The message savoured strongly of Mrs. Chump. It was wickedly clever. Arabella resolved to put it by; but morning after morning she saw her father's anxiety for the reply mounting to a pitch of fever. She consulted with Cornelia, who said, "No; never do such a thing!" and subsequently, with a fainter firmness, repeated the negative monosyllable. Arabella, in her wretchedness, became endued with remorseless discernment. "It means that Cornelia would never do it herself," she thought; and, comforted haply by reflecting that for their common good she could do it, she did it. She repeated an Irish message. Her father calmed immediately, making her speak it over twice. He smiled, and blinked his bird's-eyes pleasurably: "Ah! that's Martha," he said, and fell into a state of comparative repose. For some hours a sensation of bubbling hot-water remained about the sera of Arabella. Happily Mrs. Chump in person did not write.
A correspondence now commenced between the fictitious Mrs. Chump on sea and Mr. Pole, dyspeptic, in his armchair. Arabella took the doctor aside to ask him, if in a hypothetical instance, it would really be dangerous to thwart or irritate her father. She asked the curate if he deemed it wicked to speak falsely to an invalid for the invalid's benefit. The spiritual and bodily doctors agreed that occasion altered and necessity justified certain acts. So far there was comfort. But the task of assisting in this correspondence, and yet more, the contemplation of Adela's growing delight in it (she would now use Irish words, vulgar words, words expressive of physical facts; airing her natural wit in Irish as if she had found a new weapon), became a bitter strain on Arabella's mind, and she was compelled to make Cornelia take her share of the burden. "But I cannot conceal—I cannot feign," said Cornelia. Arabella looked at her, whom she knew to be feigning, thinking, "Must I lose my high esteem of both my sisters?" Action alone saved her from denuding herself of this garment."
"That night!" was now the allusion to the scene at Besworth. It stood for all the misery they suffered; nor could they see that they had since made any of their own.
A letter with the Dover postmark brought exciting news.
A debate had been held on board the yacht. Wilfrid and Lady Charlotte gave their votes for the Devon coast. All were ready to be off, when Miss Ford received a telegram from shore, and said, "No; it must be Dover." Now, Mrs. Chump's villa was on the Devon coast. Lady Charlotte had talked to Wilfrid about her, and in the simplest language had said that she must be got on board. This was the reason of their deciding for Devon. But Georgiana stood for Dover; thither Merthyr said that he must go, whether be sailed or went on land. By a simultaneous reading of Georgiana's eyes, both Wilfrid and Lady Charlotte saw what was meant by her decision. Wilfrid at once affected to give way, half-protestingly. "And this," wrote Adela, "taught me that he was well pleased to abandon the West for the East. Lady C. favoured him with a look such as I could not have believed I should ever behold off the stage. There was a perfect dagger in her eyes. She fought against Dover: do men feel such compliments as these? They are the only true ones! She called the captain to witness that the wind was not for Dover she called the mate: she was really eloquent—yes, and handsome. I think Wilfrid thought so; or the reason far the opposition to Dover impressed my brother. I like him to be made to look foolish, for then he retrieves his character so dashingly—always. His face was red, and he seemed undecided—was—until one taunt (it must have been a taunt), roused him up. They exchanged about six sentences—these two. I cannot remember them, unhappily; but for neatness and irony, never was anything so delicious heard. They came sharp as fencing-thrusts; and you could really believe, if you liked, that they were merely stating grounds for diverse opinions. Of course we sailed East, reaching Dover at ten; and the story is this—I knew Emilia was in it:—Tracy Runningbrook had been stationed at Dover ten days by Miss Ford, to intercept Emilia's father, if he should be found taking her to the Continent by that route. He waited, and met them at last on the Esplanade. He telegraphed to Miss Ford and a Signor Marini (we were wrong in not adding illustrious exiles to our list), while he invited them to dine, and detained them till the steamboat was starting; and Signor Marini came down by rail in a great hurry, and would not let Emilia be taken away. There was a quarrel; but, by some mysterious power that he possesses, this Signor Marini actually prevented the father from taking his child. Mysterious? But is anything more mysterious than Emilia's influence? I cannot forget what she was ere we trained her; and when I think that we seem to be all—all who come near her—connected with her fortunes! Explain it if you can. I know it is not her singing; I know it is not her looks. Captivations she does not deal in. Is it the magic of indifference? No; for then some one whom you know and who longs to kiss her bella Bella now would be dangerous! She is very little so, believe me!
