have spread your net worldwide, you’ll know everyone you need to know and your influence will keep on growing.’
‘I could refuse to do what you ask me to do.’
‘You could. The Favour Bank is a risky investment, just like any other bank. You refuse to grant the favour I asked you, in the belief that I helped you because you deserved to be helped, because you’re the best and everyone should automatically recognise your talent. Fine, I say thank you very much and ask someone else into whose account I’ve also made various deposits; but from then on, everyone knows, without me having to say a word, that you are not to be trusted.
‘You’ll grow only half as much as you could have grown, and certainly not as much as you would have liked to. At a certain point, your life will begin to decline, you got halfway, but not all the way, you are half-happy and half-sad, neither frustrated nor fulfilled. You’re neither cold nor hot, you’re lukewarm, and as an evangelist in some holy book says: “Lukewarm things are not pleasing to the palate.”’
The publisher places a lot of deposits – or contacts – into my account at the Favour Bank. I learn, I suffer, my books are translated into French, and, in the tradition of that country, the stranger is welcomed. Not only that, the stranger is an enormous success! Ten years on, I have a large apartment with a view over the Seine, I am loved by my readers and loathed by the critics (who adored me until I sold my first 100,000 copies, but, from that moment on, I ceased to be ‘a misunderstood genius’). I always repay promptly any deposits made and soon I too am a lender – of contacts. My influence grows. I learn to ask for favours and to do the favours others ask of me.
Esther gets permission to work as a journalist. Apart from the normal conflicts in any marriage, I am contented. I understand for the first time that all the frustrations I felt about previous love affairs and marriages had nothing to do with the women involved, but with my own bitterness. Esther, however, was the only woman who understood one very simple thing: in order to be able to find her, I first had to find myself. We have been together for eight years; I believe she is the love of my life, and although I do occasionally (or, to be honest, frequently) fall in love with other women who cross my path, I never consider the possibility of divorce. I never ask her if she knows about my extramarital affairs. She never makes any comment on the subject.
That is why I am astonished when, as we are leaving a cinema, she tells me that she has asked her magazine if she can file a report on a civil war in Africa.
‘That I want to be a war correspondent.’
‘You’re mad. You don’t need to do that. You’re already doing the work you want to do now. You earn good money – not that you need that money to live on. You have all the contacts you need in the Favour Bank. You have talent and you’ve earned your colleagues’ respect.’
‘All right then, let’s just say I need to be alone.’
‘Because of me?’
‘We’ve built our lives together. I love my man and he loves me, even though he’s not always the most faithful of husbands.’
‘You’ve never said anything about that before.’
‘Because it doesn’t matter to me. I mean, what is fidelity? The feeling that I possess a body and a soul that aren’t mine? Do you imagine I haven’t been to bed with other men during all these years we’ve been together?’
‘I don’t care and I don’t want to know.’
‘Well, neither do I.’
‘So,
