Rhoda Fleming. Volume 5. George Meredith
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Against this storm of mingled supplication and shadowy menace, Anthony held out with all outward firmness until, when bidding him to put down his arm, she touched the arm commandingly, and it fell paralyzed.
Rhoda's eyes were not beautiful as they fixed on the object of her quest. In this they were of the character of her mission. She was dealing with an evil thing, and had chosen to act according to her light, and by the counsel of her combative and forceful temper. At each step new difficulties had to be encountered by fresh contrivances; and money now— money alone had become the specific for present use. There was a limitation of her spiritual vision to aught save to money; and the money being bared to her eyes, a frightful gleam of eagerness shot from them. Her hands met Anthony's in a common grasp of the money-bags.
"It's not mine!" Anthony cried, in desperation.
"Whose money is it?" said Rhoda, and caught up her hands as from fire.
"My Lord!" Anthony moaned, "if you don't speak like a Court o' Justice.
Hear yourself!"
"Is the money yours, uncle?"
"It—is," and "isn't" hung in the balance.
"It is not?" Rhoda dressed the question for him in the terror of contemptuous horror.
"It is. I—of course it is; how could it help being mine? My money? Yes. What sort o' thing's that to ask—whether what I've got's mine or yours, or somebody else's? Ha!"
"And you say you are not rich, uncle?"
A charming congratulatory smile was addressed to him, and a shake of the head of tender reproach irresistible to his vanity.
"Rich! with a lot o' calls on me; everybody wantin' to borrow—I'm rich! And now you coming to me! You women can't bring a guess to bear upon the right nature o' money."
"Uncle, you will decide to help me, I know."
She said it with a staggering assurance of manner.
"How do you know?" cried Anthony.
"Why do you carry so much money about with you in bags, uncle?"
"Hear it, my dear." He simulated miser's joy.
"Ain't that music? Talk of operas! Hear that; don't it talk? don't it chink? don't it sing?" He groaned "Oh, Lord!" and fell back.
This transition from a state of intensest rapture to the depths of pain alarmed her.
"Nothing; it's nothing." Anthony anticipated her inquiries. "They bags is so heavy."
"Then why do you carry them about?"
"Perhaps it's heart disease," said Anthony, and grinned, for he knew the soundness of his health.
"You are very pale, uncle."
"Eh? you don't say that?"
"You are awfully white, dear uncle."
"I'll look in the glass," said Anthony. "No, I won't." He sank back in his chair. "Rhoda, we're all sinners, ain't we? All—every man and woman of us, and baby, too. That's a comfort; yes, it is a comfort. It's a tremendous comfort—shuts mouths. I know what you're going to say—some bigger sinners than others. If they're sorry for it, though, what then? They can repent, can't they?"
"They must undo any harm they may have done. Sinners are not to repent only in words, uncle."
"I've been feeling lately," he murmured.
Rhoda expected a miser's confession.
"I've been feeling, the last two or three days," he resumed.
"What, uncle?"
"Sort of taste of a tremendous nice lemon in my mouth, my dear, and liked it, till all of a sudden I swallowed it whole—such a gulp! I felt it just now. I'm all right."
"No, uncle," said Rhoda: "you are not all right: this money makes you miserable. It does; I can see that it does. Now, put those bags in my hands. For a minute, try; it will do you good. Attend to me; it will. Or, let me have them. They are poison to you. You don't want them."
"I don't," cried Anthony. "Upon my soul, I don't. I don't want 'em.
I'd give—it is true, my dear, I don't want 'em. They're poison."
"They're poison to you," said Rhoda; "they're health, they're life to me. I said, 'My uncle Anthony will help me. He is not—I know his heart—he is not a miser.' Are you a miser, uncle?"
Her hand was on one of his bags. It was strenuously withheld: but while she continued speaking, reiterating the word "miser," the hold relaxed. She caught the heavy bag away, startled by its weight.
He perceived the effect produced on her, and cried; "Aha! and I've been carrying two of 'em—two!"
Rhoda panted in her excitement.
"Now, give it up," said he. She returned it. He got it against his breast joylessly, and then bade her to try the weight of the two. She did try them, and Anthony doated on the wonder of her face.
"Uncle, see what riches do! You fear everybody—you think there is no secure place—you have more? Do you carry about all your money?"
"No," he chuckled at her astonishment. "I've…Yes. I've got more of my own." Her widened eyes intoxicated him. "More. I've saved. I've put by. Say, I'm an old sinner. What'd th' old farmer say now? Do you love your uncle Tony? 'Old Ant,' they call me down at—" "The Bank," he was on the point of uttering; but the vision of the Bank lay terrific in his recollection, and, summoned at last, would not be wiped away. The unbearable picture swam blinking through accumulating clouds; remote and minute as the chief scene of our infancy, but commanding him with the present touch of a mighty arm thrown out. "I'm honest," he cried. "I always have been honest. I'm known to be honest. I want no man's money. I've got money of my own. I hate sin. I hate sinners. I'm an honest man. Ask them, down at—Rhoda, my dear! I say, don't you hear me? Rhoda, you think I've a turn for misering. It's a beastly mistake: poor savings, and such a trouble to keep honest when you're poor; and I've done it for years, spite o' temptation 't 'd send lots o' men to the hulks. Safe into my hand, safe out o' my hands! Slip once, and there ain't mercy in men. And you say, 'I had a whirl of my head, and went round, and didn't know where I was for a minute, and forgot the