"Emilia is (am I chronicling a princess?)—she is in London with Signor Marini; and Wilfrid has not seen her. Lady Charlotte managed to get the first boat full, and pushed off as he was about to descend. I pitied his poor trembling hand I went on shore in the second boat with him. We did not find the others for an hour, when we heard that Emilia had gone with Signor M. The next day, whom should we sea but Mr. Pericles. "He (I have never seen him so civil)—he shook Wilfrid by the hand almost like an Englishman; and Wilfrid too, though he detests him, was civil to him, and even laughed when he said: 'Here it is dull; ze Continent for a week. I follow Philomela—ze nightingales." I was just going to say, 'Well then, you are running away from one.' Wilfrid pressed my fingers, and taught me to be still; and I did not know why till I reflected. Poor Mr. Pericles, seeing him friendly for the first time, rubbed his hands and it was most painful to me to see him shake hands with Wilfrid again and again, till he was on board the vessel chuckling. Wilfrid suddenly laughed with all his might—a cruel laugh; and Mr. Pericles tried to be as loud, but commenced coughing and tapping his chest, to explain that his intention was good. Bella! the passion of love must be judged by the person who inspires it; and I cannot even go so far as to feel pity for Wilfrid if he has stooped to the humiliation of—there is another way of regarding it, know. Let him be sincere and noble; but not his own victim. He scarcely holds up his head. We are now for Devon. Tracy is with us; and we never did a wiser thing than when we decided to patronize poets. If kept in order—under—they are the aristocracy of light conversationalists. Adieu! We speed for beautiful Devon. 'Me love to Pole, and I'm just,' etc. That will do this time; next, she will speak herself. That I should wish it! But the world is full of change, as I begin to learn. What will ensue?"
CHAPTER XXXV
When Mrs. Chump had turned her back on Brookfield, the feelings of the outcast woman were too deep for much distinctly acrimonious sensation toward the ladies; but their letters soon lifted and revived her, until, being in a proper condition of prickly wrath, she sat down to compose a reply that should bury them under a mountain of shame. The point, however, was to transfer this mountain from her bosom, which laboured heavily beneath it, to their heads. Nothing could appear simpler. Here is the mountain; the heads are yonder. Accordingly, she prepared to commence. In a moment the difficulty yawned monstrous. For the mountain she felt was not a mountain of shame; yet that was the character of mountain she wished to cast. If she crushed them, her reputation as a forgiving soul might suffer: she could not pardon without seeing them abased. Thus shaken at starting, she found herself writing: "I know that your father has been hearing tales told of me, or he would have written, and he has not; so you shall never see me, not if you cried to me from the next world—the hot part."
Perusing this, it was too tremendous. "Oh, that's awful!" she said, getting her body a little away from the manuscript. "Ye couldn't curse much louder."
A fresh trial found her again rounding the fact that Mr. Pole had not written to her, and again flying into consequent angers. She had some dim conception of the sculpture of an offended Goddess. "I look so," she said before the glass "I'm above ye, and ye can't hurt me, and don't come anigh me: but here's a cheque—and may ye be haunted in your dreams!—but here's a cheque."
There was pain in her heart, for she had felt faith in Mr. Pole's affection for her. "And he said," she cried out in her lonely room—"he said, 'Martha, ye've onnly to come and be known to 'm, and then they'll take to the ideea.' And wasn't I a patient creature! And it's Pole that's turned—Pole!"
Varied with the frequent 'Oh!' and 'Augh!' these dramatic monologues
