each then wrested another shutter away, violently depositing them, as they ran to and fro, in a rack at the corner of the veranda. Added to an extraordinary and unnecessary clattering with their feet, they accompanied their movements with a singular hissing sound, supposed to indicate in one breath the fury of the elements, the bustle of the eager crew, and the wild excitement of the coming conflict. When the last shutter was cleared away, John Milton, with the cry “Man the starboard guns!” dashed into the store, whose floor was marked by the muddy footprints of yesterday’s buyers, seized a broom and began to sweep violently. A cloud of dust arose, into which his companion at once precipitated himself with another broom and a loud BANG! to indicate the somewhat belated sound of cannon. For a few seconds the two boys plied their brooms desperately in that stifling atmosphere, accompanying each long sweep and puff of dust out of the open door with the report of explosions and loud HA’S! of defiance, until not only the store, but the veranda was obscured with a cloud which the morning sun struggled vainly to pierce. In the midst of this tumult and dusty confusion—happily unheard and unsuspected in the secluded domestic interior of the building—a shrill little voice arose from the road.
“Think you’re mighty smart, don’t ye?”
The two naval heroes stopped in their imaginary fury, and, as the dust of conflict cleared away, recognized little Johnny Peters gazing at them with mingled inquisitiveness and envy.
“Guess ye don’t know what happened down the run last night,” he continued impatiently. “‘Lige Curtis got killed, or killed hisself! Blood all over the rock down thar. Seed it, myseff. Dad picked up his six-shooter,—one barrel gone off. My dad was the first to find it out, and he’s bin to Squire Kerby tellin’ him.”
The two companions, albeit burning with curiosity, affected indifference and pre-knowledge.
“Dad sez your father druv ‘Lige outer the store lass night! Dad sez your father’s ‘sponsible. Dad sez your father ez good ez killed him. Dad sez the squire’ll set the constable on your father. Yah!” But here the small insulter incontinently fled, pursued by both the boys. Nevertheless, when he had made good his escape, John Milton showed neither a disposition to take up his former nautical role, nor to follow his companion to visit the sanguinary scene of Elijah’s disappearance. He walked slowly back to the store and continued his work of sweeping and putting in order with an abstracted regularity, and no trace of his former exuberant spirits.
The first one of those instinctive fears which are common to imaginative children, and often assume the functions of premonition, had taken possession of him. The oddity of his father’s manner the evening before, which had only half consciously made its indelible impression on his sensitive fancy, had recurred to him with Johnny Peters’s speech. He had no idea of literally accepting the boy’s charges; he scarcely understood their gravity; but he had a miserable feeling that his father’s anger and excitement last night was because he had been discovered hunting in the dark for that paper of ‘Lige Curtis’s. It WAS ‘Lige Curtis’s paper, for he had seen it lying there. A sudden dreadful conviction came over him that he must never, never let any one know that he had seen his father take up that paper; that he must never admit it, even to HIM. It was not the boy’s first knowledge of that attitude of hypocrisy which the grownup world assumes towards childhood, and in which the innocent victims eventually acquiesce with a Machiavellian subtlety that at last avenges them,—but it was his first knowledge that that hypocrisy might not be so innocent. His father had concealed something from him, because it was not right.
But if childhood does not forget, it seldom broods and is not above being diverted. And the two surveyors—of whose heroic advent in a raft John Milton had only heard that morning with their traveled ways, their strange instruments and stranger talk, captured his fancy. Kept in the background by his sisters when visitors came, as an unpresentable feature in the household, he however managed to linger near the strangers when, in company with Euphemia and Clementina, after breakfast they strolled beneath the sparkling sunlight in the rude garden inclosure along the sloping banks of the creek. It was with the average brother’s supreme contempt that he listened to his sisters’ “practicin’” upon the goodness of these superior beings; it was with an exceptional pity that he regarded the evident admiration of the strangers in return. He felt that in the case of Euphemia, who sometimes evinced a laudable curiosity in his pleasures, and a flattering ignorance of his reading, this might be pardonable; but what any one could find in the useless statuesque Clementina passed his comprehension. Could they not see at once that she was “just that kind of person” who would lie abed in the morning, pretending she was sick, in order to make Phemie do the housework, and make him, John Milton, clean her boots and fetch things for her? Was it not perfectly plain to them that her present sickening politeness was solely with a view to extract from them caramels, rock-candy, and gum drops, which she would meanly keep herself, and perhaps some “buggy-riding” later? Alas, John Milton, it was not! For standing there with her tall, perfectly-proportioned figure outlined against a willow, an elastic branch of which she had drawn down by one curved arm above her head, and on which she leaned—as everybody leaned against something in Sidon—the two young men saw only a straying goddess in a glorified rosebud print. Whether the clearly-cut profile presented to Rice, or the full face that captivated Grant, each suggested possibilities of position, pride, poetry, and passion that astonished while it fascinated them. By one of those instincts known only to the freemasonry of the sex, Euphemia lent herself to this advertisement of her sister’s charms by subtle comparison with her own prettinesses, and thus combined against their common enemy, man.
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