Wisdom, Wit, and Pathos of Ouida. Ouida
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Never is the voluptuous glory of the sun so deep, so rich, as when its last excess of light burns above the purple edge of the tempest-cloud that soars upward to cover and devour it.
"And we reign still!"
She turned, as she spoke, towards the western waters, where the sea-line of the Ægean lay, while in her eyes came the look of a royal pride and of a deathless love.
"Greece cannot die. No matter what the land be now, Greece—our Greece—must live for ever. Her language lives; the children of Europe learn it, even if they halt it in imperfect numbers. The greater the scholar, the humbler he still bends to learn the words of wisdom from her school. The poet comes to her for all his fairest myths, his noblest mysteries, his greatest masters. The sculptor looks at the broken fragments of her statues, and throws aside his calliope in despair before those matchless wrecks. From her soldiers learn how to die, and nations how to conquer and to keep their liberties. No deed of heroism is done but, to crown it, it is named parallel to hers. They write of love, and who forgets the Lesbian? They dream of freedom, and to reach it they remember Salamis. They talk of progress, and while they talk they sigh for all that they have lost in Academus. They seek truth, and while they seek, wearily long, as little children, to hear the golden speech of Socrates, that slave, and fisherman, and sailor, and stonemason, and date-seller were all once free to hear in her Agora. But for the light that shone from Greece in the breaking of the Renaissance, Europe would have perished in its Gothic darkness. They call her dead: she can never die while her life, her soul, her genius breathe fire into the new nations, and give their youth all of greatness and of grace that they can claim. Greece dead! She reigns in every poem written, in every art pursued, in every beauty treasured, in every liberty won, in every god-like life and godlike death, in your fresh lands, which, but for her, would be barbarian now."
Where she stood, with her eyes turned westward to the far-off snows of Cithæron and Mount Ida, and the shores which the bronze spear of Pallas Athene once guarded through the night and day, the dark light in her eyes deepened, and the flush of a superb pride was on her brow—it seemed Aspasia who lived again, and who remembered Pericles.
The chant of the Imaum rang up from the shore, deep and sonorous, calling on the Faithful to prayer, an hour before midnight. She listened dreamily to the echoes that seemed to linger among the dark foliage.
"I like those national calls to prayer," she said, as she leaned over the parapet, while the fire-flies glittered among the mass of leaves as the diamond sprays glistened in her hair. "The Ave Maria, the Vespers, the Imaum's chant, the salutation of the dawn or of the night, the hymn before sleep, or before the sun;—you have none of those in your chill islands? You have only weary rituals, and stuccoed churches, where the 'Pharisees for a pretence make long prayers!' As if that was not the best—the only—temple!"
She glanced upward at the star-studded sky, and on her face was that graver and gentler look which had come there when she sang.
"I have held it so many a time," he answered her, lying awake at night among the long grass of the Andes, or under the palms of the desert. It was a strange delusion to build shrines to the honour of God while there are still his own—the forests and the mountains.
"It was a fair heritage to lose through a feeble vanity—that beautiful Constantinople!" she said musingly. "The East and the West—what an empire! More than Alexander ever grasped at—what might not have been done with it? Asian faith and Oriental sublimity, with Roman power and Gothic force; if there had been a hand strong enough to weld all these together, what a world there might have been!"
"But to have done that would have been to attain the Impossible," he answered her. "Oil and flame, old and new, living and dying, tradition and scepticism, iconoclast and idolater, you cannot unite and harmonise these antagonisms?"
She gave a sign of dissent.
"The prophet or the hero unites all antagonisms, because he binds them all to his own genius. The Byzantine empire had none such; the nearest was Julian, but he believed less in himself than in the gods; the nearest after him was Belisarius—the fool of a courtesan, and he was but a good soldier; he was no teacher, no liberator, no leader for the nations. John Vatices came too late. A man must be his own convert before he can convert others. Zoroaster, Christ, Mahommed, Cromwell, Napoleon, believed intensely in their own missions; hence their influence on the peoples. How can we tell what Byzantium might have become under one mighty hand? It was torn in pieces among courtesans, and parasites, and Christian fanatics, and Houmousians and Houmoiousians! I have the blood of the Commneni in me. I think of it with shame when I remember what they might have been."
"You come from the Roman Emperors?"
"The Roman Emperors?" she repeated. "When the name was a travesty, an ignominy, a reproach! When Barbarians thronged the Forum, and the representative of Galilee fishermen claimed power in the Capitol? Yes; I descend, they say, from the Commneni; but I am far prouder that, on the other hand, I come from pure Athenians. I belong to two buried worlds. But the stone throne of the Areopagus was greater than the gold one of Manuel."
"That animal life is to be envied perhaps," she said.
"Their pride is centred in a silver hairpin; their conscience is committed to a priest; their credulity is contented with tradition; their days are all the same, from the rising of one sun to another; they do not love, they do not hate; they are like the ass that they drive, follow one patient routine, and only take care for their food. Perhaps they are to be envied!"
"You would not lose 'those thoughts that wander through eternity,' to gain in exchange the peace from ignorance of the peasant or the dullard?"
She turned her face to him, with its most beautiful smile on her lips and in her eyes.
"No, I would not: you are right. Better to know the secrets of the gods, even though with pain, than to lead the dull, brute life, though painless. It is only in our dark hours that we would sell our souls for a dreamless ease."
"Dark hours! You should not know them. Ah, if you would but trust me with some confidence! if there were but some way in which I could serve you!"
Her eyes met his with gratitude, even while she gave him a gesture of silence. She thought how little could the bold, straight stroke of this man's frank chivalry cut through the innumerable and intricate chains that entangled her own life. The knightly Excalibur could do nothing to sever the filmy but insoluble meshes of secret intrigues.
"It is a saint's-day: I had forgotten it," she said to turn his words from herself, while the bell of the campanile still swung through the air. "I am a pagan, you see: I do not fancy that you care much for creeds yourself."
"Creeds? I wish there were no such word. It has only been a rallying-cry for war, an excuse for the bigot to burn his neighbour."
"No. Long ago, under the Andes, Nezahualcoytl held the same faith that Socrates had vainly taught in the Agora; and Zengis Khan knew the truth of theism like Plato; yet the world has never generally learnt it. It is the religion of nature—of reason. But the faith is too simple and too sublime for the multitude. The mass of minds needs a religion of mythics, legend, symbolism, and fear. What is impalpable escapes it; and it must give an outward and visible shape to its belief, as it gives in its art a human form to its deity. Come, since we agree in our creed, I will take you to my temple—a temple not made by hands."