Lorraine is a vertical bar with two horizontal bars, originally equally spaced at either end. However, this cross is used elsewhere too. In the Catholic Church the cross signifies the rank of cardinal, and in renaissance alchemy it was used as a symbol of spirit and matter.
Additionally the Cross Lorraine is used to denote one of the degrees within Freemasonry. During the Second World War it was adopted by the French Resistance as their secret symbol, an emblem to stand in opposition to the swastika, which had been rendered sinister by the Nazis, and lost for a time its meaning as a positive Sun symbol.
CROSSROADS
In fairy stories and myths, it is often at the crossroads where mischief awaits, usually in the form of other-worldly spirits. Effectively, the crossroads symbolizes the intersection of two paths, making four potential routes, and a place where a decision must be made, not only practically, but metaphorically too. The X of the crossroads marks a spot where two worlds meet.
One of the more recent tales about an encounter at a crossroads concerns the renowned blues guitarist and musician, Robert Johnson. Johnson is alleged to have met the Devil at a crossroads, and to have exchanged his soul for his remarkable talent as a musician and songwriter. Johnson exacerbated this devilish reputation when he recorded a track called “Cross Road Blues,” based on a myth from the Deep South. This legend tells that a daring person who fancied striking a deal with Satan should wait for him at a crossroads late at night. The origins of this story go back to African folklore, where a deity called Esu was the guardian of the crossroads. When Christianity took over, these old Gods were, quite literally, demonized, and Esu was transformed into the Devil. Hecate, too, personified as the Queen of the Witches, was called the Goddess of the Crossroads.
In Celtic mythology, corpses belonging to those considered “unholy” were buried at crossroads in order to prevent them coming back to life and because the crossroads was a Gate to the Otherworld. Gibbets were placed at crossroads for the same reason.
CROW’S FOOT
The crow’s foot is also known as the Witch’s Foot, and was feared as an indicator of death, used in casting spells against enemies. Crows, like ravens, were associated with the witches and warlocks who were believed to be able to transform themselves into these black birds so that they could travel unnoticed to their sabbats.
The name “crow’s feet” is also given to the lines that radiate around the outer corners of the eyes with the coming of age and the inevitable approach of death.
CRUCIFIX
A Latin Cross with a model of the body of the Christ fixed to it. It is used in the Christian tradition as a reminder of the sacrifice that Christ made for humankind.
CRUX DISSIMULATA
In third-century Rome, early Christians were persecuted to such a degree that their lives were threatened and the symbols of their faith had to be disguised. One of the ways they recognized one another was by the sign of the fish or ichthus; another way was to disguise the Cross cleverly as something else. The meaning of Crux Dissimulata is “disguised” or “dissimilar” cross.
One of the more ingenious forms of this secret symbol, shown here, was the anchor. The top of the anchor is formed like a cross and, in addition, the anchor is plainly a symbol of stability. Because anchors are associated with the sea, too, the fish symbol could easily be incorporated into it. The Crux Dissimulata was used as a secret symbol and a rallying call for adherents to the new and dangerous faith.
CRYSTAL BALL
Combining the sphere’s perfection and totality with the clarity and brilliance of crystal, the crystal ball is a part of the toolkit of the professional clairvoyant or seer. The clarity of the crystal matches the “clear sight” of the psychic. When used for scrying, the crystal ball acts as a focus for meditation, enabling the adept to access a place that is out of time in order to be able to see into the future.
This practice of scrying is carried out in various ways. Instead of an expensive crystal, cheaper methods are apparently just as effective for the talented psychic. A bowl of water, a mirror, a drop of blood, or a pool of ink can be used. However, the glamor of the genuine crystal ball is hard to beat.
CUBE
The cube carries all the symbolism of the square (at its most basic, the material world and the elements) except that it is, of course, three-dimensional. The cube is solid, stable, reliable, and often forms the basis of other buildings. It is also a symbol of moral perfection. The cube is a symbol of material eternity. One of the most famous cubes is the Ka’aba that stands at the center of the Grand Mosque at Mecca, and which is a symbol of power and eternity.
If the cube is unfolded, it turns into a cross; this cross gives us the standard floor plan of Christian churches and further reinforces the idea of stability and eternity.
One of the five Platonic solids and one of the Tattvas, the cube represents the element of Earth.
DARUMA
This is a small doll intended to resemble the founder of Zen Buddhism, the Bodhidharma Daruma. Daruma brought the teachings from India to China in the sixth century. The dolls are ubiquitous in Japan as a good-luck symbol par excellence as well as a reminder of the need for patience.
The dolls are rounded and chunky, reflecting the story that the Bodhidharma spent such a long time (reputedly nine years) meditating motionless in a cave that his limbs atrophied. A weight inside the base of the rotund little figure means that it may wobble but it never falls over, and this feature symbolizes Daruma’s persistence in his meditative process as well as illustrating the Buddhist tenet that you can fall over seven times but still get up again on the eighth. He was so zealous that he is even reputed to have cut off his eyelids so that he could not fall asleep, and this is why the dolls also have wide, staring eyes. Coincidentally, the gift of tea was given to Daruma by God to help him keep awake.
Given as a gift at the New Year, each of the eyes of the Daruma doll are colored with a marker when certain goals are achieved. When both eyes are colored the little doll is burned on a shrine as an offering.
DEARINTH
A relatively new sign, the dearinth was invented by Oberon Zell as the symbol for his Church of All Worlds. Zell is credited with inventing the term “Neo-Pagan.” The symbol represents a labyrinth but also cleverly includes the figure of the God and Goddess. The nine concentric circles of the dearinth relate to the nine levels of initiation within the Church.
