was not difficult, alack! Letters of a lover in an extremity of love, crying for help, are as curious to cool strong men as the contortions of the proved heterodox tied to a stake must have been to their chastening ecclesiastical judges. Why go to the fire when a recantation will save you from it? Why not break the excruciating faggot-bands, and escape, when you have only to decide to do it? We naturally ask why. Those martyrs of love or religion are madmen. Altogether, Nevil's adjurations and supplications, his threats of wrath and appeals to reason, were an odd mixture. 'He won't lose a chance while there's breath in his body,' Everard said, quite good-humouredly, though he deplored that the chance for the fellow to make his hero-parade in society, and haply catch an heiress, was waning. There was an heiress at Steynham, on her way with her father to Italy, very anxious to see her old friend Nevil—Cecilia Halkett—and very inquisitive this young lady of sixteen was to know the cause of his absence. She heard of it from Cecil.
'And one morning last week mademoiselle was running away with him, and the next morning she was married to her marquis!'
Cecil was able to tell her that.
'I used to be so fond of him,' said the ingenuous young lady. She had to thank Nevil for a Circassian dress and pearls, which he had sent to her by the hands of Mrs. Culling—a pretty present to a girl in the nursery, she thought, and in fact she chose to be a little wounded by the cause of his absence.
'He's a good creature-really,' Cecil spoke on his cousin's behalf.
'Mad; he always will be mad. A dear old savage; always amuses me.
He does! I get half my entertainment from him.'
Captain Baskelett was gifted with the art, which is a fine and a precious one, of priceless value in society, and not wanting a benediction upon it in our elegant literature, namely, the art of stripping his fellow-man and so posturing him as to make every movement of the comical wretch puppet-like, constrained, stiff, and foolish. He could present you heroical actions in that fashion; for example:
'A long-shanked trooper, bearing the name of John Thomas Drew, was crawling along under fire of the batteries. Out pops old Nevil, tries to get the man on his back. It won't do. Nevil insists that it's exactly one of the cases that ought to be, and they remain arguing about it like a pair of nine-pins while the Muscovites are at work with the bowls. Very well. Let me tell you my story. It's perfectly true, I give you my word. So Nevil tries to horse Drew, and Drew proposes to horse Nevil, as at school. Then Drew offers a compromise. He would much rather have crawled on, you know, and allowed the shot to pass over his head; but he's a Briton, old Nevil the same; but old Nevil's peculiarity is that, as you are aware, he hates a compromise—won't have it—retro Sathanas! and Drew's proposal to take his arm instead of being carried pickaback disgusts old Nevil. Still it won't do to stop where they are, like the cocoa-nut and the pincushion of our friends, the gipsies, on the downs: so they take arms and commence the journey home, resembling the best of friends on the evening of a holiday in our native clime—two steps to the right, half-a-dozen to the left, etcaetera.'
Thus, with scarce a variation from the facts, with but a flowery chaplet cast on a truthful narrative, as it were, Captain Baskelett could render ludicrous that which in other quarters had obtained honourable mention. Nevil and Drew being knocked down by the wind of a ball near the battery, 'Confound it!' cries Nevil, jumping on his feet, 'it's because I consented to a compromise!'—a transparent piece of fiction this, but so in harmony with the character stripped naked for us that it is accepted. Imagine Nevil's love-affair in such hands! Recovering from a fever, Nevil sees a pretty French girl in a gondola, and immediately thinks, 'By jingo, I'm marriageable.' He hears she is engaged. 'By jingo, she's marriageable too.' He goes through a sum in addition, and the total is a couple; so he determines on a marriage. 'You can't get it out of his head; he must be married instantly, and to her, because she is going to marry somebody else. Sticks to her, follows her, will have her, in spite of her father, her marquis, her brother, aunts, cousins, religion, country, and the young woman herself. I assure you, a perfect model of male fidelity! She is married. He is on her track. He knows his time will come; he has only to be handy. You see, old Nevil believes in Providence, is perfectly sure he will one day hear it cry out, "Where's Beauchamp?"—"Here I am!"—"And here's your marquise!"—"I knew I should have her at last," says Nevil, calm as Mont Blanc on a reduced scale.'
