for what’s right, even when you don’t want to.
It was at playtime. Big Joe came up to school to see Charlie and me. He just stood and watched us from outside the school gate. He did that often when Charlie and I first went off to school together — I think he was finding it lonely at home without us. I ran over to him. He was breathless, bright-eyed with excitement. He had something to show me. He opened his cupped hands just enough for me to be able to see. There was a slowworm curled up inside. I knew where he’d got it from — the churchyard, his favourite hunting ground. Whenever we went up to put flowers on Father’s grave, Big Joe would go off on his own, hunting for more creatures to add to his collection; that’s when he wasn’t just standing there gazing up at the tower and singing Oranges and Lemons at the top of his voice and watching the swifts screaming around the church tower. Nothing seemed to make him happier than that.
I knew Big Joe would put his slowworm in with all his other creatures. He kept them in boxes at the back of the woodshed at home — lizards, hedgehogs, all sorts. I stroked his slowworm with my finger, and said it was lovely, which it was. Then he wandered off, walking down the lane humming his Oranges and Lemons as he went, gazing down in wonder at his beloved slowworm.
I am watching him go when someone taps me hard on my shoulder, hard enough to hurt. It is big Jimmy Parsons. Charlie has often warned me about him, told me to keep out of his way. “Who’s got a loony for a brother?” says Jimmy Parsons, sneering at me.
I cannot believe what he’s said, not at first. “What did you say?”
“Your brother’s a loony, off his head, off his rocker, nuts, barmy.”
I go for him then, fists flailing, screaming at him, but I don’t manage to land a single punch. He hits me full in the face and sends me sprawling. I find myself suddenly sitting on the ground, wiping my bleeding nose and looking at the blood on the back of my hand. Then he puts the boot in, hard. I curl up in a ball like a hedgehog to protect myself, but it doesn’t seem to do me much good. He just goes on kicking me on my back, on my legs, anywhere he can. When he finally stops I wonder why.
I look up to see Charlie grabbing him round the neck and pulling him to the ground. They’re rolling over and over, punching each other and swearing. The whole school has gathered round to watch now, egging them on. That’s when Mr Munnings comes running out of the school, roaring like a raging bull. He pulls them apart, takes them by their collars and drags them off inside the school. Luckily for me Mr Munnings never even notices me sitting there, bleeding. Charlie gets the cane, and so does Jimmy Parsons — six strokes each. So Charlie saves me twice that day. The rest of us stand there in the school yard in silence, listening to the strokes and counting them. Big Jimmy Parsons gets it first, and he keeps crying out: “Ow, sir! Ow, sir! Ow, sir!” But when it’s Charlie’s turn, all we hear are the whacks, and then the silences in between. I am so proud of him for that. I have the bravest brother in the world.
Molly comes over and, taking me by the hand, leads me towards the pump. She soaks her handkerchief under it and dabs my nose and my hands and my knee — the blood seems to be everywhere. The water is wonderfully cold and soothing, and her hands are soft. She doesn’t say anything for a while. She’s dabbing me very gently, very carefully so as not to hurt me. Then all of a sudden she says: “I like Big Joe. He’s kind. I like people who are kind.”
Molly likes Big Joe. Now I know for sure that I will love her till the day I die.
After a while Charlie came out into the school yard hitching up his trousers and grinning in the sunshine. Everyone was crowding around him.
“Did it hurt, Charlie?”
“Was it on the back of the knees, Charlie, or on your bum?”
Charlie never said a word to them. He just walked right through everyone, and came straight over to me and Molly. “He won’t do it again, Tommo,” he said. “I hit him where it hurts, in the goolies.” He lifted my chin and peered at my nose. “Are you all right, Tommo?”
“Hurts a bit,” I told him.
“So does my bum,” said Charlie.
Molly laughed then, and so did I. So did Charlie, and so did the whole school.
From that moment on Molly became one of us. It was as if she had suddenly joined our family and become our sister. When Molly came home with us that afternoon Big Joe gave her some flowers he’d picked, and Mother treated her like the daughter she’d never had. After that, Molly came home with us almost every afternoon. She seemed to want to be with us all the time. We didn’t discover the reason for this until a lot later. I remember Mother used to brush Molly’s hair. She loved doing it and we loved watching.
Mother. I think of her so often. And when I think of her I think of high hedges and deep lanes and our walks down to the river together in the evenings. I think of meadowsweet and honeysuckle and vetch and foxgloves and red campion and dog roses. There wasn’t a wild flower or a butterfly she couldn’t name. I loved the sound of their names when she spoke them: red admiral, peacock, cabbage white, adonis blue. It’s her voice I’m hearing in my head now. I don’t know why, but I can hear her better than I can picture her. I suppose it was because of Big Joe that she was always talking, always explaining the world about us. She was his guide, his interpreter, his teacher.
They wouldn’t have Big Joe at school. Mr Munnings said he was backward. He wasn’t backward at all. He was different, “special” Mother used to call him, but he was not backward. He needed help, that’s all, and Mother was his help. It was as if Big Joe was blind in some way. He could see perfectly well, but very often he didn’t seem to understand what he was seeing. And he wanted to understand so badly. So Mother would be forever telling him how and why things were as they were. And she would sing to him often, too, because it always made him happy and soothed him whenever he had one of his turns and became anxious or troubled. She’d sing to Charlie and me as well, more out of habit, I think. But we loved it, loved the sound of her voice. Her voice was the music of our childhood.
After Father died the music stopped. There was a stillness and a quietness in Mother now, and a sadness about the house. I had my terrible secret, a secret I could scarcely ever put out of my mind. So in my guilt I kept more and more to myself. Even Big Joe hardly ever laughed. At meals the kitchen seemed especially empty without Father, without his bulk and his voice filling the room. His dirty work coat didn’t hang in the porch any more, and the smell of his pipe lingered only faintly now. He was gone and we were all quietly mourning him in our way.
Mother still talked to Big Joe, but not as much as before. She had to talk to him, because she was the only one who truly understood the meaning of all the grunts and squawks Big Joe used for language. Charlie and I understood some of it, some of the time, but she seemed to understand all he wanted to say, sometimes even before he said it. There was a shadow hanging over her, Charlie and I could see that, and not only the shadow of Father’s death. We were sure there was something else she wouldn’t talk about, something she was hiding from us. We found out what it was only too soon.
We were back home after school having our tea — Molly was there too — when there was a knock on the door. Mother seemed at once to know who it was. She took time to gather herself, smoothing down her apron and arranging her hair before she opened the door. It was the Colonel. “I wanted a word, Mrs Peaceful,” he said. “I think you know what I’ve come for.”
Mother told us to finish our tea, closed the door and went out into the garden with him. Charlie and I left Molly and Big Joe at the table and dashed out of the back door. We hurdled the vegetables, ran along the hedge, crouched down behind the woodshed and listened. We were
