Forbidden or For Bedding?. Julia James
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When she emerged, one hectic, extraordinary hour later, and walked into the executive floor reception area, Guy de Rochemont looked up from where he’d been talking on the phone at the deserted secretarial desk and said only one thing to her.
His eyes—those green, inscrutable eyes—rested on her for only a brief moment. He took in the slender figure in raw silk—burnt sienna, with a high neckline but bare arms—her hair in a crown around her head and her face in full make-up, with eyes as deep as oceans.
Then he walked forward, stopped just in front of her.
‘At last.’
That was all he said.
And he didn’t mean how long she’d kept him waiting.
Satisfaction ran through Guy as he surveyed the woman in front of him. He had had more than ample time to peruse her attributes during his sittings, and Alexa Harcourt in evening attire was all that he wanted her to be.
Superbe.
The single adjective formed in his mind, and he plucked it from the list of many that he could apply to her and considered it. Yes, superbe…
Nothing less would do as a description. He had known from the first moment he’d laid eyes on her that once he’d disposed of the prim schoolteacher image she so amusingly put forward he would reveal for his delectation a beauty well worth his attention. And so it had proved.
His eyes rested on her appreciatively. Yes, superbe indeed. Tall, graceful, slender, with that classic English chic—so understated, yet so powerfully alluring for that very reason—she was exactly what he wanted her to be. A wisp of a smile played at his lips as he called to mind the muted, self-effacing persona she had presented up to this point. At first he had assumed it was a ploy, for women went to vast efforts to engage his interest, and she would not have been the first to attempt a pose of indifference to him. But as the sittings had continued he had come to the conclusion—surprising, but for that very reason enticing—that Alexa Harcourt was not courting his interest.
Not, of course, that she was not all too aware of him. That had been evident to him from the first, and it had come to be a source of amusement to him, adding a rare piquancy to his pursuit—a pursuit which he had taken considerable enjoyment in extending for far longer than he customarily did when it came to the women he selected for his relaxation. But he had found that it was fort amusant to sit, posed like a prince in his Renaissance palace, while his portrait was captured for posterity—or in his case for his fond maman—and let his eyes play over her sculpted features. He found pleasure in this casual scrutiny, while she assiduously endeavoured to ignore his regard.
But not without revealing by her very assiduity just how responsive she was increasingly becoming to his presence.
His eyes veiled momentarily. That increasing responsiveness was evidently, the reason why she had come here to make her dramatic announcement that she could not continue with making his portrait. Again, at first for a few moments he had assumed she had done so merely to put to the test whether he was or was not interested in her. But then he had realised, with a sense of relief as well as satisfaction, that his reading of her was unchanged—she was quite genuine in her determination to abandon his portrait.
It was an excellent sign! Excellent that she was not attempting to be intrigant, but even more excellent that she was having such problems with the task of capturing his likeness. Because the reason for that was obvious—he was no longer nothing more than a client to her. And most essential of all, her inability to capture his likeness betokened her increasing frustration at her own attraction to him. She could not paint him…because she could only desire him.
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