have them ready and fresh in yon watered meadow under the castle. The path down winds easy.’
‘Man!’ cried Farina, ‘what do you take me for?—go you for the horses.’
‘Not for a fool,’ Guy rejoined, tightening his lip; ‘but now is your time to prove yourself one.’
‘With you, or without you, I enter that castle!’
‘Oh! if you want to be served up hot for the Baron’s supper-mess, by all means.’
‘Thunder!’ growled Schwartz Thier, ‘aren’t ye moving?’
The Goshawk beckoned Farina aside.
‘Act as I tell you, or I’m for Cologne.’
‘Traitor!’ muttered the youth.
‘Swearing this, that if we fail, the Baron shall need a leech sooner than a bride.’
‘That stroke must be mine!’
The Goshawk griped the muscle of Farina’s arm till the youth was compelled to slacken it with pain.
‘Could you drive a knife through a six-inch wood-wall? I doubt this wild boar wants a harder hit than many a best man could give. ‘Sblood! obey, sirrah. How shall we keep yon fellow true, if he sees we’re at points?’
‘I yield,’ exclaimed Farina with a fall of the chest; ‘but hear I nothing of you by midnight—Oh! then think not I shall leave another minute to chance. Farewell! haste! Heaven prosper you! You will see her, and die under her eyes. That may be denied to me. What have I done to be refused that last boon?’
‘Gone without breakfast and dinner,’ said Guy in abhorrent tones.
A whistle from the wain, following a noise of the castlegates being flung open, called the Goshawk away, and he slouched his shoulders and strode to do his part, without another word. Farina gazed after him, and dropped into the covert.
THE WATER-LADY
‘Bird of lovers! Voice of the passion of love! Sweet, deep, disaster-toning nightingale!’ sings the old minnesinger; ‘who that has not loved, hearing thee is touched with the wand of love’s mysteries, and yearneth to he knoweth not whom, humbled by overfulness of heart; but who, listening, already loveth, heareth the language he would speak, yet faileth in; feeleth the great tongueless sea of his infinite desires stirred beyond his narrow bosom; is as one stript of wings whom the angels beckon to their silver homes: and he leaneth forward to ascend to them, and is mocked by his effort: then is he of the fallen, and of the fallen would he remain, but that tears lighten him, and through the tears stream jewelled shafts dropt down to him from the sky, precious ladders inlaid with amethyst, sapphire, blended jasper, beryl, rose-ruby, ether of heaven flushed with softened bloom of the insufferable Presences: and lo, the ladders dance, and quiver, and waylay his eyelids, and a second time he is mocked, aspiring: and after the third swoon standeth Hope before him with folded arms, and eyes dry of the delusions of tears, saying, Thou hast seen! thou hast felt! thy strength hath reached in thee so far! now shall I never die in thee!’
‘For surely,’ says the minstrel, ‘Hope is not born of earth, or it were perishable. Rather know her the offspring of that embrace strong love straineth the heavens with. This owe we to thy music, bridal nightingale! And the difference of this celestial spirit from the smirking phantasy of whom all stand soon or late forsaken, is the difference between painted day with its poor ambitious snares, and night lifting its myriad tapers round the throne of the eternal, the prophet stars of everlasting time! And the one dieth, and the other liveth; and the one is unregretted, and the other walketh in thought-spun raiment of divine melancholy; her ears crowded with the pale surges that wrap this shifting shore; in her eyes a shape of beauty floating dimly, that she will not attain this side the water, but broodeth on evermore.
‘Therefore, hold on thy cherished four long notes, which are as the very edge where exultation and anguish melt, meet, and are sharpened to one ecstasy, death-dividing bird! Fill the woods with passionate chuckle and sob, sweet chaplain of the marriage service of a soul with heaven! Pour out thy holy wine of song upon the soft-footed darkness, till, like a priest of the inmost temple, ‘tis drunken with fair intelligences!’
Thus the old minstrels and minnesingers.
Strong and full sang the nightingales that night Farina held watch by the guilty castle that entombed his living beloved. The castle looked itself a denser shade among the moonthrown shadows of rock and tree. The meadow spread like a green courtyard at the castle’s foot. It was of lush deep emerald grass, softly mixed with grey in the moon’s light, and showing like jasper. Where the shadows fell thickest, there was yet a mist of colour. All about ran a brook, and babbled to itself. The spring crocus lifted its head in moist midgrasses of the meadow, rejoiced with freshness. The rugged heights seemed to clasp this one innocent spot as their only garden-treasure; and a bank of hazels hid it from the castle with a lover’s arm.
‘The moon will tell me,’ mused Farina; ‘the moon will signal me the hour! When the moon hangs over the round tower, I shall know ‘tis time to strike.’
The song of the nightingales was a full unceasing throb.
It went like the outcry of one heart from branch to branch. The four long notes, and the short fifth which leads off to that hurried gush of music, gurgling rich with passion, came thick and constant from under the tremulous leaves.
At first Farina had been deaf to them. His heart was in the dungeon with Margarita, or with the Goshawk in his dangers, forming a thousand desperate plans, among the red-hot ploughshares of desperate action. Finally, without a sense of being wooed, it was won. The tenderness of his love then mastered him.
‘God will not suffer that fair head to come to harm!’ he thought, and with the thought a load fell off his breast.
He paced the meadows, and patted the three pasturing steeds. Involuntarily his sight grew on the moon. She went so slowly. She seemed not to move at all. A little wing of vapour flew toward her; it whitened, passed, and the moon was slower than before. Oh! were the heavens delaying their march to look on this iniquity? Again and again he cried, ‘Patience, it is not time!’ He flung himself on the grass. The next moment he climbed the heights, and was peering at the mass of gloom that fronted the sky. It reared such a mailed head of menace, that his heart was seized with a quivering, as though it had been struck. Behind lay scattered some small faint-winkling stars on sapphire fields, and a stain of yellow light was in a breach of one wall.
He descended. What was the Goshawk doing? Was he betrayed? It was surely now time? No; the moon had not yet smitten the face of the castle. He made his way through the hazel-bank among flitting nightmoths, and glanced up to measure the moon’s distance. As he did so, a first touch of silver fell on the hoary flint.
‘Oh, young bird of heaven in that Devil’s clutch!’
Sounds like the baying of boar-hounds alarmed him. They whined into silence.
He fell back. The meadow breathed peace, and more and more the nightingales volumed their notes. As in a charmed circle of palpitating song, he succumbed to languor. The brook rolled beside him fresh as an infant, toying with the moonlight. He leaned over it, and thrice waywardly dipped his hand in the clear translucence.
Was it his own face imaged there?
Farina bent close above an eddy of the water. It whirled with a strange tumult, breaking into lines and lights a face not his own, nor the moon’s; nor was it a reflection. The agitation increased.
