her indignation, save that the words were tumbling about in her head like a world in disruption, which made her feel a weakness at the same time that she gloated on her capacity, as though she had an enormous army, quite overwhelming if it could but be got to move in advance. This very common condition of the silent-stricken, unused in dialectics, heightened Rosamund’s disgust by causing her to suppose that Nevil had been similarly silenced, in his case vanquished, captured, ruined; and he dwindled in her estimation for a moment or two. She felt that among a sisterhood of gossips she would soon have found her voice, and struck down the demagogue’s audacious sophisms: not that they affected her in the slightest degree for her own sake.
Shrapnel might think what he liked, and say what he liked, as far as she was concerned, apart from the man she loved. Rosamund went through these emotions altogether on Nevil’s behalf, and longed for her affirmatizing inspiring sisterhood until the thought of them threw another shade on him.
What champion was she to look to? To whom but to Mr. Everard Romfrey?
It was with a spasm of delighted reflection that she hit on Mr. Romfrey. He was like a discovery to her. With his strength and skill, his robust common sense and rough shrewd wit, his prompt comparisons, his chivalry, his love of combat, his old knightly blood, was not he a match, and an overmatch, for the ramping Radical who had tangled Nevil in his rough snares? She ran her mind over Mr. Romfrey’s virtues, down even to his towering height and breadth. Could she but once draw these two giants into collision in Nevil’s presence, she was sure it would save him. The method of doing it she did not stop to consider: she enjoyed her triumph in the idea.
Meantime she had passed from Dr. Shrapnel to Miss Denham, and carried on a conversation becomingly.
Tea had been made in the garden, and she had politely sipped half a cup, which involved no step inside the guilty house, and therefore no distress to her antagonism. The sun descended. She heard the doctor reciting. Could it be poetry? In her imagination the sombre hues surrounding an incendiary opposed that bright spirit. She listened, smiling incredulously. Miss Denham could interpret looks, and said, ‘Dr. Shrapnel is very fond of those verses.’
Rosamund’s astonishment caused her to say, ‘Are they his own?’—a piece of satiric innocency at which Miss Denham laughed softly as she answered, ‘No.’
Rosamund pleaded that she had not heard them with any distinctness.
‘Are they written by the gentleman at his side?’
‘Mr. Lydiard? No. He writes, but the verses are not his.’
‘Does he know—has he met Captain Beauchamp?’
‘Yes, once. Captain Beauchamp has taken a great liking to his works.’
Rosamund closed her eyes, feeling that she was in a nest that had determined to appropriate Nevil. But at any rate there was the hope and the probability that this Mr. Lydiard of the pen had taken a long start of Nevil in the heart of Miss Denham: and struggling to be candid, to ensure some meditative satisfaction, Rosamund admitted to herself that the girl did not appear to be one of the wanton giddy-pated pusses who play two gentlemen or more on their line. Appearances, however, could be deceptive: never pretend to know a girl by her face, was one of Rosamund’s maxims.
She was next informed of Dr. Shrapnel’s partiality for music toward the hour of sunset. Miss Denham mentioned it, and the doctor, presently sauntering up, invited Rosamund to a seat on a bench near the open window of the drawing-room. He nodded to his ward to go in.
‘I am a fire-worshipper, ma’am,’ he said. ‘The God of day is the father of poetry, medicine, music: our best friend. See him there! My Jenny will spin a thread from us to him over the millions of miles, with one touch of the chords, as quick as he shoots a beam on us. Ay! on her wretched tinkler called a piano, which tries at the whole orchestra and murders every instrument in the attempt. But it’s convenient, like our modern civilization—a taming and a diminishing of individuals for an insipid harmony!’
‘You surely do not object to the organ?—I fear I cannot wait, though,’ said Rosamund.
Miss Denham entreated her. ‘Oh! do, madam. Not to hear me—I am not so perfect a player that I should wish it—but to see him. Captain Beauchamp may now be coming at any instant.’
Mr. Lydiard added, ‘I have an appointment with him here for this evening.’
‘You build a cathedral of sound in the organ,’ said Dr. Shrapnel, casting out a league of leg as he sat beside his only half-persuaded fretful guest. ‘You subject the winds to serve you; that’s a gain. You do actually accomplish a resonant imitation of the various instruments; they sing out as your two hands command them—trumpet, flute, dulcimer, hautboy, drum, storm, earthquake, ethereal quire; you have them at your option. But tell me of an organ in the open air? The sublimity would vanish, ma’am, both from the notes and from the structure, because accessories and circumstances produce its chief effects. Say that an organ is a despotism, just as your piano is the Constitutional bourgeois. Match them with the trained orchestral band of skilled individual performers, indoors or out, where each grasps his instrument, and each relies on his fellow with confidence, and an unrivalled concord comes of it. That is our republic each one to his work; all in union! There’s the motto for us! Then you have music, harmony, the highest, fullest, finest! Educate your men to form a band, you shame dexterous trickery and imitation sounds. Then for the difference of real instruments from clever shams! Oh, ay, one will set your organ going; that is, one in front, with his couple of panting air-pumpers behind—his ministers!’ Dr. Shrapnel laughed at some undefined mental image, apparently careless of any laughing companionship. ‘One will do it for you, especially if he’s born to do it. Born!’ A slap of the knee reported what seemed to be an immensely contemptuous sentiment. ‘But free mouths blowing into brass and wood, ma’am, beat your bellows and your whifflers; your artificial choruses—crash, crash! your unanimous plebiscitums! Beat them? There’s no contest: we’re in another world; we’re in the sun’s world,—yonder!’
Miss Denham’s opening notes on the despised piano put a curb on the doctor. She began a Mass of Mozart’s, without the usual preliminary rattle of the keys, as of a crier announcing a performance, straight to her task, for which Rosamund thanked her, liking that kind of composed simplicity: she thanked her more for cutting short the doctor’s fanatical nonsense. It was perceptible to her that a species of mad metaphor had been wriggling and tearing its passage through a thorn-bush in his discourse, with the furious urgency of a sheep in a panic; but where the ostensible subject ended and the metaphor commenced, and which was which at the conclusion, she found it difficult to discern—much as the sheep would, be when he had left his fleece behind him. She could now have said, ‘Silly old man!’
Dr. Shrapnel appeared most placable. He was gazing at his Authority in the heavens, tangled among gold clouds and purple; his head bent acutely on one side, and his eyes upturned in dim speculation. His great feet planted on their heels faced him, suggesting the stocks; his arms hung loose. Full many a hero of the alehouse, anciently amenable to leg-and-foot imprisonment in the grip of the parish, has presented as respectable an air. His forelock straggled as it willed.
Rosamund rose abruptly as soon as the terminating notes of the Mass had been struck.
Dr. Shrapnel seemed to be concluding his devotions before he followed her example.
‘There, ma’am, you have a telegraphic system for the soul,’ he said. ‘It is harder work to travel from this place to this’ (he pointed at ear and breast) ‘than from here to yonder’ (a similar indication traversed the distance between earth and sun). ‘Man’s aim has hitherto been to keep men from having a soul for this world: he takes it for something infernal. He?—I mean, they that hold power. They shudder to think the conservatism
