skating star Lalla Moore. It explores the themes of jealousy, loyalty and dependency within a friendship, things I now write about in my own books! Friendship is something that matters to all of us, whatever our age, but it takes hard work and determination to make a friendship strong, as Harriet and Lalla find out.
I loved the ice-skating background of White Boots – as a child I had never been on the ice at all, and that whole world of cute little skating dresses and white boots seemed impossibly cool and glam. I never did get the hang of ice-skating, even as an adult, but I still love to watch those who can and dream of what might have been!
Re-reading White Boots again now, I was fascinated to find it was written in 1951, just 11 years before I was born… yet as a child, the time and setting of the book seemed very distant. Again, it was another world to me – a post-war world of genteel poverty, with nannies and governesses and nurseries. I was fascinated. It couldn’t have been more different from my own life, and I think that 21st century readers will feel the same… some things have changed so much, yet some not at all!
Apart from the romance of the skating scenes, some of my favourite parts of the book were those with Harriet’s brothers – they were kind, practical, lively boys who welcomed Lalla into their lives. I especially liked Alec, and his shopkeeper friend Mr Pulton who tells him to follow his dreams. That’s a message that has always stayed with me – and one that crops up in just about every book I write.
White Boots is a little slice of the past, which still captures my imagination, and its themes of friendship, family and staying true to yourself are timeless…
Cathy Cassidy
Cathy Cassidy is a bestselling author of fun and feisty real-life stories for girls, including Dizzy, Indigo Blue, Lucky Star and Ginger Snaps. Cathy wrote and illustrated her first book at 8 years old for her little brother and has been writing and drawing ever since. She has worked as an editor on Jackie magazine, a teacher and as agony aunt on Shout magazine. She lives in Kirkcudbrightshire, Scotland with her husband, 2 young children, 3 cats, 2 rabbits and a mad hairy lurcher called Kelpie.
EVEN WHEN THE last of the medicine bottles were cleared away and she was supposed to have “had” convalescence, Harriet did not get well. She was a thin child with big brown eyes and a lot of reddish hair that did not exactly curl, but had a wiriness that made it stand back from her face rather like Alice’s hair in “Alice in Wonderland”. Since her illness Harriet had looked all eyes, hair and legs and no face at all, so much so that her brothers Alec, Toby and Edward said she had turned into a daddy-long-legs. Mrs Johnson, whose name was Olivia, tried to scold the boys for teasing Harriet, but her scolding was not very convincing, because inside she could not help feeling that if a daddy-long-legs had a lot of hair and big eyes it would look very like Harriet.
Harriet’s father was called George Johnson. He had a shop. It was not a usual sort of shop, because what it sold was entirely dependent on what his brother William grew, shot or caught. There had been a time when the Johnson family were rich. They had owned a large house in the country, with plenty of land round it, and some fishing and shooting. The children’s great-grandfather had not been able to afford to live in the big house, so he had built himself a smaller house on the edge of his property and let the big house. When his eldest son, the children’s grandfather, came into the property he could not afford to live even in the new smaller house, so he brought up the children’s father, and their Uncle William, in the lodge by the gates. But when he was killed in a motor accident and the children’s Uncle William inherited the property he was so poor he could not afford to live even in the lodge, so he decided the cheapest plan would be to live in two rooms in the house on the edge of the property that his grandfather had built, and to let the lodge. When he had thought of this he said to his brother George, the children’s father, “I tell you what, young feller me lad”… he was the sort of man who spoke that way… “I’ll keep a nice chunk of garden and a bit of shootin’ and fishin’ and I’ll make the garden pay, and you can have the produce, trout from the river, and game from the woods, and keep a shop in London and sell it, and before you can say Bob’s me Uncle you’ll be a millionaire.”
It did not matter how often anyone said Bob’s your Uncle for George did not become a millionaire. Uncle William had not married, and lived very comfortably in his two rooms in the smaller house on the edge of his estate, but one reason why he lived so comfortably was that he ate the best of everything that he grew, caught or shot. The result of this was that George and Olivia and the children lived very leanly indeed on the proceeds of the shop. It was not only that William ate everything worth eating, which made life so hard for them, but people who buy things in shops expect to go to special shops for special things, and when they are buying fruit they do not expect to be asked if they could do with a nice rabbit or a trout, especially when the rabbit and the trout are not very nice, because the best ones have been eaten by an Uncle William. The children’s father was an optimist by nature, and he tried not to believe that he could be a failure, or that anything that he started would not succeed in the end; also he had a deep respect and trust for his brother William. “Don’t let’s get downhearted, Olivia,” he would say, “it’s all a matter of time and educating the public. The public can be educated to anything if only they’re given time.” Olivia very seldom argued with George, she was not an arguing sort of person and anyway she was very fond of him, but she did sometimes wonder if they would not all starve before the public could be taught to buy old, tired grouse, which had been too tough for Uncle William, when what they had come to buy was vegetables.
One of the things that was most difficult for Olivia, and indeed for the whole family, was that what would not sell had to be eaten. This made a great deal of trouble because Uncle William had a large appetite and seldom sent more than one of any kind of fish or game, and the result was that the family meals were made up of several different kinds of food, which meant a lot of cooking. “What is there for lunch today, Olivia?” George would ask, usually adding politely: “Sure to be delicious.” Olivia would answer, “There’s enough rabbit for two, there is a very small pike, there is grouse but I don’t really know about that, it seems to be very, very old, as if it had been dead a long time, and there’s sauerkraut. I’m afraid everybody must eat cabbage of some sort today, we’ve had over seven hundred from Uncle William this week and it’s only Wednesday.”
One of the worst things to Harriet about having been ill was that she was not allowed to go to school, and her mother would not let her help in the house.
“Do go out, darling, you look so terribly thin and spindly. Why don’t you go down to the river? I know it’s rather dull by yourself but you like watching boats go by.”
Harriet did like watching boats go by and was glad that her father had chosen to have his shop in outer London in a part through which ran the Thames, so she could see boats go by. But boat watching is a summer thing, and Harriet had been unlucky in that she was ill all the summer and was putting up with the getting-well stage in the autumn, and nobody, she thought, could want to go and look at a river in the autumn. In the summer their bit of the Thames was full of pleasure boats, and there were flowers growing on the banks, but now in October it was cold and sad and grey-looking, and only occasionally a string of barges or a small motor launch came by. But it was no good telling her mother about the river being dull; for one thing her mother knew it already and would only look sad when she was reminded of it, and for another her mother heard all the doctor said about fresh air and she did not; besides she was feeling so cotton-woolish and all-overish that she had not really got the energy