The secret of Captain Baskelett's art would seem to be to show the automatic human creature at loggerheads with a necessity that winks at remarkable pretensions, while condemning it perpetually to doll-like action. You look on men from your own elevation as upon a quantity of our little wooden images, unto whom you affix puny characteristics, under restrictions from which they shall not escape, though they attempt it with the enterprising vigour of an extended leg, or a pair of raised arms, or a head awry, or a trick of jumping; and some of them are extraordinarily addicted to these feats; but for all they do the end is the same, for necessity rules, that exactly so, under stress of activity must the doll Nevil, the doll Everard, or the dolliest of dolls, fair woman, behave. The automatic creature is subject to the laws of its construction, you perceive. It can this, it can that, but it cannot leap out of its mechanism. One definition of the art is, humour made easy, and that may be why Cecil Baskelett indulged in it, and why it is popular with those whose humour consists of a readiness to laugh.
The fun between Cecil Baskelett and Mr. Romfrey over the doll Nevil threatened an intimacy and community of sentiment that alarmed Rosamund on behalf of her darling's material prospects. She wrote to him, entreating him to come to Steynham. Nevil Beauchamp replied to her both frankly and shrewdly: 'I shall not pretend that I forgive my uncle Everard, and therefore it is best for me to keep away. Have no fear. The baron likes a man of his own tastes: they may laugh together, if it suits them; he never could be guilty of treachery, and to disinherit me would be that. If I were to become his open enemy to-morrow, I should look on the estates as mine-unless I did anything to make him disrespect me. You will not suppose it likely. I foresee I shall want money. As for Cecil, I give him as much rope as he cares to have. I know very well Everard Romfrey will see where the point of likeness between them stops. I apply for a ship the moment I land.'
To test Nevil's judgement of his uncle, Rosamund ventured on showing this letter to Mr. Romfrey. He read it, and said nothing, but subsequently asked, from time to time, 'Has he got his ship yet?' It assured her that Nevil was not wrong, and dispelled her notion of the vulgar imbroglio of a rich uncle and two thirsty nephews. She was hardly less relieved in reflecting that he could read men so soberly and accurately. The desperation of the youth in love had rendered her one little bit doubtful of the orderliness of his wits. After this she smiled on Cecil's assiduities. Nevil obtained his appointment to a ship bound for the coast of Africa to spy for slavers. He called on his uncle in London, and spent the greater part of the hour's visit with Rosamund; seemed cured of his passion, devoid of rancour, glad of the prospect of a run among the slaving hulls. He and his uncle shook hands manfully, at the full outstretch of their arms, in a way so like them, to Rosamund's thinking—that is, in a way so unlike any other possible couple of men so situated—that the humour of the sight eclipsed all the pleasantries of Captain Baskelett. 'Good-bye, sir,' Nevil said heartily; and Everard Romfrey was not behind-hand with the cordial ring of his 'Good-bye, Nevil'; and upon that they separated. Rosamund would have been willing to speak to her beloved of his false Renee—the Frenchwoman, she termed her, i.e. generically false, needless to name; and one question quivered on her tongue's tip: 'How, when she had promised to fly with you, how could she the very next day step to the altar with him now her husband?' And, if she had spoken it, she would have added, 'Your uncle could not have set his face against you, had you brought her to England.' She felt strongly the mastery Nevil Beauchamp could exercise even over his uncle Everard. But when he was gone, unquestioned, merely caressed, it came to her mind that he had all through insisted on his possession of this particular power, and she accused herself of having wantonly helped to ruin his hope—a matter to be rejoiced at in the abstract; but what suffering she had inflicted on him! To quiet her heart, she persuaded herself that for the future she would never fail to believe in him and second him blindly, as true love should; and contemplating
