The Cowboy, The Baby And The Bride-To-Be. Cara Colter
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She checked on Nicky, relieved that he was now cool and breathing easily.
She smiled at the spartan, tidy little room.
His world, Turner’s world, was obviously not within the confines of these four walls. His world was out there—the rough and rugged world she had first seem him in, standing in the center of a dusty corral as some half-wild horse lunged around him.
She lugged her traitorous suitcase down the hall and took a shower, berating herself for not having had the latch fixed and wishing she owned some frothy underwear.
It had been awful seeing his big tanned hands cramming her most personal things back into that suitcase.
Especially since her most personal things were so ordinary.
Everything she owned was ordinary, she thought, getting out of the shower and fishing through each item in her suitcase with a critical eye.
She finally settled for mossy green jeans and a matching cream-coloured flannel shirt with a faint green stripe. She tied her damp hair back with an elastic and made a face at herself in the smoky mirror. She wasn’t trying to make herself attractive for him, was she? She decided, perhaps a little more emphatically than necessary, that she was not. She was a guest in his home, and it was only decent that she make herself neat and presentable.
She had long ago accepted she was not one of those women who was ever going to turn a head as she walked down the street. Construction workers did not whistle at her. Teenage boys did not crane their necks or drive their bicycles into the backs of cars to get a better look.
She had neat and tidy features, ordinary really.
Her university days had been largely without the rush of romance. She’d been dedicated to her studies, and quite shy. She chose the study carrels at the library rather than the open tables. She had developed some very solid friendships with both sexes, but an actual relationship evaded her.
Her mother, who seemed to consider university a happy hunting ground for the unwed, found her lack of romantic involvement with some budding doctor or lawyer very discouraging.
Her mother’s distress had increased when Shayla found a job where she would be working mostly out of her own apartment rather than where she would be meeting people—make that “men”—of interest.
Did part of her actually delight in thwarting her mother’s plans for her?
Is that why her wardrobe was minus form-hugging shirts in siren red, or lace-trimmed blouses that would make her look wonderfully feminine and alluring?
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