The Danger Mark. Chambers Robert William
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"Well, what?" demanded Geraldine, flushing. "I tell you I can misbehave as well as any boy. Dare me to do anything and you'll see! I dare you to dare me!"
Scott began: "Oh, it's all very easy for a girl to talk–"
"I don't talk; I do it! And you know perfectly well I do!"
"You're a girl, after all, even if you have got on my clothes–"
"Didn't I throw as much dough at Olga and Mrs. Bramton as you did?"
"You didn't hit anybody."
"I did! I saw a soft, horrid lump stick to Olga!"
"Pooh! You can't throw straight–"
"That's a lie!" said Geraldine excitedly.
Scott bristled:
"If you say that again–"
"All right; go and get the boxing-gloves. You did tell a lie, Scott, because I did hit Olga!"
Scott hastily unstrapped his lone skate, cast it clattering from him, and sped up-stairs. When he returned he hurled a pair of boxing-gloves at Geraldine, who put them on, laced them, trembling with wrath, and flew at her brother as soon as his own gloves were fastened.
They went about their business like lightning, swinging, blocking, countering. Twice she gave him inviting openings and then punished him savagely before he could get away; then he attempted in-fighting, but her legs were too nimble. And after a while he lost his head and came at her using sheer weight, which set her beside herself with fury.
Teeth clenched, crimson-cheeked, she side-stepped, feinted, and whipped in an upper-cut. Then, darting in, she drove home her left with all her might; and Scott went down with an unmistakable thud.
"One—two—three—four," she counted, "and you did tell a lie, didn't you? Five—six—Oh, Scott! I've made your nose bleed horridly! Does it hurt, dear? Seven—eight–"
The boy, still confused, rose and instinctively assumed the classic attitude of self-defence; but his sister threw down her gloves and offered him her handkerchief, saying: "You've just got to be fair to me now, Scott. Tell me that I throw straight and that I did hit Olga!"
He hesitated; wiped his nose:
"I take it back. You can throw straight. Ginger! What a crack you just gave me!"
She was all compunction and honey now, hovering around him where he stood stanching honourable wounds. After a while he laughed. "Thunder!" he exclaimed ruefully; "my nose seems to be growing for fair. You're all right, Geraldine."
"Here's my last cup-cake, if you like," said his sister, radiant.
Embarrassed a little by defeat, but nursing no bitterness, he sat down on the leather divan again and permitted his sister to feed him and tell him that his disaster was only an accident. He tried to think so, too, but serious doubts persisted in his mind. There had been a clean-cut finish to that swing and jab which disturbed his boy's conceit.
"We'll try it again," he began. "I'm all right now, if you like–"
"Oh, Scott, I don't want to!"
"Well, we ought to know which of us really can lick the other–"
"Why, of course, you can lick me every time. Besides, I wouldn't want to be able to lick you—except when I'm very, very angry. And I ought not to become angry the way I do. Kathleen tries so hard to make me stop and reflect before I do things, but I can't seem to learn.... Does your nose hurt?"
"Not in the least," said her brother, reddening and changing the subject. "I say, it looks as though it were going to stop raining."
He went to the window; the big Seagrave house with its mansard roof, set in the centre of an entire city block, bounded by Madison and Fifth Avenues and by Ninety-fifth and Ninety-sixth Streets, looked out from its four red brick façades onto strips of lawn and shrubbery, now all green and golden with new grass and early buds.
It was topsy-turvy, March-hare weather, which perhaps accounted for the early April dementia that possessed the children at recurring intervals, and which nothing ever checked except the ultimate slumber of infantile exhaustion.
If anybody in the house possessed authority to punish them, nobody exercised it. Servants grown gray in the Seagrave service endured much, partly for the children's sakes, partly in memory of the past; but the newer and younger domestics had less interest in the past glories and traditions of an old New York family which, except for two little children, ten years old, had perished utterly from the face of the land.
The entire domestic régime was a makeshift—had been almost from the beginning. Mrs. Farren, the housekeeper, understood it; Howker, the butler, knew it; Lacy knew it—he who had served forty years as coachman in the Seagrave family.
For in all the world there remained not one living soul who through ties of kinship was authorised to properly control these children. Nor could they themselves even remember parental authority; and only a shadowy recollection of their grandfather's lax discipline survived, becoming gradually, as time passed, nothing more personal to them than a pleasant legend kept alive and nourished in the carefully guarded stories told them by Kathleen Severn and by Anthony Seagrave's old servants.
Yet, in the land, and in his own city of Manhattan, their grandfather had been a very grand man, with his large fortune, now doubled and still increasing; he had been a very distinguished man in the world of fashion with his cultivated taste in art and wine and letters and horses; he had been a very important man, too, in the civic, social, and political construction of New York town, in the quaint days when the sexton of Old Trinity furnished fashionable hostesses with data concerning the availability of social aspirants. He had been a courtly and fascinating man, too. He had died a drunkard.
Now his grandchildren were fast forgetting him. The town had long since forgotten him. Only an old friend or two and his old servants remembered what he had been, his virtues, his magnificence, his kindness, and his weakness.
But if the Seagrave twins possessed neither father nor mother to exercise tender temporal and spiritual suzerainty in the nursery, and if no memory of their grandfather's adoring authority remained, the last will and testament of Anthony Seagrave had provided a marvellous, man-created substitute for the dead: a vast, shadowy thing which ruled their lives with passionless precision; which ordered their waking hours even to the minutest particulars; which assumed machine-like charge of their persons, their personal expenses, their bringing-up, their schooling, the items of their daily routine.
This colossal automaton, almost terrifyingly impersonal, loomed always above them, throwing its powerful and gigantic shadow across their lives. As they grew old enough to understand, it became to them the embodiment of occult and unpleasant authority which controlled their coming and going; which chose for them their personal but not their legal guardian, Kathleen Severn; which fixed upon the number of servants necessary for the house that Anthony Seagrave directed should be maintained for his grandchildren; which decided what kind of expenses, what sort of clothing, what recreations, what accomplishments, what studies, what religion they should be provided with.
And the name of this enormous man-contrived machine which took the place of father and mother was the Half Moon Trust Company, acting as trustee, guardian, and executor for two little children, who neither understood why they were sometimes very unruly or that