The Things We Do For Love. Margot Early
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“That wouldn’t be a problem,” Mary Anne reflected. “For me, I mean.”
Clare gave her an almost disapproving look. “It’s better to let nature take its course, you know. You think you know what you want, but it’s very important you understand that the experience may be different from what you’re expecting.”
Mary Anne was quite sure that all the ways Jonathan Hale could fall in love with her would be wonderful. She shrugged. The love potion couldn’t work, so what was the big deal? “I’ll take my chances.”
That look again, the expression of a woman who was warning against disaster and knew that the person she warned was deaf to the message. Clare donned reading glasses and opened a spiral notebook, making a notation with a short stub of pencil. She was a thin, reedy woman, not at all bent by age. Drawing a resolute breath, she turned a page in the notebook.
“You’ll do it?” Mary Anne said.
“Of course.”
The teakettle whistled. Soon a concoction that smelled like grass clippings sat in front of Cameron. “Nettles,” Cameron said. “They make your hair grow.”
Mary Anne envisioned her cousin with Rapunzel-like tresses—which wasn’t too far from what Cameron actually had already.
While Clare worked, mixing various ingredients into a clear liquid, straining, tapping, the journalist in Mary Anne came alive. What went into a love potion? The only ingredient she could identify was a piece of chocolate. Seeing her looking, Clare said, “Green and Black’s Organic Extra Dark. Here, have a piece.”
Mary Anne took it warily and ate the piece. She had to admit, it was extraordinary chocolate. “It won’t hurt him, will it?” she asked. “The love potion?”
Cameron put her head in her hands and shook it.
Clare simply looked at her. “Write this down,” she instructed. “Just take a piece of paper out of that notebook. A blank piece, please.”
Mary Anne did as directed, picking up the stub of pencil.
“This is what you need to do to activate the potion,” Clare said, working with the clear liquid as she spoke. “You must perform three acts of love, each for a person you dislike, someone you can safely say you don’t particularly love. It can be one, two or three people. Break it down anyway you like. Just make sure it’s someone you quite detest, someone you think is a terrible person.”
Graham Corbett leaped to mind.
“You must give one of these people a treasured possession of yours. You must speak to a disliked individual with kindness. And finally you must perform a secret good deed for that type of person.”
“It can all be the same person?”
“You have someone in mind?” Clare said with no inflection whatsoever. “People usually do.”
“Quite,” Mary Anne said, finishing copying the directions. She read them back to Clare.
“Yes. Well, that’s it.” Clare turned from the sink, twisting the cap on a half-ounce vial of clear liquid. She handed it to Mary Anne. “Slip it into something he’ll drink. He shouldn’t notice any difference in the taste.”
“Don’t you need a piece of my hair or something?” Mary Anne asked, deciding not to repeat the question about the potion hurting Jonathan.
The look the midwife gave her was withering. “No, I don’t,” was all she said. Then, seeing Mary Anne’s still doubtful expression, she seemed to take pity and explained, “Your essence is there. Believe me.”
Mary Anne tore out the piece of paper. “What do I owe you?” If this was expensive, she was going to kill Cameron.
“Twenty-five dollars.”
Cheaper than highlights. Mary Anne readily produced the cash.
Clare stared hard into her eyes and said, “Finally, the most important thing.”
“What?”
“Make sure the right person drinks it.”
Cameron and Mary Anne both laughed. Mary Anne said, “Won’t be a problem.”
CHAPTER TWO
A TREASURED POSSESSION, a kind word, a secret good deed. Graham Corbett was the obvious recipient of all these things. “A terrible person,” Mary Anne murmured with satisfaction as she steered the car out of Myrtle Hollow.
She had forty-eight hours in which to accomplish these tasks. Then, she could slip the potion into a drink for Jonathan at his engagement party. And watch her happiness unfold.
Except that love potions did not work, could not work.
Beside her, Cameron said, “I’ll come back to Nanna’s with you, then walk home.”
A good three miles, but nothing for Cameron.
“I can drop you,” Mary Anne said.
“No, I want some books.”
Aside from a set of the Encyclopedia Britannica, published in 1969, nearly all the books at their grandmother’s house, where Mary Anne also lived, were romance novels. No pirates, nothing sexy. Also, nothing published since the early 1950s—Mary Anne suspected that sexy romances had been written before then, but Nanna owned none of them. In Nanna’s books, the heroines were constitutionally upbeat virgins who never smoked, drank or kissed on dates, not only because it might be bad for them but also because it might set a bad example for their peers. American heroes and heroines were fiercely patriotic and always punctual. No one ever even mentioned sex. The only historicals Nanna owned had been written by Barbara Cartland—Nanna didn’t even particularly care for Jane Austen. Mary Anne believed that this was because Lydia Bennet had lived in sin with wicked Wickham before Darcy had bribed Wickham to marry the ruined creature. Cameron countered that it was because Fitzwilliam Darcy stirred Nanna’s own repressed sexual nature. Pride and Prejudice was, Cameron maintained, an inherently sexy book.
Both cousins, however, shared an enjoyment of Nanna’s selection of extremely unlikely romances. Cameron claimed that in her own case it was historical research into the evils of the repressed society from which all her clients’ problems sprang, the seeds planted generations earlier. Mary Anne just enjoyed the stories’ improbable plots. “I just finished Stars in Your Eyes,” she recommended.
Cameron frowned. “Which one is that?”
“The girl is driving to Mexico to take care of her brother’s daughter, when she gets a flat tire. A seedy character directs her to a mechanic at the nearest bar, where a total stranger greets her as though they’re eloping together. While he’s embracing her, he whispers, ‘I’m Drex. Danger.’”
“And the heroine falls right into the act with him,” Cameron said, remembering. “Then, the corrupt Mexican military dude forces them at gunpoint to marry, with the seedy guy presiding as J.P.,” she filled in excitedly. “Then, the hero persuades her to keep up the pretense of the marriage—”
“Without