only perplexed poor Tom, who bade her leave an unlucky chap to his fate, and not make himself a thundering villain. Whereat the dame begged him to take heart, and he should have a true comforter. “And though it’s a gentleman that’s coming to you, Tom—for he never refuses a poor body,” said Mrs. Bakewell, “it’s a true Christian, Tom! and the Lord knows if the sight of him mayn’t be the saving of you, for he’s light to look on, and a sermon to listen to, he is!”
Tom was not prepossessed by the prospect of a sermon, and looked a sullen dog enough when Austin entered his cell. He was surprised at the end of half-an-hour to find himself engaged in man-to-man conversation with a gentleman and a Christian. When Austin rose to go Tom begged permission to shake his hand.
“Take and tell young master up at the Abbey that I an’t the chap to peach. He’ll know. He’s a young gentleman as’ll make any man do as he wants ‘em! He’s a mortal wild young gentleman! And I’m a Ass! That’s where ‘tis. But I an’t a blackguard. Tell him that, sir!”
This was how it came that Austin eyed young Richard seriously while he told the news at Raynham. The boy was shy of Austin more than of Adrian. Why, he did not know; but he made it a hard task for Austin to catch him alone, and turned sulky that instant. Austin was not clever like Adrian: he seldom divined other people’s ideas, and always went the direct road to his object; so instead of beating about and setting the boy on the alert at all points, crammed to the muzzle with lies, he just said, “Tom Bakewell told me to let you know he does not intend to peach on you,” and left him.
Richard repeated the intelligence to Ripton, who cried aloud that Tom was a brick.
“He shan’t suffer for it,” said Richard, and pondered on a thicker rope and sharper file.
“But will your cousin tell?” was Ripton’s reflection.
“He!” Richard’s lip expressed contempt. “A ploughman refuses to peach, and you ask if one of our family will?”
Ripton stood for the twentieth time reproved on this point.
The boys had examined the outer walls of the jail, and arrived at the conclusion that Tom’s escape might be managed if Tom had spirit, and the rope and file could be anyway reached to him. But to do this, somebody must gain admittance to his cell, and who was to be taken into their confidence?
“Try your cousin,” Ripton suggested, after much debate.
Richard, smiling, wished to know if he meant Adrian.
“No, no!” Ripton hurriedly reassured him. “Austin.”
The same idea was knocking at Richard’s head.
“Let’s get the rope and file first,” said he, and to Bursley they went for those implements to defeat the law, Ripton procuring the file at one shop and Richard the rope at another, with such masterly cunning did they lay their measures for the avoidance of every possible chance of detection. And better to assure this, in a wood outside Bursley Richard stripped to his shirt and wound the rope round his body, tasting the tortures of anchorites and penitential friars, that nothing should be risked to make Tom’s escape a certainty. Sir Austin saw the marks at night as his son lay asleep, through the half-opened folds of his bed-gown.
It was a severe stroke when, after all their stratagems and trouble, Austin Wentworth refused the office the boys had zealously designed for him. Time pressed. In a few days poor Tom would have to face the redoubtable Sir Miles, and get committed, for rumours of overwhelming evidence to convict him were rife about Lobourne, and Farmer Blaize’s wrath was unappeasable. Again and again young Richard begged his cousin not to see him disgraced, and to help him in this extremity. Austin smiled on him.
“My dear Ricky,” said he, “there are two ways of getting out of a scrape: a long way and a short way. When you’ve tried the roundabout method, and failed, come to me, and I’ll show you the straight route.”
Richard was too entirely bent upon the roundabout method to consider this advice more than empty words, and only ground his teeth at Austin’s unkind refusal.
He imparted to Ripton, at the eleventh hour, that they must do it themselves, to which Ripton heavily assented.
On the day preceding poor Tom’s doomed appearance before the magistrate, Dame Bakewell had an interview with Austin, who went to Raynham immediately, and sought Adrian’s counsel upon what was to be done. Homeric laughter and nothing else could be got out of Adrian when he heard of the doings of these desperate boys: how they had entered Dame Bakewell’s smallest of retail shops, and purchased tea, sugar, candles, and comfits of every description, till the shop was clear of customers: how they had then hurried her into her little back-parlour, where Richard had torn open his shirt and revealed the coils of rope, and Ripton displayed the point of a file from a serpentine recess in his jacket: how they had then told the astonished woman that the rope she saw and the file she saw were instruments for the liberation of her son; that there existed no other means on earth to save him, they, the boys, having unsuccessfully attempted all: how upon that Richard had tried with the utmost earnestness to persuade her to disrobe and wind the rope round her own person: and Ripton had aired his eloquence to induce her to secrete the file: how, when she resolutely objected to the rope, both boys began backing the file, and in an evil hour, she feared, said Dame Bakewell, she had rewarded the gracious permission given her by Sir Miles Papworth to visit her son, by tempting Tom to file the Law. Though, thanks be to the Lord! Dame Bakewell added, Tom had turned up his nose at the file, and so she had told young Master Richard, who swore very bad for a young gentleman.
“Boys are like monkeys,” remarked Adrian, at the close of his explosions, “the gravest actors of farcical nonsense that the world possesses. May I never be where there are no boys! A couple of boys left to themselves will furnish richer fun than any troop of trained comedians. No: no Art arrives at the artlessness of nature in matters of comedy. You can’t simulate the ape. Your antics are dull. They haven’t the charming inconsequence of the natural animal. Lack at these two! Think of the shifts they are put to all day long! They know I know all about it, and yet their serenity of innocence is all but unruffled in my presence. You’re sorry to think about the end of the business, Austin? So am I! I dread the idea of the curtain going down. Besides, it will do Ricky a world of good. A practical lesson is the best lesson.”
“Sinks deepest,” said Austin, “but whether he learns good or evil from it is the question at stake.”
Adrian stretched his length at ease.
“This will be his first nibble at experience, old Time’s fruit, hateful to the palate of youth! for which season only hath it any nourishment! Experience! You know Coleridge’s capital simile?—Mournful you call it? Well! all wisdom is mournful. ‘Tis therefore, coz, that the wise do love the Comic Muse. Their own high food would kill them. You shall find great poets, rare philosophers, night after night on the broad grin before a row of yellow lights and mouthing masks. Why? Because all’s dark at home. The stage is the pastime of great minds. That’s how it comes that the stage is now down. An age of rampant little minds, my dear Austin! How I hate that cant of yours about an Age of Work—you, and your Mortons, and your parsons Brawnley, rank radicals all of you, base materialists! What does Diaper Sandoe sing of your Age of Work? Listen!
‘An Age of betty tit for tat,
An Age of busy gabble:
An Age that’s like a brewer’s vat,
Fermenting for the rabble!
‘An Age that’s chaste in Love, but lax
To virtuous abuses:
