The Element Encyclopedia of Secret Societies: The Ultimate A–Z of Ancient Mysteries, Lost Civilizations and Forgotten Wisdom. John Greer Michael

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The Element Encyclopedia of Secret Societies: The Ultimate A–Z of Ancient Mysteries, Lost Civilizations and Forgotten Wisdom - John Greer Michael

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unique systems. One of the best examples is the work of Sampson Mackey (1765–1843) of Norwich, a shoemaker and self-taught cosmologist, who argued that Earth’s poles gradually turned over in a vast cycle no less than 2,332,800 years in length. When the poles were perpendicular to its orbit, Earth basked in perpetual springtime; when the poles were parallel to the orbital plane, it entered an “Age of Horror” in which its inhabitants alternately froze and fried in nights and days that were each six months long. This vision of prehistory found a home in the teachings of the Hermetic Brotherhood of Luxor, an influential magical secret society of the late nineteenth century. See Hermetic Brotherhood of Luxor (H.B. of L.).

      The popularity of teachings about world-ages shows no signs of ebbing at present, and recent discoveries about natural catastrophes in the distant and not-so-distant past have provided a good deal of fodder for present and future theories about ages of the world. Whatever else can be said about the present world-age, it is one in which world-ages are a perennially hot topic!

      Further reading: de Santillana and von Dechend 1977, Godwin 1993, Hesiod 1973.

      AGHARTA

      An underground city supposedly hidden away somewhere in the vast-nesses of central Asia, Agharta – also spelled Aghartta, Agharti, Agartha, and Arghati – has become a fixture of modern occultism, the secret teachings of numerous secret societies, and the further shores of contemporary conspiracy theory. Unlike its twin and rival Shambhala, which has deep roots in Tibetan Buddhist traditional lore, the hidden city of Agharta was concocted out of Norse mythology and thin air by two nineteenth-century French authors. Its invention and spread is one of the most remarkable tales in hidden history. See Shambhala.

      The story begins with Louis Jacolliot (1837–90), a French official in Chandernagore, India, who eked out a sparse salary by writing for the popular press. Jacolliot made several contributions to the field of rejected knowledge; the Nine Unknown Men, one of many groups claimed as the secret masters of the world, was another of his inventions. One of Jacolliot’s favorite themes was euhemerism, the idea that ancient mythology recounted events from even more ancient prehistory. In 1871 he published a bestseller, Le Fils de Dieu (The Son of God), supposedly recounting the 15,000-year-old history of India, as revealed to him by friendly Brahmans. See Euhemerism; rejected knowledge.

      Suspiciously, the “history” in Jacolliot’s book has almost nothing in common with the traditional history of India as recounted in Hindu scriptures and epics, and almost everything in common with the Norse mythology then wildly popular in Europe as a result of the folklore collections of the Brothers Grimm and the operas of Richard Wagner. The city of Asgartha, capital of the ancient Indian empire at the center of Jacolliot’s history, is a case in point. This is simply Asgarth – an alternative spelling of Asgard, the home of the Norse gods – with an a tacked on the end to make it look like a Sanskrit word.

      The success of Jacolliot’s book put Asgartha on the map in French popular culture, but it is not quite clear how the city came into the hands of the next major figure in the Agharta saga, the eccentric French occultist J.-A. Saint-Yves d’Alveydre (1842–1909). Saint-Yves claimed that he was taught about Aghartta (his preferred spelling) by Haji Sharif, whom Saint-Yves called “a high official in the Hindu church” but who had a Muslim name and seems to have been a parrot-shop proprietor in Le Havre. According to the researches of Joscelyn Godwin, one of the few capable historians to explore the Agharta myth, Haji Sharif taught Sanskrit to Saint-Yves, and also passed on some material derived from Jacolliot’s book. From there, Saint-Yves went on to create the entire modern mythology of Agharta.

