The Buttonmaker’s Daughter. Merryn Allingham
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A little of Joshua Summer’s plan had already been realised. A flagged path had been laid to provide a gentle promenade in a space that was made for the sun, and aromatic herbs planted in the cracks between the paving stones. Beyond and behind the path, bed after bed of Mediterranean plants would find their home and eventually flourish in profusion. On one of the long sides of the lake, a small summerhouse made of Sussex flint and stone had been built, its wooden seats looking out across the water to the terrace and the pillars of what would one day be a classical temple. She could see its foundations from where she stood. They were complete and several of the pillars had already been fashioned and were lying to one side, like giant marble limbs that had somehow become detached from their body. But the magnificent lake, designed to reflect the temple’s elegance, was now little more than a muddy pond, and the statue her father had commissioned – a dolphin whose mouth spouted a constant stream of water – rose, strange and solitary, from out of the ruin.
Somewhere a dog howled. It was an unworldly sound funnelling its way to her through the thick evening air. The hairs at the nape of her neck stood to attention, but almost immediately she realised the noise had come from Amberley, from one of her uncle’s hounds, and gave it no more thought. Picking her way along the flagstones, she had to lift her skirts clear of the sludge before gingerly circling the large oval of dirty water. She had reached the west corner of the temple when a noise much closer to hand startled her. Wildlife in the garden was prolific and for a moment she thought it must be a fox moving stealthily through the tall trees that grew behind the temple, making his way perhaps to the Wilderness to find his tea. But then she heard a cough. A man. And footsteps, soft but unmistakable. The lateness of the hour was suddenly important. She shouldn’t be here. Her mother had warned her often enough that the estate was not secure, that there was nothing to stop a curious passer-by from scaling the six foot wall and enjoying Summerhayes for himself. She took a step back, poised to flee. The gloom of dusk had settled on the garden and the overhanging trees behind the temple workings cast an even deeper shadow across her path. There was a crackle of twigs, a swish of undergrowth.
She turned abruptly.
‘Forgive me, I’ve startled you.’
A young man’s slim form appeared from behind one of the prostrate columns. At the sound of his voice, she half turned back. He was hardly the threatening figure her mother had warned of. She fixed her eyes on his face, looking at him as closely as she dared, and was sure she had seen him before. She had seen him before, if only from a distance.
‘Are you the architect?’ she said uncertainly.
‘Not quite.’ He gave a slightly crooked smile. ‘I’m the architect’s assistant, at least until the end of this summer.’
She found herself smiling back. ‘And what happens at the end of the summer?’
‘My apprenticeship will be over. I’ll be the architect you took me for.’ He strode towards her, holding out his hand. ‘I should introduce myself. My name is Aiden Kellaway.’
‘Elizabeth Summer,’ she said, trying not to think what Alice would say to this unconventional meeting. Aiden Kellaway’s grasp was firm and warm.
‘I know who you are. I’ve seen you on the terrace when you take a stroll with your mother.’ He had an attractive face, she couldn’t help noticing. He was clean shaven but his light brown hair was luxuriant, falling in an unruly wave above soft green eyes.
Those eyes were resting on her and she said hastily, ‘You seem to have met a problem here.’ She waved a cuff of shadow lace towards the quagmire.
‘The gardeners have certainly. Mr Simmonds and I will keep supervising the building work, but a temple without its lake is a sad sight. Do you know why this has happened?’
‘Why there’s no water?’
‘I know why there’s no water – I walked upstream for half a mile and saw the dam that’s been built.’
The Amberley estate lay above Summerhayes and Henry Fitzroy had evidently used this advantage to divert the river and render Joshua’s beloved garden a sad joke. Elizabeth felt intensely sorry for her father. He was a rough man. A life devoted to making buttons had not conferred the polish needed to succeed in the highest circles, but for all that her father possessed a deep and instinctive love of beauty.
Aiden Kellaway was looking at her enquiringly. ‘I meant why your uncle – I’m presuming it is your uncle who ordered the diversion – why he should wish to ruin the most beautiful part of a very beautiful garden.’
She wasn’t sure how to answer. She knew the reason only too well but Mr Kellaway was a stranger and she had no wish to confess the family feud. Something in his face, though, invited her to be honest. ‘There is enmity between Amberley and Summerhayes. There has been for years and most local people know of it. Anything Uncle Henry can do to upset my father, he will.’
Aiden shook his head. ‘That’s sad. And to hurt his own sister, too.’
‘I doubt he cares much about my mother. He’s not that kind of man.’ She stopped abruptly. Honesty was one thing, gossiping in this unguarded fashion quite another. ‘In any case,’ she hurried on, ‘the Italian Garden is my father’s idea. Mama never ventures further than the lawn.’
‘Why Italian? Does your father have connections there?’
‘None that I know of, but when he was very young, he travelled to Italy and spent several months journeying northwards from Rome. He still talks of it. He told me one day that it was a revelation to him, how people all those years ago had created a beauty that endured for centuries. I think it made him want to create something himself – something that would delight people for generations.’
Her father’s one Italian excursion, it seemed, had crystallised a yearning that until then had lived only in his heart.
‘Your father is a visionary man. Summerhayes is a wonderful project,’ Aiden said warmly. ‘He can be rightfully proud of creating a glorious site out of what was once barren pasture. Or so I understand.’
‘The gardens are my father’s pride and joy. But the barren pasture, as you call it, once belonged to Amberley.’ She would not spell out her uncle’s jealousy, she had said too much already, but she saw from the young man’s expression that he understood.
He simply nodded and looked out across the swathe of mud to the laurel arch, now faded to shades of grey in the disappearing light. ‘I wonder, though, why your uncle is so opposed. Having such a magnificent garden as a neighbour must add distinction to his own property.’
‘I doubt he’d agree. Amberley is an old estate and Uncle Henry clings to its past glory. My father has the money to indulge himself with projects such as this.’
‘And your uncle does not?’
She