form has found a place in ancient and modern story. The Proteus of heathen mythology ever found means of safety and protection by his sudden assumption of some new form and shape.
22
The erection of these tombs over the supposed effigy, or the real remains, of the deceased, is often mentioned in these tales. The same type of tomb, with its dome or cupola, prevails throughout. A structure of a similar fashion is celebrated in history as the Taj Mahal at Agra, erected by the Shah Jehan, in memory of his queen, Mumtaz Mahal. It stands on a marble terrace over the Jamna, and is surrounded by extensive gardens. The building itself on the outside is of white marble, with a high cupola and four minarets. In the center of the inside is a lofty hall of a circular form under a dome, in the middle of which is the tomb, inclosed within an open screen of elaborate tracery formed of marble and mosaics. The materials are lapis lazuli, jasper, bloodstone, a sort of golden stone (not well understood), agates, carnelian, jade, and various other stones. A single flower in the screen contains a hundred stones; "and yet," says Bishop Heber; "though everything is finished like an ornament for a drawing-room chimney-piece, the general effect is rather solemn and impressive than gaudy."—Elphinstone's
