but they had no pleasure in deception. They had the feminine power of extinguishing things disagreeable, so long as nature or the fates did them no violence. When these forces sent an emissary to confound them, as was clearly the case with Mrs. Chump, they fought. The dreadful creature insisted upon shows of maudlin affection that could not be accorded to her, so that she existed in a condition of preternatural sensitiveness. Among ladies pretending to dignity of life, the horror of acrid complaints alternating with public offers of love from a gross woman, may be pictured in the mind's eye. The absence of Mr. Pole and Wilfrid, which caused Mrs. Chump to chafe at the restraint imposed by the presence of males to whom she might not speak endearingly, and deprived the ladies of proper counsel, and what good may be at times in masculine authority, led to one fierce battle, wherein the great shot was fired on both sides. Mrs. Chump was requested to leave the house: she declined. Interrogated as to whether she remained as an enemy, knowing herself to be so looked upon, she said that she remained to save them from the dangers they invited. Those dangers she named, observing that Mrs. Lupin, their aunt, might know them, but was as liable to be sent to sleep by a fellow with a bag of jokes as a watchdog to be quieted by a bone. The allusion here was to Mrs. Lupin's painful, partially inexcusable, incurable sense of humour, especially when a gleam of it led to the prohibited passages of life. The poor lady was afflicted so keenly that, in instances where one of her sex and position in the social scale is bound to perish rather than let even the shadow of a laugh appear, or any sign of fleshly perception or sympathy peep out, she was seen to be mutely, shockingly, penitentially convulsed: a degrading sight. And albeit repeatedly remonstrated with, she, upon such occasions, invariably turned imploring glances—a sort of frowning entreaty—to the ladies, or to any of her sex present. "Did you not see that? Oh! can you resist it?" she seemed to gasp, as she made those fruitless efforts to drag them to her conscious level. "Sink thou, if thou wilt," was the phrase indicated to her. She had once thought her propensity innocent enough, and enjoyable. Her nieces had almost cured her, by sitting on her, until Mrs. Chump came to make her worst than ever. It is to be feared that Mrs. Chump was beginning to abuse her power over the little colourless lady. We cannot, when we find ourselves possessed of the gift of sending a creature into convulsions, avoid exercising it. Mrs. Lupin was one of the victims of the modern feminine 'ideal.' She was in mind merely a woman; devout and charitable, as her nieces admitted; but radically—what? They did not like to think, or to say, what;—repugnant, seemed to be the word. A woman who consented to perceive the double-meaning, who acknowledged its suggestions of a violation of decency laughable, and who could not restrain laughter, was, in their judgement, righteously a victim. After signal efforts to lift her up, the verdict was that their Aunt Lupin did no credit to her sex. If we conceive a timorous little body of finely-strung nerves, inclined to be gay, and shrewdly apprehensive, but depending for her opinion of herself upon those about her, we shall see that Mrs. Lupin's life was one of sorrow and scourges in the atmosphere of the 'ideal.' Never did nun of the cloister fight such a fight with the flesh, as this poor little woman, that she might not give offence to the Tribunal of the Nice Feelings which leads us to ask, "Is sentimentalism in our modern days taking the place of monasticism to mortify our poor humanity?" The sufferings of the Three of Brookfield under Mrs. Chump was not comparable to Mrs. Lupin's. The good little woman's soul withered at the self- contempt to which her nieces helped her daily. Laughter, far from expanding her heart and invigorating her frame, was a thing that she felt herself to be nourishing as a traitor in her bosom: and the worst was, that it came upon her like a reckless intoxication at times, possessing her as a devil might; and justifying itself, too, and daring to say, "Am I not Nature?" Mrs. Lupin shrank from the remembrance of those moments.
