THE VAGUE TO THE INFINITELY LITTLE
The fair dealing with readers demands of us, that a narrative shall not proceed at slower pace than legs of a man in motion; and we are still but little more than midway across London Bridge. But if a man's mind is to be taken as a part of him, the likening of it, at an introduction, to an army on the opening march of a great campaign, should plead excuses for tardy forward movements, in consideration of the large amount of matter you have to review before you can at all imagine yourselves to have made his acquaintance. This it is not necessary to do when you are set astride the enchanted horse of the Tale, which leaves the man's mind at home while he performs the deeds befitting him: he can indeed be rapid. Whether more active, is a question asking for your notions of the governing element in the composition of man, and of hid present business here. The Tale inspirits one's earlier ardours, when we sped without baggage, when the Impossible was wings to imagination, and heroic sculpture the simplest act of the chisel. It does not advance, 'tis true; it drives the whirligig circle round and round the single existing central point; but it is enriched with applause of the boys and girls of both ages in this land; and all the English critics heap their honours on its brave old Simplicity: our national literary flag, which signalizes us while we float, subsequently to flap above the shallows. One may sigh for it. An ill-fortuned minstrel who has by fateful direction been brought to see with distinctness, that man is not as much comprised in external features as the monkey, will be devoted to the task of the fuller portraiture.
After his ineffectual catching at the volatile idea, Mr. Radnor found repose in thoughts of his daughter and her dear mother. They had begged him to put on an overcoat this day of bitter wind, or a silken kerchief for the throat. Faithful to the Spring, it had been his habit since boyhood to show upon his person something of the hue of the vernal month, the white of the daisied meadow, and although he owned a light overcoat to dangle from shoulders at the Opera crush, he declined to wear it for protection. His gesture of shaking and expanding whenever the tender request was urged on him, signified a physical opposition to the control of garments. Mechanically now, while doating in fancy over the couple beseeching him, he loosened the button across his defaced waistcoat, exposed a large measure of chest to flaws of a wind barbed on Norwegian peaks by the brewers of cough and catarrh—horrid women of the whistling clouts, in the pay of our doctors. He braved them; he starved the profession. He was that man in fifty thousand who despises hostile elements and goes unpunished, calmly erect among a sneezing and tumbled host, as a lighthouse overhead of breezy fleets. The coursing of his blood was by comparison electrical; he had not the sensation of cold, other than that of an effort of the elements to arouse him; and so quick was he, through this fine animation, to feel, think, act, that the three successive tributaries of conduct appeared as an irreflective flash and a gamester's daring in the vein to men who had no deep knowledge of him and his lightning arithmetic for measuring, sounding, and deciding.
Naturally he was among the happiest of human creatures; he willed it so, with consent of circumstances; a boisterous consent, as when votes are reckoned for a favourite candidate: excepting on the part of a small band of black dissentients in a corner, a minute opaque body, devilish in their irreconcilability, who maintain their struggle to provoke discord, with a cry disclosing the one error of his youth, the sole bad step chargeable upon his antecedents. But do we listen to them? Shall we not have them turned out? He gives the sign for it; and he leaves his buoying constituents to outroar them: and he tells a friend that it was not, as one may say, an error, although an erratic step: but let us explain to our bosom friend; it was a step quite unregretted, gloried in; a step deliberately marked, to be done again, were the time renewed: it was a step necessitated (emphatically) by a false preceding step; and having youth to plead for it, in the first instance, youth and ignorance; and secondly, and O how deeply truly! Love. Deep true love, proved by years, is the advocate.
He tells himself at the same time, after lending ear to the advocate's exordium and a favourite sentence, that, judged by the Powers (to them only can he expose the whole skeleton-cupboard of the case), judged by those clear-sighted Powers, he is exonerated.
To be exonerated by those awful Powers, is to be approved.
As to that, there is no doubt: whom they, all-seeing, discerning as they do, acquit they justify.
Whom they justify, they compliment.
They, seeing all the facts, are not unintelligent of distinctions, as the world is.
What, to them, is the spot of the error?—admitting it as an error. They know it for a thing of convention, not of Nature. We stand forth to plead it in proof of an adherence to Nature's laws: we affirm, that far from a defilement, it is an illumination and stamp of nobility. On the beloved who shares it with us, it is a stamp of the highest nobility. Our world has many ways for signifying its displeasure, but it cannot brand an angel.
This was another favourite sentence of Love's grand oration for the defence. So seductive was it to the Powers who sat in judgement on the case, that they all, when the sentence came, turned eyes upon the angel, and they smiled.
They do not smile on the condemnable.
She, then, were he rebuked, would have strength to uplift him. And who, calling her his own, could be placed in second rank among the blissful!
Mr. Radnor could rationally say that he was made for happiness; he flew to it, he breathed, dispensed it. How conceive the clear-sighted celestial Powers as opposing his claim to that estate? Not they. He knew, for he had them safe in the locked chamber of his breast, to yield him subservient responses. The world, or Puritanic members of it, had pushed him to the trial once or twice—or had put on an air of doing so; creating a temporary disturbance, ending in a merry duet with his daughter Nesta Victoria: a glorious trio when her mother Natalia, sweet lily that she was, shook the rainwater from her cup and followed the good example to shine in the sun.
He had a secret for them.
Nesta's promising soprano, and her mother's contralto, and his baritone —a true baritone, not so well trained as their accurate notes—should be rising in spirited union with the curtain of that secret: there was matter for song and concert, triumph and gratulation in it. And during the whole passage of the bridge, he had not once cast thought on a secret so palpitating, the cause of the morning's expedition and a long year's prospect of the present day! It seemed to have been knocked clean out of it—punctilioed out, Fenellan might say. Nor had any combinations upon the theme of business displaced it. Just before the fall, the whole drama of the unfolding of that secret was brilliant to his eyes as a scene on a stage.
He refused to feel any sensible bruise on his head, with the admission that he perhaps might think he felt one which was virtually no more than the feeling of a thought;—what his friend Dr. Peter Yatt would define as feeling a rotifer astir in the curative compartment of a homoeopathic globule: and a playful fancy may do that or anything. Only, Sanity does not allow the infinitely little to disturb us.
Mr. Radnor had a quaint experience of the effects of the infinitely little while threading his way to a haberdasher's shop for new white waistcoats. Under the shadow of the representative statue of City Corporations and London's majesty, the figure of Royalty, worshipful in its marbled redundancy, fronting the bridge, on the slope where the seas of fish and fruit below throw up a thin line of their drift, he stood contemplating the not unamiable, reposefully-jolly, Guelphic countenance, from the loose jowl to the bent knee, as if it were a novelty to him; unwilling to trust himself to the roadway he had often traversed, equally careful that his hesitation should not be seen. A trifle more impressible, he might have imagined the smoky figure and magnum of pursiness barring the City against him. He could have laughed aloud at the hypocrisy behind his quiet look of provincial wonderment at London's sculptor's art; and he was partly tickled as well by the singular fit of timidity enchaining him. Cart, omnibus, cab, van, barrow, donkey-tray, went by in strings, broken here and there, and he could not induce his legs to take advantage of the gaps; he listened to
