to many of the current New World Order conspiracy theories is the belief that a fleet of black military helicopters carries out secret missions in US airspace, and sometime soon will spearhead the imposition of a nationwide police state. Helicopters painted black, rather than the dark green of ordinary Army or Marine Corps craft, do exist in the US military arsenal, and have been sighted and photographed many times. The black helicopters of contemporary conspiracy theories, though, are no ordinary craft, but form the keystone of an evolving myth of immanent evil; see New World Order.
The first reports of black helicopters surfaced in 1971, in the early days of the cattle mutilation phenomenon. Some of the baffled farmers and ranchers whose livestock turned up dead and mutilated in otherwise unmarked pastures reported seeing mysterious black helicopters flying over their fields. The black helicopters formed only one of many purported explanations for cattle mutilations, though, and claims linking the mutilations with UFOs and Satanic cults got considerably more press. Black helicopters continued to be reported in mutilation accounts until the phenomenon faded out around 1985.
In 1993, though cattle mutilations remained a very occasional event, the black helicopters returned in force. The force behind their reappearance seems to have been the inauguration of Bill Clinton as US President after 12 years of Republican ascendancy, an event that convinced many people on the American far right that their worst fears were about to be realized. Internet chat-rooms buzzed with claims that the new President, with the help of United Nations forces, was about to suspend civil rights and impose firearms laws on America comparable to those in most other developed countries. Black helicopters full of foreign troops played an important role in these fantasies. In all probability, the entire phenomenon was deliberate disinformation meant to rally the far right around the Republican Party after its stinging defeat in the 1992 national elections. See Disinformation.
Like many other disinformation campaigns, though, this one took on a life of its own. The image of sinister black helicopters in America’s skies mirrored the fears and fantasies of too many Americans in the 1990s to fade away once it had served its political purpose. Before long talk of black helicopters spread from the far right into many other American subcultures: UFO researchers began discussing the role of black helicopters in the government’s alleged UFO cover-up and dealings with alien intelligences; therapists in the Satanic ritual abuse industry began extracting stories of Satanists in black helicopters from their hypnotized clients; and radicals on the far left repeated tales that originated on the far right. By 2000 black helicopters were such a fixture in every corner of the alternative-realities scene that the phrase “the black helicopter crowd” came into widespread use as a term embracing all Americans who believed in conspiracy theories of every kind. See Satanism; unidentified flying objects (UFOs).
Further reading: Keith 1994a.
BLACK HUNDREDS
One of the most influential conservative secret societies in pre-revolutionary Russia, the Black Hundreds – more formally known as the Union of the Russian People – was founded in 1905 in St Petersburg by V. M. Purishkevich, a reactionary agitator. Russia’s disastrous defeat in its 1904–05 war with Japan, along with serious economic and political troubles, forced the Tsar to grant limited political freedoms and to call the first Russian parliament, the Duma of the Empire. Purishkevich set out to discredit these changes by convincing the Russian masses that the new constitution and the Duma were part and parcel of a Jewish conspiracy against the Tsar. The Protocols of the Elders of Zion, a newly manufactured forgery claiming to disclose a Jewish plot for world domination, became a central element of Black Hundreds propaganda. See Antisemitism; Protocols of the Elders of Zion.
As the Union of the Russian People, the Black Hundreds ran candidates for office and held a handful of seats in the Duma. Meanwhile armed bands raised by the political wing of the organization carried out assassinations and pogroms against Jews, Freemasons, liberals, and ethnic minorities such as Armenians and Poles. The Hundreds received substantial support from Tsar Nicholas II, who wore its badge on his uniform, as well as from many influential aristocrats. It also received up to 2.5 million rubles a year from the imperial government itself.
The Black Hundreds remained a significant factor in Russian politics until the beginning of the First World War, when the government subsidies and support that kept it functioning had to be redirected to the war effort. When the Revolution broke out in 1917, most of its remaining members joined the White (anticommunist) side and were killed or exiled in the bitter civil war that followed. See Russian revolution.
Further reading: Cohn 1967, Laqueur 1965.
BLACK LODGES
In the occult scene of the late nineteenth and early twentieth centuries, a term for occult secret societies devoted to the study and practice of evil magic. Many of the occult writers of this period treat the existence and activities of the Black Lodges as a matter of common knowledge, and discuss in detail the differences between the true path of occult initiation and the corrupt and counterfeit path offered by the Black Lodges to their initiates. In practice, however, the term was used by members of rival occult orders to slander their opponents. Even Aleister Crowley, himself considered a black magician by most of his contemporaries in the occult community, used the term to describe his doctrinal opponents. See Crowley, Aleister; lodge; Magic.
Specific definitions of the Black Lodges varied depending on the beliefs of the lodge or occultist defining them. In the teachings of the Hermetic Brotherhood of Luxor, for example, the Black Lodges were composed of necromancers working with the energies of the mysterious Dark Satellite and its hierarch, Ob. Theosophical writings of the same period claimed that the Black Lodges glorified the separate individuality, while the Great White Lodge sought to lead all souls into the Divine Unity. See Hermetic Brotherhood of Luxor (H.B. of L.); Theosophical Society.
In fact, to judge by all the evidence, Black Lodges of the sort described in occult literature did not actually exist in the late nineteenth and early twentieth centuries. By the last decades of the twentieth century, however, several organizations that fit the old definitions exactly had come into being and were advertising for members on the Internet. Magical orders such as the Temple of Set and the White Order of Thule, drawing on modern Satanism and the mythology of German National Socialism, duplicated the teachings and practices of the Black Lodges as described by occult writers of a century before. Fictional secret societies have inspired real ones so often that the roots of today’s “black lodges” may include a good deal of inspiration from their imaginary nineteenth-century equivalents. See Satanism; Temple of Set; White Order of Thule.
BLACK MAGIC
In nineteenth- and twentieth-century occult parlance, a term used for systems of magic that were morally evil, as opposed to “white magic” which was, or at least claimed to be, morally good. No two definitions of black and white magic cover the same territory, but most define black magic as magical work performed with selfish intentions, while white magic has unselfish intentions and orients itself toward higher spiritual powers. In practical terms, magic that harms other people or pursues wholly selfish aims has usually been characterized as black magic. See magic; white magic.
BLACK MASS
The classic ritual of traditional Satanism, the Black Mass is a parody of the Catholic mass in which a naked woman is used as the altar, Christian symbols are defiled or inverted, and the consecrated Host (the wafer of unleavened bread that, according to Catholic theology, becomes the body of Christ) is abused in various ways. Like most transgressive