      In 1886 Saint-Yves privately published a book about Aghartta titled Mission de l’Inde en Europe (The Mission of India in Europe). He then became convinced he had revealed too much, recalled the entire edition, and had all but two copies burned. Not until 1910, a year after his death, was the book reissued. It proved to be an account of astral journeys in which Saint-Yves went in search of Aghartta and found a living city deep underground, inhabited by millions of people under a Sovereign Pontiff whose absolute rule was backed up with technological marvels as well as mystical powers. Much of the book expounds Saint-Yves’ political philosophy of synarchy, and the whole account shows obvious borrowings from Jacolliot’s Le Fils de Dieu, Edward Bulwer-Lytton’s occult novel The Coming Race, and the “Mahatma letters” circulated by the Theosophical Society. See synarchy; Theosophical Society.

      Well before Mission de l’Inde’s reissue, rumors about Agharta circulated in occult circles in Paris, and the Martinist order headed by Papus (Dr. Gérard Encausse), one of Saint-Yves’ closest students. The republication of the book instantly made the hidden city a hot topic throughout the European occult underworld. This was probably the channel by which it reached its next major publicist, Polish adventurer Ferdinand Ossendowski. After traveling through central Asia in the throes of the Russian Revolution and the civil war that followed it, Ossendowski published the sensational bestseller Beasts, Men, and Gods (1922). Large portions of the first three chapters were plagiarized from Saint-Yves’ book, though Ossendowski changed the spelling of most of the proper names: Saint-Yves’ Aghartta, for example, became Agharti in Ossendowski’s tale. See Martinism.

      Ossendowski’s book was published in several languages and brought Agharta into a blaze of publicity that has never really faded. The Traditionalist philosopher René Guénon took time from his abstruse studies of Vedanta to write Le Roi du Monde (The King of the World, 1927), turning the story of Agharta into vehicle for subtle analyses of symbolism and myth. On the other end of the cultural spectrum, the pulp science fiction magazine Amazing Stories, under its legendary editor Raymond Palmer, made room for stories about Agharta in the 1940s. See Palmer, Raymond.

      In the second half of the twentieth century, Agharta became a fixture in New Age and alternative reality circles in America and elsewhere, and found itself associated and at times confused with Shambhala, the other mysterious city in central Asia. During these same years, however, most serious occult secret societies dropped the entire superstructure of occult alternative history that had accumulated during the “Theosophical century” (1875–1975), and few if any magical secret societies include teachings about Agharta at present. Further reading: Godwin 1993, Guénon 1983, Kafton-Minkel 1989.

      AKHENATEN

      Pharaoh of Egypt, c.1400–c.1350 BCE. The second son of Amenhotep III of Egypt’s 18th Dynasty, the future Pharaoh Akhenaten was originally named Amenhotep. There may have been ill feeling between father and son, as the young Amenhotep is never named or portrayed alongside his siblings on his father’s monuments, but he became crown prince after the death of his older brother Thothmes and took the throne a few years later as Amenhotep IV.

      Shortly after his enthronement, he proclaimed that the gods of Egypt’s polytheism were lifeless and powerless, and the only real god was Aten, the physical sun. In the first four years of his reign he imposed a religious revolution on Egypt, abolishing the priests and temples of all gods but his own and changing his name from Amenhotep, meaning “Amen is satisfied,” to Akhenaten, “spirit of Aten.”

      In the fifth year of his reign, Akhenaten abandoned the capital city at Thebes and built a new capital for himself nearly a hundred miles down the Nile, at Tell el-Amarna, across the river from the ancient city of Hermopolis. Akhetaten, “Horizon of Aten,” contained a huge temple to Aten and a grandiose palace for Akhenaten himself, built and decorated in a style that flouted the traditional geometries of Egyptian art. Surrounded by his courtiers and favorites, the pharaoh pursued his religious vision and isolated himself from the world outside Akhetaten’s walls.

      The last decade of his reign was a period of

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