In another age, the scenes between Mrs. Lupin and Mrs. Chump, greatly significant for humanity as they are, will be given without offence on one side or martyrdom on the other. At present, and before our sentimentalists are a concrete, it would be profitless rashness to depict them. When the great shots were fired off (Mrs. Chump being requested to depart, and refusing) Mrs. Lupin fluttered between the belligerents, doing her best to be a medium for the restoration of peace. In repeating Mrs. Chump's remarks, which were rendered purposely strong with Irish spice by that woman, she choked; and when she conveyed to Mrs. Chump the counter-remarks of the ladies, she provoked utterances that almost killed her. A sadder life is not to be imagined. The perpetual irritation of a desire to indulge in her mortal weakness, and listening to the sleepless conscience that kept watch over it; her certainty that it would be better for her to laugh right out, and yet her incapacity to contest the justice of her nieces' rebuke; her struggle to resist Mrs. Chump, which ended in a sensation of secret shameful liking for her—all these warring influences within were seen in her behaviour.
"I have always said," observed Cornelia, "that she labours under a disease." What is more, she had always told Mrs. Lupin as much, and her sisters had echoed her. Three to one in such a case is a severe trial to the reason of solitary one. And Mrs. Lupin's case was peculiar, inasmuch as the more she yielded to Chump-temptation and eased her heart of its load of laughter, the more her heart cried out against her and subscribed to the scorn of her nieces. Mrs. Chump acted a demon's part; she thirsted for Mrs. Lupin that she might worry her. Hitherto she had not known that anything peculiar lodged in her tongue, and with no other person did she think of using it to produce a desired effect; but now the scenes in Brookfield became hideous to the ladies, and not wanting in their trials to the facial muscles of the gentlemen. A significant sign of what the ladies were enduring was, that they ceased to speak of it in their consultations. It is a blank period in the career of young creatures when a fretting wretchedness forces them out of their dreams to action; and it is then that they will do things that, seen from the outside (i.e. in the conduct of others), they would hold to be monstrous, all but impossible. Or how could Cornelia persuade herself, as she certainly persuaded Sir Twickenham and the world about her, that she had a contemplative pleasure in his society? Arabella drew nearer to Edward Buxley, whom she had not treated well, and who, as she might have guessed, had turned his thoughts toward Adela; though clearly without encouragement. Adela indeed said openly to her sisters, with a Gallic ejaculation, "Edward follows me, do you know; and he has adopted a sort of Sicilian-vespers look whenever he meets me with Captain Gambier. I could forgive him if he would draw out a dagger and be quite theatrical; but, behold, we meet, and my bourgeois grunts and stammers, and seems to beg us to believe that he means nothing whatever by his behaviour. Can you convey to his City-intelligence that he is just a trifle ill-bred?"
Now, Arabella had always seen Edward as a thing that was her own, which accounts for the treatment to which, he had been subjected. A quick spur of jealousy—a new sensation—was the origin of her leaning toward Edward; and the plea of saving Adela from annoyance excused and covered it. He, for his part, scarcely concealed his irritation, until a little scented twisted note was put in his hand, which said, "You are as anxious as I can be about our sweet lost Emilia! We believe ourselves to be on her traces." This gave him wonderful comfort. It put Adela in a beautiful fresh light as a devoted benefactress and delicious intriguante. He threw off some of his most telling caricatures at this period. Adela had divined that Captain Gambier suspected his cousin Merthyr Powys of abstracting Emilia, that he might shield her from Mr. Pericles. The Captain confessed it, calmly blushing, and that he was in communication with Miss Georgiana Ford, Mr. Powys's half-sister; about whom Adela was curious, until the Captain ejaculated, "A saint!"—whereat she was satisfied, knowing by instinct that the preference is for sinners. Their meetings usually referred to Emilia; and it was astonishing how willingly the Captain would talk of her. Adela repeated to herself, "This is our mask," and thus she made it the Captain's; for it must be said that the conquering Captain had never felt so full of pity to any girl or woman to whom he fancied he had done damage, as to Emilia. He enjoyed a most thorough belief that she was growing up to perplex him with her love, and he had not consequently attempted to precipitate the measure; but her flight had prematurely perplexed him. In grave debate with the ends of his moustache for a term, he concluded by accusing Merthyr Powys; and with a little feeling of spite not unknown to masculine dignity, he wrote to Merthyr's half-sister—"merely to inquire, being aware that whatever he does you have been consulted on, and the friends of this Miss Belloni are distressed by her absence."
The ladies of Brookfield were accustomed to their father's occasional unpremeditated absences, and neither of them had felt an apprehension which
