the Dutch logicians made no difficulty of the matter; and arguing, from the number of the woman's husbands, that she could not be wholly innocent of their death, prohibited her from marrying again—which, her addiction to matrimony being considered, was perhaps, of all the 'troubles' she had undergone, by no means the least.
The logical faculty, which not only consists with the poetical, but is invariably and necessarily associated with it, whenever the latter exists in an advanced stage of development, is in no writer more conspicuous as an intellectual characteristic than in Schiller. In this respect he is not excelled even by Wordsworth himself; but Homer sometimes snoozes, and Schiller's reasoning is not always consequential: as, for instance, when he denies two compositions of Ovid—the Tristia and Ex Ponto—to be genuine poetry, on the ground that they were the results not of inspiration, but of necessity; just as if poetry were not a thing to be judged of by itself; and as if one could not determine whether it were present or absent in a composition, without knowing to what influences the author was subjected at the time the composition was produced!
Rousseau, in one of his moods of bilious cynicism, falls foul of human reason altogether. No man despised it more in action; no one could more consistently decry it in speculation. In his opinion, the exercise of the reasoning powers is absolutely sinful—l'homme qui raisonne est l'homme qui péche. Franklin, on the other hand, in a familiar tone of playful banter, vindicates its utility, alleging that it is mightily 'convenient to be a rational animal, who knows how to find or invent a plausible pretext for whatever it has an inclination to do.' Examples of this convenience abound. The Barbary Jews were rich and industrious, and, accordingly, their wealth provoke the cupidity of the indolent and avaricious Mussulmans. These latter, whenever a long drought had destroyed vegetation, and the strenuous prayers offered up in the mosques had proved unavailing for its removal, were accustomed to argue—and a mighty convenient argument it was—that it was the foul breath of the Jews that had offended Heaven, and rendered the pious petitions of the faithful of none effect. The remedy for the drought, then, who could doubt? The true believers drove the Jews out of their cities, and quietly confiscated their goods. Dryden, anxious to congratulate Charles II. on his 'happy restoration,' amidst a thousand fulsome compliments—all tending to shew that that prince was the author of blessings, not only to his own kingdoms, but to universal humanity—declares, that it was to Charles, and to him only, Spain was indebted for her magnificent colonial possessions in either hemisphere. Addressing the sovereign, his words are—
'Spain to your gift alone her Indies owes,
For what the powerful takes not, he bestows.'
A convenient fashion of reasoning truly: as convenient every whit as that of Daniel Burgess, a witty Presbyterian minister, devoted to the House of Brunswick and the principles of the Revolution, who was wont to affirm, as the reason the descendants of Jacob were called Israelites, and did not receive the original name of their progenitor, that Heaven was unwilling they should bear a name in every way so odious as that of Jacobites.
Once more: it appears from Dr Tschudi's valuable and interesting work on South America, that in Peru rice is cheap, and servants both lazy and dirty. Now, the servants in Lima have a theory about rice. They consider it possesses certain qualities antagonistic to water, so that, after eating, to touch water would be seriously injurious to health; and thus does their frequent consumption of rice supply them with a most convenient reason or excuse for their habitual abstinence from an operation they detest—that of washing their hands.
Verily, they are mighty fine and convenient words, therefore and because.
DAVID'S LAST PICTURE
The whole population of the good city of Brussels was in a state of excitement. Talma, the great French tragedian, was that evening to close his engagement by appearing in his favourite character of Leonidas; and from an early hour in the morning, the doors of the theatre were beset with waiting crowds, extending to the very end of the large square in which it stood. It was evident that the building, spacious as it was, could not contain one-half of the eager expectants already assembled, and yet every moment brought a fresh accession to the number destined to be disappointed. The hero of this ovation, and the object of all this unusual excitement to the worthy and naturally phlegmatic beer-drinkers of old Brabant, was standing near a window in the White Cross Hotel, engaged most prosaically in shaving himself; and, from time to time, casting on the crowd, to which he was the magnet of attraction, the careless glance of a monarch become from habit almost insensible to the loyal enthusiasm of his subjects.
'So he will not come?' said the tragedian to an old friend who was with him. 'He is a cynical old fool; and yet, I assure you, my dear M. Lesec, that I had Leonidas got up expressly for him, thinking to tickle his old republican fancies, for to my mind it is as stupid a play as Germanicus, though I contrive to produce an effect with some of its high-sounding patriotic passages; and I thought the worthy David would have recognised his own picture vivified. But he will not come: he positively refused, you tell me. I might have known it. Age, exile, the memory of the past—all this has cut him up terribly: he is the David of the Consulate no longer.'
'I am just come from him,' answered Collector Lesec: 'he received me almost as Hermione receives Orestes in the fourth act of Andromache. To say the least of it, he was somewhat tart. "I never go to the theatre," he answered abruptly. "Tell my friend Talma, that I thank him for his kindness; but I always go to bed at nine. I should be very glad if he would come, before he left Brussels, and have a tankard and a smoke with me."'
'I see,' said Talma with a half-ironical smile, 'he is turned quite Flemish. Poor fellow! to what has he come?—to smoking tobacco, and losing all faith in art. Persecution does more harm than the guillotine,' added the tragedian in a tone of bitterness. 'There is a living death. David's exile has deprived us of many a chef-d'œuvre. I can forgive the Restoration for surrounding itself with nobodies, but it need not banish our men of talent: they are not to be found now-a-days in every corner. But enough. Another word, and we should be talking politics.'
Leonidas finished shaving like any other man; and then turned suddenly to his friend: 'I bet you ten napoleons,' said he, 'that David would have come to the play had I gone myself to him with the invitation! I intended it, but I had not time; these rehearsals kill me—I might as well be a galley-slave. However, I have about three-quarters of an hour to myself now, and I will go beard the old Roman in his stronghold. What say you to going with me?'
It would have been difficult to name a place to which M. Lesec would not have gone, to have the honour of being seen arm-in-arm with the great Talma; and in another half hour they were on their way across the Place de la Monnaie into the Rue Pierre Plate.
'Now for a storm!' said Lesec. 'We are in for it: so be prepared. I leave it all on your shoulders, noble sir, for I must keep clear of him.'
'Is he, then, so entirely changed?' exclaimed Talma, quickening his pace. 'Poor exile! unhappy genius! torn from thy native soil, to languish and die!'
The visitors soon reached the large, though somewhat dilapidated mansion of the celebrated artist; and after they had been reconnoitred through a small grating by an old female servant, they were ushered into a rather gloomy apartment, presenting a singular discrepancy between its antique decorations and modern furniture.
The illustrious exile came out of an adjoining apartment in his dressing-gown, and advanced towards them with a quick yet almost majestic step, though his form was slightly bent, apparently by age. To Talma's great surprise, David received him most cordially, even throwing away his usually inseparable companion, a long pipe, to grasp both his hands. 'Welcome, welcome, my old friend!' he said; 'you could not have come at a better time. I have not for many a day felt so happy, and the sight of you is a great addition.' And the old painter kept rubbing his hands, a token with him of exuberant satisfaction.
Talma looked at Lesec as much as to say:
