“he’s definitely your baby brother.” There was no missing the faintly mocking admiration in his voice, but it only made Jilly angrier. She’d failed, her father was out of reach. As usual.
“I’ll talk to my father when he gets back,” she said coolly, reaching for her purse. “Thanks for your help, Mr. Coltrane.”
“Coltrane will do,” he said. “And you haven’t finished with my help. You can’t get out of here without me.”
“What do you mean?”
“The place has a top-of-the-line security system. No one can get in or out without the code once it’s past seven. It’s seven-fifteen, and I don’t think you have the code, do you?”
“No.”
“And where did you park your car? In the garage in the building, right? There’s no other place to park around here. You won’t be able to get in there without a different code. If you want to get home tonight you’re going to need my help.”
She would have said this was all some evil plan on the part of fate, but she didn’t tend to think fate had that much interest in one Jilly Meyer. She stared at Coltrane, her eyes narrowed as she considered her alternatives. She could call Dean, but he often ignored the telephone. Besides, he might be too drunk to answer, and she certainly didn’t want him driving to pick her up. God knew where Rachel-Ann was. And it had been so long since Jilly had been to the Meyer building that she no longer knew anyone who worked there who might be able to help her, with the exception of the draconian Mrs. Afton, and even Coltrane was preferable to the gorgon.
“I’d like to leave,” she said in a steady voice. “Now.”
“And you’d like my help? Pretty please?”
“Yes,” she said, hoping there was a special place in hell for men like him.
“My pleasure.” He flicked off the lights, plunging them into unexpected darkness just as she started toward him, and she almost slammed into him in her hurry to get out of there. Some blessed radar stopped her seconds before she did, but she was close enough to brush against his jacket, to feel his body heat in the enclosed area. It was unnerving.
But she had learned years ago not to let her unease show, and she stopped, following him at a more reasonable pace, determined to keep her distance. Trust Jackson to put her at a disadvantage, she thought sourly. Not only did he ignore his daughter, but he sent The Enemy to deal with her. If she hadn’t been pissed off before she was pissed off now.
The place was completely deserted, an astonishing circumstance. Jackson Meyer encouraged his employees to work long and hard, and he usually matched them in overtime. But there didn’t appear to be a soul left in the building as she followed Coltrane past the ghostly forms of neat desks, empty offices, echoing cubicles.
She had no idea what the people who worked at those desks actually did, any more than she knew how her father made his money. Meyer Enterprises had been her grandfather’s company. He’d started out in real estate in the 1940s, buying huge tracts of land, derelict factories and ruined mansions. The place where Jilly lived with her two siblings was one of the old man’s last acquisitions before he died in the early 1960s, the only building that hadn’t been razed and redeveloped to benefit the endless coffers of Meyer Enterprises.
And it never would be if Jilly had anything to say about it. It was one of the few things temporarily beyond her father’s greedy reach. Jackson Dean Meyer and his mother had had a falling out, and while Julia Meyer hadn’t been able to deed La Casa de Sombras to her three grandchildren outright, she’d still managed to keep Jackson away from it. It belonged to the three of them, Jilly, Dean and Rachel-Ann, for as long as even one of them wanted to live there. The moment the last one moved out it would revert to Jackson, and he’d have it torn down.
He’d been trying to get them out for years. Threats, bribery, anger had made Dean and Rachel-Ann waver. But Jilly was made of sterner stuff than that, and she’d kept the others firm.
Coltrane punched in a row of numbers on the security keypad by the door, too fast for Jilly to read them, then pushed the door open, holding it for her. She walked past him, too close again, and gave him her cool, dismissive smile. “Thanks for your help, but I can take it from here.”
“The elevator won’t come without the security code,” he said. “We’re on the thirty-first floor, it’s a hell of a long walk down, and when you get to the basement you’ll find the door is locked and you’ll just have to climb back up again. Besides, there’s the little problem of the parking garage.”
“I’ve got my cell phone—I can call a taxi.”
“You’ll still have to come back here for your car sooner or later. Unless you want to just go buy a new one with Daddy’s money.”
His easygoing contempt startled her, and she glared at him. “I’m surprised you don’t know that I don’t live off my daddy’s money, as you so sweetly put it. Maybe you’re not as involved in his affairs as Dean thought.”
Coltrane simply smiled. “It’s your choice, Jilly. You want to spend the night wandering up and down thirty-one flights of stairs, or do you want my help?”
Being trapped in a stairwell seemed vastly superior to being stuck with Coltrane in one of the bronze, art deco elevators Jackson had brought to the Meyer Building, but she wasn’t about to say so.
“Call the elevator,” she said, resigned. She was back in the tumbrel again, heading toward Madame La Guillotine.
He punched another rapid set of numbers on the keypad, and the doors opened immediately. She had no idea why the elevator would already be on their floor, but she wasn’t about to ask. It was going to be hard enough to step into that bronze cage with her brother’s nemesis.
She didn’t like heights, she didn’t like enclosed spaces, and she certainly didn’t like men like Coltrane. Tall, gorgeous, self-assured men who knew just how intimidating they could be. It was a subtle, sexual intimidation, the worst sort, and Jilly was usually invulnerable to that sort of thing. But for some reason she still didn’t want to get in the enclosed cage with him.
She had no choice. He waited, watching her, and she could no longer see the expression in his eyes. She walked into the elevator, hearing the jeering crowds of the angry peasants. He followed her in, and the doors slid shut with a subtle hiss, as Jilly steeled herself to ride to her doom.
2
Jackson Meyer’s daughter was scared shitless of him. It was a fascinating realization, and Coltrane wished he knew a way to slow the rapid descent of the elevator, to stall it completely, anything to keep her with him for just a little bit longer.
He’d watched her while she slept, absolutely astonished at how far off the mark he’d been about her. He’d let his opinion of Dean influence his expectations about Meyer’s other children; that, and stories he’d heard about Rachel-Ann’s voracious appetite for drugs and sex. He’d assumed Jilly Meyer would be cut from the same self-indulgent, self-destructive cloth. He hadn’t met Rachel-Ann yet but Jilly was as different from Dean Meyer as he could have possibly imagined.
In a land of California blondes she was dark, with an unfashionable mane of thick brown hair, a big, strong body and endless legs. She was no delicate flower—she had a physical presence that was both aggressive and arousing, even as she tried to
