The Argosy. Vol. 51, No. 5, May, 1891. Various

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The Argosy. Vol. 51, No. 5, May, 1891 - Various

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business!" said the laughing Major. "Why, it was only last night that you were bewailing your lot as being one of those unhappy mortals who have no work to do."

      "To those they love, the gods lend patient hearing. I forget the Latin, but that does not matter just now. What I wish to convey is this—that I need no longer be idle unless I choose. I have found some work to do. Lend me your ears, both of you. About an hour after you, sir, had started for Deepley Walls, I received a note from the editor of the Eastbury Courier, in which he requested me to give him an early call. My curiosity prompted me to look in upon him as soon as breakfast was over. I found that he was brother to the editor of one of the London magazines—a gentleman whom I met one evening at a party in town. The London editor remembered me, and had written to the Eastbury editor to make arrangements with me for writing a series of magazine articles on India and my experiences there during the late mutiny. I need not bore you with details; it is sufficient to say that my objections were talked down one by one; and I left the office committed to a sixteen-page article by the sixth of next month."

      "You an author!" exclaimed the Major. "I should as soon have thought of your enlisting in the Marines."

      "It will only be for a few months, uncle—only till my limited stock of experiences shall be exhausted. After that I shall be relegated to my natural obscurity, doubtless never to emerge again."

      "Hem," said the Major, nervously. "Geordie, my boy, I have by me one or two little poems which I wrote when I was about nineteen—trifles flung off on the inspiration of the moment. Perhaps, when you come to know your friend the editor better than you do now, you might induce him to bring them out—to find an odd corner for them in his magazine. I shouldn't want payment for them, you know. You might just mention that fact; and I assure you that I have seen many worse things than they are in print."

      "What, uncle, you an author! Oh, fie! I should as soon have thought of your wishing to dance on the tight-rope as to appear in print. But we must look over these little effusions—eh, Miss Hope. We must unearth this genius, and be the first to give his lucubrations to the world."

      "If you were younger, sir, or I not quite so old, I would box your ears," said the Major, who seemed hardly to know whether to laugh or be angry. Finally he laughed, George and Janet chimed in, and all three went back indoors.

      After an early dinner the Major took rod and line and set off to capture a few trout for supper. Aunt Félicité took her post-prandial nap discreetly, in an easy-chair, and Captain George and Miss Hope were left to their own devices. In Love's sweet Castle of Indolence the hours that make up a summer afternoon pass like so many minutes. These two had blown the magic horn and had gone in. The gates of brass had closed behind them, shutting them up from the common outer world. Over all things was a glamour as of witchcraft. Soft music filled the air; soft breezes came to them as from fields of amaranth and asphodel. They walked ever in a magic circle, that widened before them as they went. Eros in passing had touched them with his golden dart. Each of them hid the sweet sting from the other, yet neither of them would have been whole again for anything the world could have offered. What need to tell the old story over again—the story of the dawn of love in two young hearts that had never loved before?

      Janet went home that night in a flutter of happiness—a happiness so sweet and strange and yet so vague that she could not have analysed it even had she been casuist enough to try to do so. But she was content to accept the fact as a fact; beyond that she cared nothing. No syllable of love had been spoken between her and George: they had passed what to an outsider would have seemed a very common-place afternoon. They had talked together—not sentiment, but every-day topics of the world around them; they had read together—poetry, but nothing more passionate than "Aurora Leigh;" they had walked together—rather a silent and stupid walk, our friendly outsider would have urged; but if they were content, no one else had any right to complain. And so the day had worn itself away—a red-letter day for ever in the calendar of their young lives.

      CHAPTER XX

THE NARRATIVE OF SERGEANT NICHOLAS

      One morning when Janet had been about three weeks at Deepley Walls, she was summoned to the door by one of the servants, and found there a tall, thin, middle-aged man, dressed in plain clothes, and having all the appearance of a discharged soldier.

      "I have come a long way, miss," he said to Janet, carrying a finger to his forehead, "in order to see Lady Chillington and have a little private talk with her."

      "I am afraid that her ladyship will scarcely see you, unless you can give her some idea of the business that you have called upon."

      "My name, miss, is Sergeant John Nicholas. I served formerly in India, where I was body-servant to her ladyship's son, Captain Charles Chillington, who died there of cholera nearly twenty years ago, and I have something of importance to communicate."

      Janet made the old soldier come in and sit down in the hall while she took his message to Lady Chillington. Her ladyship was not yet up, but was taking her chocolate in bed, with a faded Indian shawl thrown round her shoulders. She began to tremble violently the moment Janet delivered the old soldier's message, and could scarcely set down her cup and saucer. Then she began to cry, and to kiss the hem of the Indian shawl. Janet went softly out of the room and waited. She had never even heard of this Captain Charles Chillington, and yet no mere empty name could have thus affected the stern mistress of Deepley Walls. Those few tears opened up quite a new view of Lady Chillington's character. Janet began to see that there might be elements of tragedy in the old woman's life of which she knew nothing: that many of the moods which seemed to her so strange and inexplicable might be so merely for want of the key by which alone they could be rightly read.

      Presently her ladyship's gong sounded. Janet went back into the room, and found her still sitting up in bed, sipping her chocolate with a steady hand. All traces of tears had vanished: she looked even more stern and repressed than usual.

      "Request the person of whom you spoke to me a while ago to wait," she said. "I will see him at eleven in my private sitting-room."

      So Sergeant Nicholas was sent to get his breakfast in the servants' room, and wait till Lady Chillington was ready to receive him.

      At eleven precisely he was summoned to her ladyship's presence. She received him with stately graciousness, and waved him to a chair a yard or two away. She was dressed for the day in one of her stiff brocaded silks, and sat as upright as a dart, manipulating a small fan. Miss Hope stood close at the back of her chair.

      "So, my good man, I understand that you were acquainted with my son, the late Captain Chillington, who died in India twenty years ago?"

      "I was his body-servant for two years previous to his death."

      "Were you with him when he died?"

      "I was, your ladyship. These fingers closed his eyes."

      The hand that held the fan began to tremble again. She remained silent for a few moments, and by a strong effort overmastered her agitation.

      "You have some communication which you wish to make to me respecting my dead son?"

      "I have, your ladyship. A communication of a very singular kind."

      "Why has it not been made before now?"

      "That your ladyship will learn in the course of what I have to say. But perhaps you will kindly allow me to tell my story my own way."

      "By all means. Pray begin: I am all attention."

      The Sergeant touched his forelock, gave a preliminary cough, fixed his clear grey eye on Lady Chillington, and began his narrative

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