p>The Mirror of Literature, Amusement, and Instruction / Volume 10, No. 277, October 13, 1827
THE PALACE AT STOCKHOLM
The palace at Stockholm is the redeeming grace of that city.—Stockholm "not being able to boast any considerable place or square, nor indeed any street wider than an English lane; the exterior of the houses is dirty, the architecture shabby, and all strikes as very low and confined. Yet the palace must be excepted; and that is commanding, and in a grand and simple taste." Such is the description of Stockholm by Sir Robert Ker Porter; but, as he admits, he had just left the city of St. Petersburgh, and being probably dazzled with the freshness of its splendour, Stockholm suffered in the contrast.
But Sir R.K. Porter is not entirely unsupported in his opinion. Mr. James, in his interesting "Journal of a Tour in Sweden, &c." published in 1816, describes the suburbs of Stockholm as "uniting every beauty of wild nature, with the charms attendant upon the scenes of more active life; but the examples of architecture within the town, if we except the mansions of the royal family, are not of a style at all corresponding with these delightful environs. The private houses make but little show; and the general air of the public buildings is not of the first style of magnitude, or in any way remarkable for good taste. One point, however, may be selected, that exhibits in a single prospect all that the capital can boast of this description. There is a long bridge of granite, connecting the city in the centre with the northern quarters of the town: immediately at one extremity rises the royal palace, a large square edifice, with extensive wings, and of the most simple and elegant contour; the other extremity is terminated by an equestrian statue of Gustavus Adolphus, forming the chief object of a square, that is bounded on the sides by handsome edifices of the Corinthian order; one the palace of the Princess Sophia, the other the Italian Opera-house."
Mr. A. de Capell Brooke, who visited Stockholm in the summer of 1820, describes the palace as "a beautiful and conspicuous object, its walls washed by the Baltic."—It is square, on an elevated ground, has a spacious court in the centre, and is in every respect worthy a royal residence. Near the entrance are two large bronze lions, which are admirably executed. "The view of the palace from the water," says Sir R.K. Porter, "reminds us of Somerset House, though it far exceeds the British structure in size, magnificence, and sound architecture." It contains some good paintings, and a fine gallery of statues, chiefly antique, collected by the taste and munificence of Gustavus III. The Endymion is a chef d'œuvre of its kind, and the Raphael china is of infinite value, but a splendid example of genius and talent misapplied.
All travellers concur in their admiration of the site and environs of Stockholm, and in deprecating the malappropriation of the former, Porter says, "The situation of this capital deserves finer edifices. Like St. Petersburg, it is built on islands; seven, of different extent, form its basis; they lie between the Baltic and the Malar lake. The harbour is sufficiently deep, even up to the quay, to receive the largest vessels. At the extremity of the harbour, the streets rise one above another in the form of an amphitheatre, with the magnificent palace, like a rich jewel in an Æthiop's ear, in the centre."
Mr. Brooke describes the situation of the city as "singular and even romantic. Built on seven small rocky islands, it in this respect resembles Venice. A great part of the city, however, stands upon the steep declivity of a very high hill; houses rising over houses, so that, to the eye, they seem supported by one another. Below, commerce almost covers the clear waters of the Baltic with a tall forest of masts; while far above, and crowning the whole, stands the commanding church of St. Catherine. From the top of this the eye is at first lost in the boundless prospect of forest, lake, and sea, spreading all around: it then looks down upon Stockholm, intersected in all directions by water; the royal palace; and lastly, ranges over the forests of pines extending themselves almost down to the gates of the city, spotted with villas, and skirted in the most picturesque manner by the numerous beautiful lakes, which so pleasingly relieve the beauties of the country. The other objects, which will repay the curiosity of the stranger in inspecting them, are, the royal palace; the military academy at Cartberg; the arsenal; the senate house; the Ridderholm, where the kings of Sweden are interred; the cabinet of natural history; the annual exhibition of paintings; the fine collection of statue in the palace."
CROSS FELL, WESTMORELAND
This mountain is situate near the end of a ridge of mountains, leading from Stainmore or Stonemore, about sixteen miles in length. It descends gradually from Brough to the Grained Tree, the former boundary mark dividing Yorkshire from Westmoreland. Passing over several mountains, we arrive at Dufton Fell, of the same ridge.
At the foot of this fell there is a curious little petrifying spring, which turns moss, or any other porous matter which may fall within its vortex, or the steams and vapours arising therefrom, into hard stone, insomuch that upon the mouth of it there is a considerable hill of such petrifaction.
Cross Fell is the highest mountain of the whole ridge, and is bounded by a small rivulet stocked with trouts. This was formerly called Fiends' Fell, from evil spirits, which are said to have haunted its summit, "and to have continued their haunts and nocturnal vagaries upon it, until Saint Austin erected a cross and altar, whereon he offered the holy eucharist, by which he countercharmed those hellish fiends, and broke their haunts."—Robinson's History of Cumberland and Westmoreland, 1709.
Since the saint expelled the fiends, the mountain (it appears) has taken the name of Cross Fell, in commemoration of the event.
There are now existent seven stones lying in a careless condition on the top of this mountain, as if destroyed by the hand of time. The stones, it is supposed, are the remains of the cross and altar. One stone is considerably higher than the rest, and they are overgrown with moss.
I have heard many of the traditions which are very current, but all such hyperboles, that were I to give one, the reader would be convulsed with laughter. I trust, sir, if you have any travellers among your numerous readers, they will give this a further investigation, and I (as well as yourself, doubtless) shall be happy to learn the result.
Your's. &c.
SALMON KIPPERING, IN DUMBARTONSHIRE
Salmon are caught in less or greater abundance in all the rivers of this county. The salmon-fisheries of Lochlomond and the Leven are of considerable value. In several parts of the county salmon are cured in a peculiar manner, called kippering; and throughout Scotland kippered salmon is a favourite dish. It is practised here in the following manner:—All the blood is taken from the fish immediately after it is killed; this is done by cutting the gills. It is then cut up the back on each side the bone, or chine, as it is commonly called. The bone is taken out, but the tail, with two or three inches of the bone, is left; the head is cut off; all the entrails are taken out, but the skin of the belly is left uncut; the fish is then laid, with the skin undermost, on a board, and is well rubbed and covered over with a mixture of equal quantities of common salt and Jamaica pepper. Some of this mixture is carefully spread under the fins to prevent them from corrupting, which they sometimes do, especially if the weather is warm. A board with a large stone is sometimes laid upon the fish, with a view to make the salt penetrate more effectually. In some places, as Dumbarton, instead of a flat board, a shallow wooden trough is used, by which means the brine is kept about the fish; sometimes two or three salmon are kippered together in the same vessel, one being laid upon the other. The fish, with the board or trough, is set in a cool place for two or three days; it is then removed from the board, and again rubbed with salt and pepper; after which it is hung up by the tail, and exposed to the rays of the sun or the heat of the fire. Care is previously taken to stretch out the fish by means of small sticks or hoops placed across it from side to side. After it has remained in the heat a few days, it is hung up in a dry place till used. Some people,
