the summer afternoons. At these representations, the most renowned players were engaged by an impresario. The audience was generally large, and the entrance-fee was one paul. Wonderful feats were sometimes performed here; and on the wall are marked the heights of some remarkable volate. The players were clothed in a thin, tight dress, like saltimbanchi. One side wore a blue, and the other a red ribbon, on the arm. The contests, generally, were fiercely disputed,—the spectators betting heavily, and shouting, as good or bad strokes were made. Sometimes a line was extended across the amphitheatre, from wall to wall, over which it was necessary to strike the ball, a point being lost in case it passed below. But this is a variation from the game as ordinarily played, and can be ventured on only when the players are of the first force. The games here, however, are now suspended; for the French, since their occupation, have not only seized the post-office, to convert it into a club-room, and the piano nobile of some of the richest palaces, to serve as barracks for their soldiers, but have also driven the Romans from their amphitheatre, where Pallone was played, to make it into ateliers de génie. Still, one may see the game played by ordinary players, towards the twilight of any summer day, in the Piazza di Termini, or near the Tempio della Pace, or the Colosseo. The boys from the studios and shops also play in the streets a sort of mongrel game called Pillotta, beating a small ball back and forth, with a round bat, shaped like a small tamburello and covered with parchment. But the real game, played by skilful players, may be seen almost every summer night outside the Porta a Pinti, in Florence; and I have also seen it admirably played under the fortress-wall at Siena, the players being dressed entirely in white, with loose ruffled jackets, breeches, long stockings, and shoes of undressed leather, and the audience sitting round on the stone benches, or leaning over the lofty wall, cheering on the game, while they ate the cherries or zucca-seeds which were hawked about among them by itinerant peddlers. Here, towards twilight, one could lounge away an hour pleasantly under the shadow of the fortress, looking now at the game and now at the rolling country beyond, where olives and long battalions of vines marched knee-deep through the golden grain, until the purple splendors of sunset had ceased to transfigure the distant hills, and the crickets chirped louder under the deepening gray of the sky.
In the walls of the amphitheatre at Florence is a bust in colored marble of one of the most famous players of his day, whose battered face seems still to preside over the game, getting now and then a smart blow from the Pallone itself, which, in its inflation, is no respecter of persons. The honorable inscription beneath the bust, celebrating the powers of this champion, who rejoiced in the surname of Earthquake, is as follows:—
"Josephus Barnius, Petiolensis, vir in jactando repercutiendoque folle singularis, qui ob robur ingens maximamque artis peritiam, et collusores ubique devictos, Terræmotus formidabili cognomento dictus est."
Another favorite game of ball among the Romans is Bocce or Boccette. It is played between two sides, consisting of any number of persons, each of whom has two large wooden balls of about the size of an average American nine-pin ball. Beside these, there is a little ball called the lecco. This is rolled first by one of the winning party to any distance he pleases, and the object is to roll or pitch the boccette or large balls so as to place them beside the lecco. Every ball of one side nearer to the lecco than any ball of the other counts one point in the game,—the number of points depending on the agreement of the parties. The game is played on the ground, and not upon any smooth or prepared plane; and as the lecco often runs into hollows, or poises itself on some uneven declivity, it is sometimes a matter of no small difficulty to play the other balls near to it. The great skill of the game consists, however, in displacing the balls of the adverse party so as to make the balls of the playing party count, and a clever player will often change the whole aspect of affairs by one well-directed throw. The balls are thrown alternately,—first by a player on one side, and then by a player on the other. As the game advances, the interest increases, and there is a constant variety. However good a throw is made, it may be ruined by the next. Sometimes the ball is pitched with great accuracy, so as to strike a close-counting ball far into the distance, while the new ball takes its place. Sometimes the lecco itself is suddenly transplanted into a new position, which entirely reverses all the previous counting. It is the last ball which decides the game, and, of course, it is eagerly watched. In the Piazza di Termini numerous parties may be seen every bright day in summer or spring playing this game under the locust-trees, surrounded by idlers, who stand by to approve or condemn, and to give their advice. The French soldiers, once free from drill or guard or from practising trumpet-calls on the old Agger of Servius Tullius near by, are sure to be rolling balls in this fascinating game. Having heated their blood sufficiently at it, they adjourn to a little osteria in the Piazza to refresh themselves with a glass of asciutto wine, after which they sit on a bench outside the door, or stretch themselves under the trees, and take a siesta, with their handkerchiefs over their eyes, while other parties take their turn at the bocce. Meanwhile, from the Agger beyond are heard the distressing trumpets struggling with false notes and wheezing and shrieking in ludicrous discord, while now and then the solemn bell of Santa Maria Maggiore tolls from the neighboring hill.
Another favorite game in Rome and Tuscany is Ruzzola, so called from the circular disk of wood with which it is played. Round this the player winds tightly a cord, which, by a sudden cast and backward jerk of the hand, he uncoils so as to send the disk whirling along the road. Outside the walls, and along all the principal avenues leading to the city, parties are constantly to be met playing at this game; and oftentimes before the players are visible, the disk is seen bounding round some curve, to the great danger of one's legs. He whose disk whirls the farthest wins a point. It is an excellent walking game, and it requires some knack to play the disk evenly along the road. Often the swiftest disks, when not well-directed, bound over the hedges, knock themselves down against the walls, or bury themselves in the tangled ditches; and when well played, if they chance to hit a stone in the road, they will leap like mad into the air, at the risk of serious injury to any unfortunate passer. In the country, instead of wooden disks, the contadini often use cacio di pecora, a kind of hard goat's cheese, whose rind will resist the roughest play. What, then, must be the digestive powers of those who eat it, may be imagined. Like the peptic countryman, they probably do not know they have a stomach, not having ever felt it; and certainly they can say with Tony Lumpkin, "It never hurts me, and I sleep like a hound after it."
In common with the French, the Romans have a passion for the game of Dominos. Every caffè is supplied with a number of boxes, and, in the evening especially, it is played by young and old, with a seriousness which strikes us Saxons with surprise. We generally have a contempt for this game, and look upon it as childish. But I know not why. It is by no means easy to play well, and requires a careful memory and quick powers of combination and calculation. No caffè in Rome or Marseilles would be complete without its little black and white counters; and as it interests at once the most mercurial and fidgety of people and the laziest and languidest, it must have some hidden charm as yet unrevealed to the Anglo-Saxon.
Beside Dominos, Chess (Scacchi) is often played in public in the caffès; and there is one caffè named Dei Scacchi, because it is frequented by the best chess-players in Rome. Here matches are often made, and admirable games are played.
Among the Roman boys the game of Campana is also common. A parallelogram is drawn upon the ground and subdivided into four squares, which are numbered. At the top and bottom are two small semicircles, or bells, thus:—
Each of the players, having deposited his stake in the semicircle (b) at the farthest end, takes his station at a short distance, and endeavors to pitch some object, either a disk or a bit of terracotta, or more generally a baiocco, into one of the compartments. If he lodge it in the nearest bell, (a,) he pays a new stake into the pool; if into the farthest bell, (b,) he takes the whole pool; if into either of the other compartments, he takes one, two, three, or four of the stakes, according to the number of the compartment. If he lodge on a line, he is abbrucciato, as it is
