problem,” she replied. In a breathless, whiskey-rough voice that made him start thinking about sexy librarians again.
She kept moving, but even after she was free of him, his palm was still damp from her clothing, and there was a wet spot on his shirt where her shoulder had made contact. Those would eventually dry up and be gone. What wouldn’t leave as quickly were the thoughts circling in his brain that were anything but dry.
He watched her as she continued into the cabin, noting how the rain had soaked her skirt, too. The skirt whose length barely passed muster for proper office attire. The dampness made it seem even shorter—though it could just be Tate’s overactive imagination making it do that—and it, too, clung to her body with much affection. Whatever Renata lacked in the front—and, really, no woman ever lacked anything up front—she more than made up for behind. The gods might have made her small, but they’d packed more into her little package than a lot of women twice her size.
“Mr. Hawthorne?”
Reluctantly, he returned his attention to Grady. The marshal was looking at him in a way that indicated he knew exactly where Tate’s gaze had been, and if he were Renata’s father, he’d be hauling Tate out to the woodshed.
“Did you hear what I said?” he asked.
“You have to go into town for some supplies,” Tate replied. See? He could multitask just fine, listening to Grady with the left side of his brain while ogling Renata with the right.
“And I won’t be gone long,” Grady added as he made his way to the front door. “There’s a phone in the bedroom, but if either of you uses it to call anyone other than me, this is going to turn into a much longer stay than any of us wants. Get it?”
“Got it.”
“Good.” Without another word, Grady exited.
Leaving Tate and Renata truly alone.
Renny watched Inspector Grady leave, then scanned the cottage and decided things could be worse. The place was actually kind of cute in a retro, Eisenhower-era kind of way. The walls were paneled in honey-colored wood, and a fireplace on one side was framed by creek stone all the way around. Doors flanked it on each side, one open and leading to a bedroom and the other closed, doubtless a bathroom. The wall hangings were amorphous metal shapes, and the rugs were textile versions of the same. The furniture was all midcentury modern—doubtless authentic—with smooth wood frames and square beige cushions. On the side of the cottage opposite the fireplace was a breakfast bar and kitchenette, whose appliances looked authentic to the middle of the last century, too.
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