got the oddest girl here," this young lady wrote home. "She hasn't read any book that isn't a thousand years old. One of the girls says she wears a trilobite for a breastpin; some horrid old stone, I believe that is, that was a bug ever so long ago. Her name, she says, is Myrtle Hazard, but I call her Rip Van Myrtle."
Notwithstanding the quiet life which these young girls were compelled to lead, they did once in a while have their gatherings, at which a few young gentlemen were admitted. One of these took place about a month after Myrtle had joined the school. The girls were all in their best, and by and by they were to have a tableau. Myrtle came out in all her force. She dressed herself as nearly as she dared like the handsome woman of the past generation whom she resembled. The very spirit of the dead beauty seemed to animate every feature and every movement of the young girl, whose position in the school was assured from that moment. She had a good solid foundation to build upon in the jealousy of two or three of the leading girls of the style of pretensions illustrated by some of their talk which has been given. There is no possible success without some opposition as a fulcrum: force is always aggressive, and crowds something or other, if it does not hit or trample on it.
The cruelest cut of all was the remark attributed to Mr. Livingston Jenkins, who was what the opposition girls just referred to called the great "swell" among the privileged young gentlemen who were present at the gathering.
"Rip Van Myrtle, you call that handsome girl, do you, Miss Clara? By Jove, she's the stylishest of the whole lot, to say nothing of being a first-class beauty. Of course you know I except one, Miss Clara. If a girl can go to sleep and wake up after twenty years looking like that, I know a good many who had better begin their nap without waiting. If I were Florence Smythe, I'd try it, and begin now,—eh, Clara?"
Miss Browne felt the praise of Myrtle to be slightly alleviated by the depreciation of Miss Smythe, who had long been a rival of her own. A little later in the evening Miss Smythe enjoyed almost precisely the same sensation, produced in a very economical way by Mr. Livingston Jenkins's repeating pretty nearly the same sentiments to her, only with a change in two of the proper names. The two young ladies were left feeling comparatively comfortable with regard to each other, each intending to repeat Mr. Livingston Jenkins's remark about her friend to such of her other friends as enjoyed clever sayings, but not at all comfortable with reference to Myrtle Hazard, who was evidently considered by the leading "swell" of their circle as the most noticeable personage of the assembly. The individual exception in each case did very well as a matter of politeness, but they knew well enough what he meant.
It seemed to Myrtle Hazard, that evening, that she felt the bracelet on her wrist glow with a strange, unaccustomed warmth. It was as if it had just been unclasped from the arm of a young woman full of red blood and tingling all over with swift nerve-currents. Life had never looked to her as it did that evening. It was the swan's first breasting the water,—bred on the desert sand, with vague dreams of lake and river, and strange longings as the mirage came and dissolved, and at length afloat upon the sparkling wave. She felt as if she had for the first time found her destiny. It was to please, and so to command,—to rule with gentle sway in virtue of the royal gift of beauty,—to enchant with the commonest exercise of speech, through the rare quality of a voice which could not help being always gracious and winning, of a manner which came to her as an inheritance of which she had just found the title. She read in the eyes of all that she was more than any other the centre of admiration. Blame her who may, the world was a very splendid vision as it opened before her eyes in its long vista of pleasures and of triumphs. How different the light of these bright saloons from the glimmer of the dim chamber at The Poplars! Silence Withers was at that very moment looking at the portraits of Anne Holyoake and of Judith Pride. "The old picture seems to me to be fading faster than ever," she was thinking. But when she held her lamp before the other, it seemed to her that the picture never was so fresh before, and that the proud smile upon its lips was more full of conscious triumph than she remembered it. A reflex, doubtless, of her own thoughts, for she believed that the martyr was weeping even in heaven over her lost descendant, and that the beauty, changed to the nature of the malignant spiritual company with which she had long consorted in the under-world, was pleasing herself with the thought that Myrtle was in due time to bring her news from the Satanic province overhead, where she herself had so long indulged in the profligacy of embonpoint and loveliness.
The evening at the school-party was to terminate with some tableaux. The girl who had suggested that Myrtle would look "stunning" or "gorgeous" or "jolly," or whatever the expression was, as Pocahontas, was not far out of the way, and it was so evident to the managing heads that she would make a fine appearance in that character, that the "Rescue of Captain John Smith" was specially got up to show her off.
Myrtle had sufficient reason to believe that there was a hint of Indian blood in her veins. It was one of those family legends which some of the members are a little proud of, and others are willing to leave uninvestigated. But with Myrtle it was a fixed belief that she felt perfectly distinct currents of her ancestral blood at intervals, and she had sometimes thought there were instincts and vague recollections which must have come from the old warriors and hunters and their dusky brides. The Indians who visited the neighborhood recognized something of their own race in her dark eyes, as the reader may remember they told the persons who were searching after her. It had almost frightened her sometimes to find how like a wild creature she felt when alone in the woods. Her senses had much of that delicacy for which the red people are noted, and she often thought she could follow the trail of an enemy, if she wished to track one through the forest, as unerringly as if she were a Pequot or a Mohegan.
It was a strange feeling that came over Myrtle, as they dressed her for the part she was to take. Had she never worn that painted robe before? Was it the first time that these strings of wampum had ever rattled upon her neck and arms? And could it be that the plume of eagle's feathers with which they crowned her dark, fast-lengthening locks had never shadowed her forehead until now? She felt herself carried back into the dim ages when the wilderness was yet untrodden save by the feet of its native lords. Think of her wild fancy as we may, she felt as if that dusky woman of her midnight vision on the river were breathing for one hour through her lips. If this belief had lasted, it is plain enough where it would have carried her. But it came into her imagination and vivifying consciousness with the putting on of her unwonted costume, and might well leave her when she put it off. It is not for us, who tell only what happened, to solve these mysteries of the seeming admission of unhoused souls into the fleshly tenements belonging to air-breathing personalities. A very little more, and from that evening forward the question would have been treated in full in all the works on medical jurisprudence published throughout the limits of Christendom. The story must be told, or we should not be honest with the reader.
Tableau 1. Captain John Smith (Miss Euphrosyne de Lacy) was to be represented prostrate and bound, ready for execution; Powhatan (Miss Florence Smythe) sitting upon a log; savages with clubs (Misses Clara Browne, A. Van Boodle, E. Van Boodle, Heister, Booster, etc., etc.) standing around; Pocahontas holding the knife in her hand, ready to cut the cords with which Captain John Smith is bound.—Curtain.
Tableau 2. Captain John Smith released and kneeling before Pocahontas, whose hand is extended in the act of raising him and presenting him to her father. Savages in various attitudes of surprise. Clubs fallen from their hands. Strontian flame to be kindled.—Curtain.
This was a portion of the programme for the evening, as arranged behind the scenes. The first part went off with wonderful éclat, and at its close there were loud cries for Pocahontas. She appeared for a moment. Bouquets were flung to her; and a wreath, which one of the young ladies had expected for herself in another part, was tossed upon the stage, and laid at her feet. The curtain fell.
"Put the wreath on her for the next tableau," some of them whispered, just as the curtain was going to rise, and one of the girls hastened to place it upon her head.
The disappointed young lady could not endure it, and, in a spasm of jealous passion, sprang at Myrtle,
